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Chapter 3: Secular Music

Chapter 3: Secular Music. GET BOOKS TODAY Get in your presentation groups and discuss the following topic. Be prepared to present your group’s thoughts/ideas to the class at 10:35:

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Chapter 3: Secular Music

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  1. Chapter 3: Secular Music GET BOOKS TODAY Get in your presentation groups and discuss the following topic. Be prepared to present your group’s thoughts/ideas to the class at 10:35: Why was Leonardo da Vinci considered the epitome of the Renaissance Man? Would it be possible for someone today to match his achievements? Explain.

  2. VOCAL MUSIC • Secular vocal music increasingly popular • Set to poems in Italian, French, Spanish, German, Dutch, English • Printed music made performing it a leisure activity • Every educated person expected to play an instrument and read notation • Written for groups of solo voices or solo voice with accompaniment of instruments

  3. VOCAL MUSIC • Secular vocal music more popular • Text painting common • Composers imitated natural sounds like bird calls, street cries.

  4. Vocal Music cont… • Renaissance Madrigal • For several voices set to a short poem • Usually about love • Like a motet, it combines homophonic and polyphonic textures • Word painting, unusual harmonies • Originated in Italy around 1520 • Published by the thousands in 16th. c. Italy

  5. Vocal Music cont… • Sung by cultivated aristocrats • 1588: after defeat of the Spanish Armada, a volume of translated Italian madrigals was published in London. • Triggered spurt of madrigal writing by English comp. • Same time as Queen Elizabeth I, Shakespeare • Golden age of both English music AND literature, but originated in Italy

  6. LISTENING TO MADRIGAL • As Vesta Was Descending (1601) Thomas Weelkes – one of the first English madrigalists • See books pg. 112

  7. Vocal Music cont… • Renaissance Ballett (Fa-La) • Simpler than madrigal, dance-like • For several solo voices • Homophonic (a contrast to most Ren. music), melody in highest voice • Same music repeated for each verse/stanza, syllables “fa-la” used as refrain • Also originated in Italy, cultivated in England

  8. LISTENING TO BALLETT • Now Is the Month of Maying (1595) Thomas Morley • See books pg. 113

  9. INSTRUMENTAL MUSIC • Early 1500’s: inst. music was largely adapted from vocal music. • Harpsichord, organ, lute Lute – plucked string instrument with body shaped like half a pear

  10. Late 1500’s (16th c.): more music written specifically for inst. • Mostly intended for dancing (common pass time) • Everyone expected to know how, taught by professional dance masters • Popular dances: • pavane or passamezzo (duple meter) • Galliard (triple meter)

  11. Instrumental Music, cont… • musicians distinguished between loud, outdoor instruments like trumpet, and shawm (ancestor of oboe), and soft, indoor inst. like lute and recorder.

  12. Other inst. of the Renaissance • Cornett – wooden, cup-shaped mouthpiece

  13. Sackbut – early trombone

  14. Viols – pretty obvious • Regals (small organ with reed pipes)

  15. Passamezzo and Galliard from Terpsichore • Michael Praetorius (1571-1621) • From collection of over 300 dances

  16. Passamezzo (or pavane) – stately dance in duple meter • This recording includes bowed strings, plucked strings, woodwinds, brasses, keyboard ints., timpani. • 3 sections (abc), each immediately repeated louder, with more instruments (a a’ b b’ c c’)

  17. Galliard – carefree dance in triple meter • Same melody as our passamezzo, more upbeat • Smaller ensemble: bowed strings, plucked strings, woodwinds, harpsichord • 3 short sections, each ending with a cadence and brief pause, then repeated more fully (just like pavane) • But then, each section is repeated in succession at the end. • a a’ b b’ c c’ a’ b’ c’

  18. Renaissance Pavane • <iframe width="420" height="345" src="http://www.youtube.com/embed/hVBlFUb0g60" frameborder="0" allowfullscreen></iframe>

  19. Renaissance Individualism “Universal man” Humanism Realism Linear Perspective Text Painting/Word Painting Imitation Consonance/Dissonance A cappella Motet Mass Kyrie, Gloria, Credo, Sanctus, Agnus Dei Josquin Desprez Imitation Giovanni Pierluigi da Palestrina Protestant Reformation Counter-Reformation Council of Trent Madrigal Thomas Weelkes Ballett Thomas Morley Pavane/Passamezzo Galliard Lute Cornett Sackbut Shawm Recorder Regal Michael Praetorius VOCABULARY REVIEW

  20. Technology: Movable Type Printing Press, Gutenberg Bible Kalyn Julian Blake Jacob Religion: Martin Luther and the Protestant Reformation Dominique Phil Alec Bilal Exploration: Columbus, da Gama, Magellan Kieryn Claire Chris Taimoor Art: da Vinci, Michelangelo, Raphael Emma Aaron Sami Ryan Literature: William Shakespeare Anna Andrew Nathan Nick UNIT III PRESENTATIONS

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