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2-D Design Redux

2-D Design Redux. Card Players Romare Bearden. The Kelmscott Chaucer William Morris . No Child Left Behind Christopher C. Kaufman. Self-Portrait as Infanta Maria Teresa Dreaming Madame de Sade Julie Heffernan. Untitled Jean-Michel Basquiat . Emily Dickenson in the Painted Desert

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2-D Design Redux

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  1. 2-D Design Redux

  2. Card Players Romare Bearden

  3. The Kelmscott Chaucer William Morris

  4. No Child Left Behind Christopher C. Kaufman

  5. Self-Portrait as Infanta Maria Teresa Dreaming Madame de Sade Julie Heffernan

  6. Untitled Jean-Michel Basquiat 

  7. Emily Dickenson in the Painted Desert Amanda Lechner

  8. Two Women in the Street Ernst Ludwig Kirchner

  9. Four Panels Ellsworth Kelly

  10. Talking Philip Guston

  11. The unifying idea for the portfolio is that the student focuses on making decisions about how to use the principles and elements of art to create works of art that convey meaning. The Survivors Käthe Kollwitz

  12. King Oliver Jazz Band The orchestration of the elements of design according to the principles of design is what is evaluated in the 2-D design portfolio.

  13. elements of design Line Untitled Cy Twombly

  14. elements of design Shape Formation I Arthur Dove

  15. elements of design Space Carceri, Plate XI Giovanni Battista Piranesi -

  16. elements of design Color New York Elevated Stuart Davis

  17. elements of design Value The Unmade Bed Imogen Cunningham

  18. elements of design Texture Night Shadows Edward Hopper

  19. elements of design Pattern The Poet #2 Miriam Schapiro

  20. principles of design Figure / Ground Toilette of Salome Aubrey Beardsley

  21. principles of design Balance Tumbling Pig Hill Nick Bantok

  22. principles of design Unity Jerusalem Anselm Kiefer

  23. principles of design Variety La Musique Henri Matisse

  24. principles of design Emphasis editorial design Richard Hart

  25. principles of design Rhythm Rayograph 1926 Man Ray

  26. principles of design Proportion / Scale Millions stand behind me John Heartsfield

  27. Principles of 2-D design Informed by Gestalt Laws of Perception Kurt Koffka Wolfgang Kohler Max Wertheimer

  28. (The core of visual thinking is)“how an image is composed of its parts” Rudolf Arnheim Sky and Water MC Escher (The core of 2-d design is)“how an image is composed of its parts” Penny paraphrasing Rudolf Arnheim

  29. Gestalt Laws of Perception Charlton Heston in The Ten Commandments & the Principles of 2-D Design

  30. Figure / Ground = Law of Closure & Law of Similarity Law of Closure The mind “fills in the blanks”in order to complete a regular figure . Law of Similarity The mind groups similar* elements into collective entities. *form, color, size, or brightness for example Who is the AntiSemite? Paanat Ernest Pignon Ernest

  31. Stable Figure / Ground First Solitude Manuel Alvarez Bravo

  32. Unstable (Ambiguous) Figure / Ground Ambiguous figure / ground relationships often used in logo design Centex Corp.Hearts and Hammers program logo Munday Morning Creative Group -

  33. Unity = Law of Similarity & Law of Proximity Law of Similarity The mind groups similar*elements into collective entities. *similar in color, form, or brightness for example Law of Proximity The mind sees elements that are close together as being related. Who is the AntiSemite? Paanat Francisco Argumosa

  34. Unity Similar shapes close together become a group & unify the composition Lee Friedlander Boy in Window, Baltimore

  35. Unity similarity of textures promotes unity Jerusalem Anselm Kiefer

  36. Unity repeated color harmonies promote unity Fiesta George Tooker

  37. Unity repeated shapes promote unity Lantern Bearers Maxfield Parrish

  38. Variety Contrasting color, pattern and texture create visual interest X Law of Similarity The mind groups similar*elements into collective entities. *similar in color, form, or brightness for example Law of Similarity - disrupted La Musique Henri Matisse Law of Common Fate Elements with the same moving direction are perceived as a collective or unit Law of Continuity The mind continues visual, auditory, and kinetic patterns.

  39. Variety = Law of Similarity - disrupted Cindy Sherman Untitled Film Still #21 Focal point created by contrast of shape

  40. Variety = Law of Continuity disrupted focal point created by isolating a shape Spring Way Romare Bearden

  41. focal point created by color contrast editorial design Richard Hart

  42. Variety = Law of Common Fate & Law of Continuity Focal point created by “lines of force” - elements direct the eye toward focal point Sharkeys George Bellows Law of Common Fate Elements with the same moving direction are perceived as a collective or unit Law of Continuity The mind continues visual, auditory, and kinetic patterns.

  43. Shiva at Whistle Creek Sally Mann

  44. Rhythm = Law of Continuity Law of Continuity The mind continues visual, auditory, and kinetic patterns. The Mysteries of Harris Burdick Chris Van Allsburg

  45. Rhythm visual elements repeat in such a way as to evoke a “beat” “regular” rhythm Rayograph 1926 Man Ray

  46. “irregular” / contrapuntal rhythm Monte Carlo Marcel Duchamp

  47. Balance = Memory & Empathy “Perception is an active pattern-seeking process that works in two ways. Firstly by filling in incomplete patterns and secondly by finding a desired pattern embedded in distracting surroundings.” Edward Prince No Place for Racism

  48. Intelligence within perception Memory & Memory Man Dad Karin Higgins

  49. Brain image of empathy

  50. Balance - Visual Weight Compositional “hot spots” - a reaction to the experience of gravity upon the body, and the way text is read (in the west)

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