Mass Media and Holocaust Memory. Examples of the “ Holocaust Metaphor ”. El Periódico , 2000. Jan and Aleida Assmann.
Communicative Memory – everyday communication, temporal horizon of eighty to hundred years, strongly influenced by contemporaries of the remembered events. SHORT TERM MEMORY.
Cultural Memory – “body of reusable texts, images, and rituals specific to each society in each epoch, whose ‘cultivation’ serves to stabilize and convey that society’s self-image.” LONG TERM MEMORY. - (Equivalent to Tradition).
Source: Jan Assmann, “Collective Memory and Cultural Identity,” New German Critique 65 (1995), p. 132
HOLOCAUSTisaninsulttothosewhoperished, and thosewhosurvived.TheHolocaust has to be
rememberedbutnot as a TV Show.
SCHINDLER’S LIST isone of themostpowerful films of all time, capturingthe true horror of theHolocaust.
Anna Bergman (Survivor)
HOLOCAUST MADE IN HOLLYWOOD?
HOLOCAUST MEMORIAL MUSEUM
“Even if the Holocaust has been endlessly commercialized, that does not mean that all commercialization inevitably trivializes it as a historical event.
There is no pure space, existing outside the culture of commodities, no matter how much we would like for it to exist. Thus, a great deal depends on the specific strategies of representation and commercialization and the context in which both are staged”
Memory can be transmitted to those who were not actually there to live an event.
Post-memories are memories in their own right.
Post-memory marks a particular turn-of-century moment, marked by looking backward rather than ahead and defining the present in relation to a troubled past rather than initiating new paradigms.
Post-memory is a consequence of traumatic recall but (unlike post-traumatic stress disorder) at a generational remove.
Relationship to the formative events of the XX century has been defined by the powerful but mediated forms of knowledge