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What is… AP 2-D Design

What is… AP 2-D Design. (The core of visual thinking is) “ how an image is composed of its parts” - Rudolf Arnheim. Sky and Water MC Escher.

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What is… AP 2-D Design

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  1. What is… AP 2-D Design

  2. (The core of visual thinking is) “how an image is composed of its parts”- Rudolf Arnheim Sky and Water MC Escher

  3. The unifying idea for the portfolio is that the student focuses on making decisions about how to use the principles and elements of art to create works of art that convey meaning. The Survivors Käthe Kollwitz

  4. King Oliver Jazz Band The orchestration of the Elements of Art according to the Principles of Design is what is evaluated in the 2-D design portfolio.

  5. Line Untitled Cy Twombly

  6. Shape Formation I Arthur Dove

  7. Space Carceri, Plate XI Giovanni Battista Piranesi -

  8. Color New York Elevated Stuart Davis

  9. Value The Unmade Bed Imogen Cunningham

  10. Texture Night Shadows Edward Hopper

  11. principles of design Balance Tumbling Pig Hill Nick Bantok

  12. principles of design Unity Jerusalem Anselm Kiefer

  13. principles of design Variety La Musique Henri Matisse

  14. principles of design Emphasis editorial design Richard Hart

  15. principles of design Rhythm Rayograph 1926 Man Ray

  16. principles of design Proportion Millions stand behind me John Heartsfield

  17. Unity = Law of Similarity & Law of Proximity Law of Similarity The mind groups similar*elements into collective entities. *similar in color, form, or brightness. Law of Proximity The mind sees elements that are close together as being related. Who is the AntiSemite? Paanat Francisco Argumosa

  18. Unity Similar shapes close together become a group & unify the composition Lee Friedlander Boy in Window, Baltimore

  19. Unity Similarity of textures promotes unity Jerusalem Anselm Kiefer

  20. Unity Repeated color harmonies promote unity Fiesta George Tooker

  21. Unity Repeated shapes promote unity Lantern Bearers Maxfield Parrish

  22. Variety Contrasting color, pattern and texture create visual interest X Law of Similarity The mind groups similar*elements into collective entities. *similar in color, form, or brightness for example Law of Similarity - disrupted La Musique Henri Matisse Law of Common Fate Elements with the same moving direction are perceived as a collective or unit Law of Continuity The mind continues visual, auditory, and kinetic patterns.

  23. Variety = Law of Similarity - Disrupted Cindy Sherman Untitled Film Still #21 Focal point created by contrast of shape

  24. Variety = Law of Continuity disrupted Focal point created by isolating a shape Spring Way Romare Bearden

  25. Focal point created by color contrast editorial design Richard Hart

  26. Variety = Law of Common Fate & Law of Continuity Focal point created by “lines of force” - elements direct the eye toward focal point Sharkeys George Bellows Law of Common Fate Elements with the same moving direction are perceived as a collective or unit Law of Continuity The mind continues visual, auditory, and kinetic patterns.

  27. Shiva at Whistle Creek Sally Mann

  28. Rhythm = Law of Continuity Law of Continuity The mind continues visual, auditory, and kinetic patterns. The Mysteries of Harris Burdick Chris Van Allsburg

  29. Rhythm visual elements repeat in such a way as to evoke a “beat” “regular” rhythm Rayograph 1926 Man Ray

  30. Balance Equal distribution of visual “weight” within a composition - symmetrical / asymmetrical I want to understand Tabor Photo-graphic

  31. Balance - Visual Weight Compositional “hot spots” - a reaction to the experience of gravity upon the body, and the way text is read.

  32. Symmetrical Balance virtually identical elements in each half of the composition Identical twins Diane Arbus

  33. Asymmetrical Balance Equal distribution of “visual weight” within quadrants of composition, but not identical elements Railroad Ferry Hudson River, New York Andreas Feininger

  34. Many small or complex elements can balance a large simple one: Model in Backlight Pierre Bonnard

  35. Small dark elements balance large light ones Model in Backlight Pierre Bonnard

  36. Proportion Size relationships within the composition Millions stand behind me John Heartsfield

  37. Proportion Relative size of elements compared to an external standard What the water gave me Frida Kahlo

  38. Many different materials & processes can be used to demonstrate understanding of 2-D design. Stop Nasal Congestion, 1989 Creative Medical Communications

  39. Photography Untitled (Michael and Christopher) Ralph Eugene Meatyard

  40. Photography Detroit Harry Callahan

  41. Painting Interior Panel With Embryo Gregory Gillespie ,

  42. Painting Window Garden Jennifer O'Connell

  43. Printmaking The Great Wave at Kanagawa Katsushika Hokusai

  44. Printmaking Benedictio Corita Kent

  45. Illustration The Man with 10,000 Bird Songs in His Head Popular Science design group

  46. Illustration Rasha al-Hakim

  47. Digital Bawdy House on Petticoat Lane Tina Bell Vance

  48. Digital Untitled Bruce Bayard

  49. Graphic Design Little Brown, & Co. design group

  50. Graphic Design Zachary Hobbs Design

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