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Introduction 2 : brief history

Introduction 2 : brief history. 1. Duchamp to Cage to Fluxus 2. film and Avant-Garde Cinema II 2014-2 introduction to media art dr.yoon. Marcel Duchamp (1887-1968) video. 1. Duchamp to Cage to Fluxus-1. Joseph Beuys (1921-1986)

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Introduction 2 : brief history

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  1. Introduction 2 : brief history 1. Duchamp to Cage to Fluxus 2. film and Avant-Garde Cinema II 2014-2 introduction to media art dr.yoon

  2. Marcel Duchamp (1887-1968) video 1. Duchamp to Cage to Fluxus-1

  3. Joseph Beuys (1921-1986) -political engagement (participation in shaping society and politics) Video: Filz TV (Felt TV) -Homogeneous Infiltration for Piano, 1966, piano covered with felt and leather, 100 x 152 x 240 cm, Georges Pompidou Center, Paris 1. Duchamp to Cage to Fluxus-2

  4. Robert Rauschenberg(1925-2008) - Untitled “combine”, 1963,  Oil, silkscreened ink, metal, and plastic on canvas - Monogram, 1955-59Freestanding combineOil, printed paper, printed reproductions, metal, wood, rubber heel and tennis ball on canvas, with oil on angora goat and tyre on wooden base mounted on four casters, 106.6 x 160.6 x 163.8 cm - White Painting, 1951. House paint on canvas, 72 x 72 in, four panels - Erased de Kooning Drawing, 1953 1. Duchamp to Cage to Fluxus-4

  5. John Cage (1925-1992) with,  Merce Cunningham (1919-     ) 1. Duchamp to Cage to Fluxus-4

  6. Fluxus : - “to flow”, blending different artistic media and disciplines in the 1960s. - art and life video - intermedia movement  - Fluxus Manifesto, 1963, by George Maciunas 1. Duchamp to Cage to Fluxus-5

  7. Fluxus - Nam June Paik   - performance in 1994   -  Zen For Film (Nam June Paik, 1962-1964) - Ono Yoko 1. Duchamp to Cage to Fluxus-6

  8. Andy Warhol«Empire» The Empire State Building filmed for 8 consecutive hours from dusk till dawn of the following day, shot on the night of the 25th of June 1964 from the 44th floor of the Time Life Building. «Empire» is an object-trouvé, a ready-made that prefigured today’s webcam images. It can also be considered a ‹structural film›: the obsessive repetition of the same image triggers our focus on the act of looking, on the value of the frame and most of all on the film duration. Time of reality and time of cinema are the same. 2. film and Avant-Garde Cinema II - 1

  9. - 8mm, 16mm - sony potapak video camera  - Bruce Nauman  - Vito Acconci 2. film and Avant-Garde Cinema II - 2

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