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Something’s Brewing BIER When hegemony just won’t do !

Something’s Brewing BIER When hegemony just won’t do !. Edith Abeyta & Judith Thissen. point of departure Watts Towers built 1921-1954 by Simon Rodia. building the "Hollywood Sci Fi Garbage Heap" house. a post-apocalyptic domicile of found materials, industrial products and garbage.

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Something’s Brewing BIER When hegemony just won’t do !

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  1. Something’s Brewing BIER When hegemony just won’t do! Edith Abeyta & Judith Thissen

  2. point of departure Watts Towers built 1921-1954 by Simon Rodia

  3. building the "Hollywood Sci Fi Garbage Heap" house

  4. a post-apocalyptic domicile of found materials, industrial products and garbage

  5. Simon RodiaEdith Abeytaart examing capitalism's inability to scratch the itchcomprised of re-constructed post-consumer cast-offs found on the streets of Los Angeles

  6. 25.11.2006 Something’s Brewing BIER Brown bag prototype Edith Abeyta, Los Angeles

  7. Requirements: design to be formatted into the shape according to the pattern.  The "label" is a slipcover, machine sewn, fitting over the top of a standard 12oz/30 cl. beer bottle. Medium: open open callfor labels

  8. Oleg Buryam & Peter Kirusha, Moscow The Pregnant Manphrase from famous futurist poet David Burluk

  9. Brain Bunny Beer Joncquil de Vries, Den Haag

  10. Beth Elliott, USA string theory

  11. Hague Williams, USA

  12. Alex Jacobs, Rotterdam

  13. I created a label that looks like fashion design for a beer bottle, by using fabric and vinyl with sparkles and lace. The objective is to give the Something’s Brewing bottle personality, femininity and allow the design to directly compete for attention with the multi-national brewer. If they happen to be in the same room as each other, …the viewer will have to decide who is the best dressed. Merry-Beth Noble, USA

  14. Marissa De La Mora, USA

  15. Amy Caterina, USA

  16. Irish Red Ale Oktoberfest India Pale Ale created by Bob Tower BIER

  17. 18.4.2007 equipment arrives

  18. 27.4.2007 first day of brewing

  19. preparation for bottling Irish Red Ale transferred from fermentor to sanitized kettle fermentor room

  20. bottling

  21. 3x3 batches of 35 liter 250 liters of beer bottles 6 events sponsored statistics

  22. 9.6.2007 Imagine IC Amsterdam

  23. 22-23.6.2007Oerol Festival, Terschellingsponsoring De Kift

  24. 26.6.2007Open atelier Utrecht University

  25. The flipside of the coin Art & the ideology of the market

  26. 1.2.2007 sponsor statement 1. Complete autonomy:  In no way should our project be altered,influenced or affected because a corporate brewer or any other brewer is going to sponsor CO-OPs. We don't want to be asked or feel pressure to pander or not have a critique because they are providing funds and/or free beer.2. Equal billing as a beer sponsor.  Our BIER "logo" on all printed material, acknowledgement that Something's Brewing BIER is also a sponsor of CO-OPs.

  27. 3. We don't want neither money nor bottles from the sponsor.  We would appreciate additional funding for our project (to cover international travel expenses) but only via NWO and as long as the above conditionsstill apply.4. The Something's Brewing team will exclusively serve it's own handcrafted beer. If the sponsor provides free beer for CO-OPS events, it can be served by the institution that is hosting the event.

  28. Merry-Beth Noblesays: June 12th, 2007 at 6:03 pm Edith’s and Judith’s experiences are a warning to us all about the power of the image. Images are in charge, they rule the land, even if they are false. This reminds me that it is important to question the image, even if it’s presented as truth. Often we praise the documentation and photos of the “project,” when there is little or no substance behind the work. We should continually question the integrity of what we are looking at. Likewise, as artists, we must be aware that our images and creative products are frequently hijacked by unsavory people and companies who use this work as a meal ticket, as prestige or as validation to receive money. The mis-use of our creative product ranges from the labeling of warehouses as “artist lofts” or “arts districts” in real estate, to securing government grant money with proposals for mysterious non-existent events. This falsification at the artist’s expense seems to becoming more and more common. Someone is making money in all this madness, and it usually isn’t the artist.

  29. Is presenteren de kunst?

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