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The Nuremberg Chronicle

The Nuremberg Chronicle. From Creation to the Babylonian Captivity. הכרוניקה של נירנברג. מבריאת העולם עד נפילת ירושלים בידי הבבלים. מצגות קלריטה ואפרים.

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The Nuremberg Chronicle

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  1. The Nuremberg Chronicle From Creation to the Babylonian Captivity הכרוניקה של נירנברג מבריאת העולם עד נפילת ירושלים בידי הבבלים מצגות קלריטה ואפרים

  2. הספר "הכרוניקה של נירנברג" מתאר את תולדות העולם מבריאתו ועד שנת 1490. הספר שהודפס בשנת 1493 נחשב אחד הספרים הבולטים באיורים מאילו שהודפסו במאה הראשונה של הדפוס. בספר 1809 ציורים, 645 מהם הדפסי עץ . המוציא לאור היה הרטמן שאדל. Title page

  3. The Nuremberg Chronicle בספר 320 דפים והוא מחולק לשבעה פרקים. (ראה רשימה מצורפת) במצגת הראשונה נתרכז בארבעת הפרקים הראשונים של הספר, מבריאת העולם ועד כיבוש ירושלים בידי הבבלים. העיצוב והעריכה של הספר מרשימים, בהתחשב בתקופה ובתנאים בהם הוצא לאור. סידור העמודים, הציורים והכתב מעידים על יכולתם הבולטת של הציירים ושל המוציאים לאור להדפיס ספר יוצא דופן זה.

  4. פרקי הספר: Index The First Age of the World from Creation to the Deluge The Second Age from the Deluge to the Birth of Abraham The Third Age from the Birth of Abraham to the Kingdom of David The Fourth Age from beginning of the Kingdom of David to the Babylonian Captivity The Fifth Age from the Babylonian Captivity to the Birth of Christ The Sixth Age from the Birth of Christ to the present day The Seventh Age, reporting the coming of the Antichrist at the end of the world and predicting the Last Judgment Addenda Addenda II

  5. שימו לב לציורים, המשקפים את רוח התקופה, וכיצד דמיינו הציירים את מאורעות התנ"ך. רוב הדמויות לבושות לפי אופנת ימי הביניים. שימו לב ללובשי השיריון ולבנינים בציור על אברהם אבינו (אין בו אוהלים...), או ללבושם של בני ישראל שיצאו ממצרים ומרקדים סביב עגל הזהב שבראש העמוד... • הספר הודפס בלטינית ויצא לאור ביוני 1493. מעריכים שהודפסו בין 1400 ל- 1500 אקסמפלרים. • הנוסח הגרמני הודפס בדצמבר 1493, ב-700 עד 1000 עותקים.

  6. Jerusalem דוגמה מצורת עיצוב הספר

  7. The Nuremberg Chronicle is a pictorial history of the earth fromcreation to the 1490s published in 1493. It was compiled by Dr. Hartmann Schedel, illustrated and engraved by Michael Wohlgemuth, Wilhelm Pleydenwurff and Albrecht Dürer, and printed and published by Anton Koberger. The Chronicle is the first instance of partnerships shown between artists and patrons.

  8. God said "Let there be light." And God called the light "day" and the darkness "night”.

  9. הציורים במצגת הופרדו מהדפים עצמם כדי להבליט את יופיים God Enthroned

  10. Heavenly Chorus

  11. Creation of Birds

  12. Creation of Adam

  13. Creation of Eve

  14. Expulsion from the Garden of Eden

  15. The woodcuts shown in the chronicle represented the emergence of xylography as a prosperous industry in South Germany. Xylography was quite dominant for several years before Gutenberg invented typography. The woodcuts normally presented biblical scenes, saints, and moralities. Illiterates of medieval Europe used the woodcuts as charms for protection. Xylography achieved its greatness in South Germany following the publishing of the Nuremberg Chronicle. Albrecht Dürer became a leader in the art of xylography and was a part of the distinguished group who created the woodcuts of the Chronicle.

  16. In 1493, the year the Chronicle was published, the city of Nuremberg was the most advanced among the German cities in the arts and crafts and commercial relations. The city stands today as beautiful as it was in 1493; the residences of those integrally involved in the making of the Chronicle are standing still. The cathedral of St. Sebald, probably the most important part of the city at that time, still exists.

  17. Medieval representation of the building of the Ark from H. Schedel's so named "World Chronicle", 1493 The obvious influences of the ships of 1493 are obvious, and the proportions are far from Biblical. As for scale - perhaps we can assume perspective was a problem for artists at this time.

  18. Noah's Drunkenness

  19. Sodom & Gomorrah

  20. Abraham

  21. Sacrifice of Isaac

  22. Anton Koberger was the printer of the Chronicle and established the second printing office in Nuremberg in 1470. His family had governed Nuremberg since the day it became a free imperial city in 1219. Koberger became the godfather of Albrecht Dürer in 1471. He was heavily involved in goldsmith until he left that to enter into the printing industry. Though he seems to have had no prior knowledge of the business, there seems to be a close connection between typographic art, and goldsmith. Typographic art needed a matrix to cast a letter, and none were as skilled in engraving on metals as the goldsmiths were. This perhaps explains the connection between the two. By 1489, Koberger owned twenty-four printing presses and employed approximately a hundred operatives.

  23. The Chronicle contains 1809 prints, taken from 645 actual woodcuts. Therefore, there are 1164 repetitions. The Chronicle, however, retains its splendor because of the area and number of woodcuts that is larger than any other book of its century. The Nuremberg Chronicle is and will remain always, an indication of the height of evolution of typography in the 1490s.

  24. Joseph & Potiphar's Wife

  25. Job

  26. Moses & the Burning Bush

  27. Priestly Lineage of Aaron

  28. Balaam

  29. The Crossing of the Red Sea

  30. Moses Receiving the Ten Commandments

  31. Dance around the Golden Calf

  32. הנביאים מלכי ישראל

  33. Judith and Holofernes

  34. Judgment of Solomon

  35. City of Jerusalem

  36. Nebuchadnezzar Conquers and Destroys Jerusalem

  37. Jerusalem being destroyed

  38. מקורות: http://www.columbia.edu/itc/mealac/pritchett/00maplinks/medieval/nuremchron1493/nuremchron1493.html http://ace.acadiau.ca/score/facsim2/intro.htm http://www.lib.umd.edu/RARE/Exhibits/Nuremberg/ http://www.beloit.edu/~nurember/book/images/Old%20Testament/ קלריטה ואפרים הנכם מוזמנים להיכנס לאתר שלנו: www.clarita-efraim.com נשמח לתגובות

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