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The Italian Renaissance

The Italian Renaissance. Firenze and Venezia 14 th and 15 th centuries (Florence and Venice, 1300-1500). Thesis.

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The Italian Renaissance

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  1. The Italian Renaissance Firenze and Venezia 14th and 15th centuries (Florence and Venice, 1300-1500)

  2. Thesis Florence used its advantageous socioeconomic, historical, and cultural position to launch Renaissance of scholasticism and the arts. Given its wealthy banking status throughout Europe, Florence was able to spread its new found ideas and taking a leading position on the European stage. This, combined with the numerous wealthy citizens of Florence who used their riches to patronize the leading artist and thinkers of the day, created an atmosphere brimming with creativity which subsequently compounded upon itself and led to a barrage new, unparalleled, masterpiece works.

  3. Renaissance 1304-1588 • Word literally means “rebirth” • What was reborn was a Classical (Greek & Roman) ideas—art, architecture, philosophy, literature, finance, views of the world, etc. • Began in Italy—mainly Florence—in 14th century, and moved to the rest of Italy—like Venice—in 15th century, as it spread through Southern Europe • Then spread to Northern Europe, through Holland and Flanders and onto England and Denmark and Sweden • Never hit certain countries like Holy Roman Empire, Baltics, Poland, Russia. Because of this, these countries will have messed up histories down the road

  4. Classic crash course • Classics = Greek and Roman (more Greek based to us now, more Roman based to Petrarch when the idea started) • Both based around and split from one of the all-time great stories: The Trojan War. Greeks = Greeks in the story; Trojans = Romans. Romans lose the battle but win out in the end  pinnacle of society to Renaissance men • Greeks famous for democracy, city-states, philosophy, mathematics, literature (epics and plays), mythology • Romans famous for republic, weaponry, power, Latin, birthplace of Christianity, architecture, aqueducts, baths, gladiators, Caesar, empire, “world” dominance, togas, copying the Greeks

  5. Classical Images: Greece

  6. Classical Images: Rome

  7. Classical Images: Rome

  8. Classical Images: Split

  9. Renaissance 1304-1588 • Marked by study of classics and move from god-centric to people-centric view of things. • New focus on scholasticism and the individual

  10. Venice (Venezia) • City built completely on water • Influential in trade with East, exploration, and banking • Ruled by Doge and Terrible Ten reign of Terror, known as a Republic • Famous Venetians: Marco Polo and Titian

  11. Venezia

  12. Canals

  13. Florence (Firenze) • Renaissance began with birth of Francesco Petrarch in 1304 in Florence • Florence controlled by large families, ruled kind of like early mafia • Also somewhat resembles democracy—citizens vote on certain things (but are bribed) • Rash of famous Florentines: Dante, Petrarch, Boccaccio, the Medici family, Brunelleschi, Michelangelo, Leonardo, Donatello, Machiavelli

  14. Firenze

  15. DuomoF. Brunelleschi

  16. Gates of ParadiseL. Ghiberti

  17. Santa Croce

  18. Why Italy? • One of the first effected by the plague = first country to return to health and city life • Church weakened by plague and closest to Italy = more secular approach, more concern for the arts • Plague = more focus on life & enjoying it = more liberalism= more demand for arts & literature • Commercial Revolution = more exchange of people and ideas + more money = more liberal approach to life and more patronage • Loose confederation of states = much easier to change one or two parts, like Venice or Florence than a whole country, like England • Had most of the classics buried in their land = easier to find through excavation and searching in the depths of churches • Unique systems of governments = allowed just enough freedom for arts to flourish • Warm = more food, more people, more specialization • Something in the water = rash of important Italians, kind of like our founding fathers

  19. Renaissance Art

  20. Renaissance Art • This is where we see the big rebirth of Greek and Roman ideas and themes • First use of Linear Perspective rediscovered by Brunelleschi after 1000 year hiatus • Painted both canvas and fresco • Paint was a combo natural earth colors and egg yolk

  21. « Previous | Next » Linear Perspective

  22. Donatello (1386-1466) • Lived and worked in Florence • Close friend of the Medicis • David was first “real” sculpture

  23. David by Donatello, copper cast, Uffizi Art Gallery, circa 1440s

  24. Sandro Botticelli (1445-1510) • Another close friend of the Medici • First to explore Greco-Roman mythology • Got in with Medici by kissing up to them in his paintings

  25. Birth of Venus by Botticelli, oil on canvas, Uffizi Art Gallery, circa 1482-1486

  26. Raphael Sanzio (1483-1520) • First part of the great masters trinity (R-M-L) • Just as famous for mass quality work his workshop produced • Not born in Florence but worked there and Rome

  27. School of Athens by Raphael, fresco, St. Peter’s Basilica, 1510

  28. Michelangelo Buonarroti (1475-1564) • Usually considered the master artist of the Renaissance • Famous for both paintings and sculpture • Tied up in Medici politics: Painted in both Florence and Rome

  29. Pieta by Michelangelo, marble, St. Peter’s Basilica, 1499

  30. David by Michelangelo, marble, Galleria dell’Accademia in Florence, 1504

  31. Moses by Michelangelo, marble, St. Peter’s in Chains, 1515

  32. Sistine Chapel

  33. Sistine Chapel Ceiling • Painted by Michelangelo on his back from 1508-1512 • Frustrated Pope with lack of speed and perfectionism • Depicts Genesis and prophets

  34. Creation of Adam by Michelangelo, fresco, St. Peter’s Basilica, 1512

  35. Last Judgment by Michelangelo, fresco, St. Peter’s Basilica, 1541

  36. Leonardo Da Vinci (1452-1519) • More than just an artists—noted inventor, scientist, writer, etc. • Also responsible for two of the most famous pieces of art of all time • Began work in Florence, but moved around a lot and died in France

  37. Adoration of the Magi by Da Vinci, oil on wood, Uffizi Gallery, 1485

  38. The Last Supper by Da Vinci, fresco, Santa Maria delle Grazia, circa 1495-1498

  39. Mona Lisa by Da Vinci, oil on canvas, The Louvre, circa 1503-1506

  40. Vitruvian Man by Da Vinci, pen on paper, Galleria dell’Accademia in Venice, circa 1485-1487

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