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## PowerPoint Slideshow about 'Rendering Generalized Cylinders With PaintStrokes' - glynis

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A generalized cylinder is the surface produced by extruding a circle along a path through space, allowing the circle's radius to vary along the path.

- The essential properties of a paintstroke can be described with a one dimensional parametric function, ps(t). The components of this function are visual attributes that vary along the length of the paintstroke : position radius, colour, opacity, and reflectance.

rad(t)

ps(t) = colour(t)

op(t)

reflectance(t)

The ps(t) function is defined by using a series of n2 control points, {cp0 , cp1 , …,cpn-1 }.

we define psm (t) as the section of ps(T) where T [a, b] such that ps(a) =cpm and ps(b) =cpm+1 .

The new parameter, t [0,1], ranges over a single section of a paintstroke between a pair of neighbouring control points: psm (0) = cpm

psm (1) = cpm+1

segment refers to a subset of a section.

posx(t)

pos(t) = posy(t)

posz(t)

The function pos(t) defines the path that the paintstroke segment follows through R3 using the Catmull-Rom spline. Given the eye-space position values pm-1,pm, pm+1, and pm+2 of the control points, the Catmull-Rom spline extends from pm to pm+1, according to the equation :

As the figure shows, a Catmull-Rom spline is equivalent to a Hermite curve, such that the tangent vector at each inner control point joins the two surrounding control points.

Another term

we shall refer to is the view vector, dened as the unit

vector from the viewer (at the origin) to a point on

the paintstroke. Thus,

view(t) = pos(t)/||pos(t)||.

The Radius -

The function rad(t) defines the thickness of the segment,

measured orthogonally to the tangent vector of the path, pos’(t).

The radius function is defined as a Catmull-Rom spline,

precisely like each component of pos(t).

The model supplies a set of radiuses { r0,r1,…, rn-1} at each

control point .

The Color -

colorr(t)

color(t) = colorg(t)

colorb(t)

A color value is assigned at each control point, and the color(t)

function interpolates linearly between these values, along the

spine of the paintstroke. Given the set of (r, g, b) color points

{c0,c1,…,cn-1} , the equation for the interpolated color value

between control points cm and cm+1 is :

colorm(t) = (1-t)cm + tcm+1

Black

Control point

White

Control Point

Tessellating the Paintstroke-or polygonizing it

Traditional tessellation schemes subdivide a surface into a set of world-space

Polygons . Although , The paintstroke directly polygonizes the screen

projection of a generalized cylinder.

This is what makes the name “paintstroke" appropriate to this

primitive: a painter drawing a three-dimensional tube with a

single stroke of the paintbrush .

Each section of the paintstroke, bounded by control points

{cp0, cp1} , {cp1, cp2} … {cpn-2, cpn-1} , is rendered individually.

The following two phases will subdivide the section, first along its

length, and then along its breadth. The lengthwise subdivision

breaks the section into segments, each of which is then divided

along its breadth to ultimately produce a set of polygons. That

completes the tessellation.

Lengthwise Subdivision

the section between each pair of adjacent control points is recursively

subdivided in half into pairs of segments until the subdivision criterion for all the

segments has been satisfied. Whenever a segment is subdivided, the split

occurs at the parametric midpoint, i.e. at ps(0.5). The two halves are then

recursively subdivided in the same manner until no further subdivisions are

required.

A paintstroke segment ps(t) for t[a,b] a < b is either subdivided or advances to

the next phase, depending on the behavior of its pos(t) and rad(t) components.

Position Constraint I

The first position constraint is based on the angle between the two

dimensional tangent vectors pos’scr (a) and pos’scr (b). These are the (x,y)

screen-space projections of the derivative pos’(t) at the segment's endpoints,

t = a and t = b.

If > max , the constraint forces a subdivision.

max (0°,90°) as described in the

next page.

The values pos’scr (a) and pos’scr (b)

are obtained by analytically

dierentiating the function posscr(t),

the screen-projection of the paintstroke's

path.

The next step is to normalize pos’scr (a) and pos’scr (b), and then compute their dot product, which yields cos. If this value is negative, then exceeds the maximum value of max (90°) so we subdivide the segment . Otherwise, we need to determine max .

We begin by finding the segment's maximum length d, defined as the distance between the two outside points oa and ob, which are the points lying

on the outside boundary of the segment at t = a and t = b.

The outside point oa is computed

by displacing the position point

posscr(a) by one of the two vectors

perpendicular to pos’scr (a) , namely :

pos’scr y(a) or -pos’scr y(a)

-pos’scr x(a) pos’scr x(a)

That has been normalized and scaled by the length of the screen-projected radius.To determine which of the two vectors points toward the outside of the paintstroke's curvature, we apply a test based on pos’’scr(a), because the second derivative vector always points toward the center of curvature.

The same algorithm is applied to obtain ob.

Then d which is the distance between oa and ob is found .

max is obtained by the equation - cos² max = d²

d² + tol²

tol is a user-defined parameter which causes more or less segmentization.

Now , if > max we divide the segment , else , we proceed to the next phase.

Position Constraint Il

The second position constraint maintains a desired degree of linearity in the z

Component of pos(t). This is necessary to ensure that a curved segment is

adequately subdivided even when viewed from an angle that makes its screen

projection close to linear. In such a situation, Position Constraint I would allow

the entire segment to be rendered without any subdivision, regardless of its true

curvature. Although the rendered image would have the correct shape, it would

fail to express the true variation in the surface normals along the segment.

To implement this constraint, we begin by computing over the interval [a,b] the

exact average values of posz(t) and its linear interpolant. The absolute

difference between the two is a measure of posz(t)'s nonlinearity. If the result is

Smaller than tolz (user-defined parameter) than a segmentization occurs

else we proceed onto the next phase.

The Radius Constraint

The radius constraint ensures a smooth lengthwise variation in the radius

of a segment. It is precisely analogous to Position Constraint II, relying on

the average difference between the rad(t) function and its linear

interpolant. The simplified equation for this constraint is :

Breadthwise Subdivision

After a segment has been sufficiently shortened by lengthwise subdivision,

it is finally tessellated into polygons along its breadth.This involves dividing

it into a ring of polygons which tile the truncated cone that the segment

represents.

The specifics of a paintstroke's breadthwise tessellation depend on

its quality level.Each paintstroke bears one of three possible quality

levels, numbered 0, 1, and 2.

a quality-zero segment is tessellated into a single polygon that always

faces the viewer, a quality-one segment into two on each side (the viewer's

side and the one opposite to it), and a quality-two segment into four on

each side.

Quality Level 0 - the entire segment becomes a single quadrilateral with vertices along the edges of the paintstroke, corresponding to the silhouette of the generalized cylinder.

-The shading and lightening is inaccurate.

-Can’t be viewd head-on.

Quality Level 1 - the viewer's side of the segment is divided into two equal- sized quadrilaterals that have a common edge along the middle of the segment. improves the appearance of a lighted segment,can be viewed head-on,

- reveal their quadrilateral cross-section if

their path is sufficiently straight.

Quality Level 2 - produce the highest quality images, both in their shading and in their appearance when viewed head-on.

- generate four polygons per segment.

Determining the Polygon Vertices

To obtain a paintstroke polygon's vertices, There’s a need to determine the

vectors which all originate at pos(t), radiating outward.

These are the out vectors:

outedge(t) - points to one of the segment's two lengthwise silhouette edges.

outcenter(t) - reaches the breadthwise center of the segment.

Vertices along the edges are now computed as : pos(t)+outedge(t)

pos(t)- outedge(t)

For quality-zero paintstrokes, these are the only vertices used. For higher

quality levels, the center vertex on the side of the segment facing the viewer is given by pos(t) +outcenter(t).

For quality2 paintstrokes, the remaining four vertices are computed in the same manner, outmid1(t) and outmid2(t) as described previously.

The vertices are computed at both endpoints (a,b) of the segment, yielding a ringof quadrilaterals.

Computing the Normals

Each normal vector is equal to its corresponding out(t) vector plus an

adjustment vector adj(t) in the direction of pos’(t), whose norm is determined

by the derivatives of the radius and position :

adj(t) = - rad’(t)pos’(t)

||pos’(t)||²

out(t) vectors define the breadthwise normal varia-

tion of a paintstroke , while the adj(t) vector

Represents the lengthwise normal variation,

determined by the behavior of the paintstroke's

radius.Then the Normal vector at each vertex is -

Normal = out”correspond”(t) + adj(t)

The normals within the interior of a polygon are

derived by bilinearly interpolating the (x, y, z) com-

ponents of the vertex normals across the polygon's

screen-space projection.

Conclusions

The purpose of this paper was to provide an efficient means of rendering

generalized cylinders at precisely small and medium scales. By applying a

view-adaptive tessellation algorithm that exploits the simplicity and

symmetry of the generalized cylinder's screen-space projection,

paintstrokes are able to accurately approximate furry surfaces using much

fewer polygons than competing methods, producing savings in both

rendering speed and memory consumption.

Bibliography

- http://www.dgp.utoronto.ca/people/ivan/research/research.html#anims
- http://www.dgp.utoronto.ca/people/ivan/research/sketch.pdf

SIGGRAPH '97 Technical Sketch, Aug. 1997

- http://www.dgp.utoronto.ca/people/ivan/research/gi98.pdf

Graphics Interface '98, June 1998

- http://www.dgp.utoronto.ca/people/ivan/research/thesis.pdf

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