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The assigning of symbolic meanings to colors is probably as old as symbolism itself. <br>In fact, words are well adapted for description and the arousing of emotion, but for many kinds of precise thought other symbols are much better. (John B. S. Haldane)
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153 La femme en rouge
Zeng Chuanxing (1974) is a contemporary Chinese painter known for his portraits of ethnic minority women. Known as the Paper Bride series, Zeng’s realist portraits express a melancholic delicacy in his sitters. The artist’s work serves as a commentary on the post-Mao, post-Cultural Revolution era, as well as on the Western influence on Chinese culture
Zeng Chuanxing was born in Longchang County, Sichuan Province, in 1974. He majored in oil painting at the Central University for Nationalities from 1995 to 1998. His realist paintings depict young, beautiful girls and women reflect a return to classicism and a subtle, yet poignant commentary to modern day China. While the majority of his artist contemporaries have explored and implemented more contemporary modes of expression, Zeng turn to a traditional way to express his modern ideas. The classical skills not only clearly convey his own feelings, but, almost more importantly, to serve as a window to understanding other people’s feelings, thoughts and emotions. About his ongoing series of Paper Bride, Zeng was enlightened by one of his “successful in business but unlucky in love” female friend. Zeng comments on the fragility and uncertainty of marriage. In old times, Chinese marriage was strictly assigned. The possibility of divorce was none and even the thought of end a relationship was considered criminal. Marriage was like a gambling, you never know what you are going to get. As social progressing, women are free to choose and change their spouse, but still vulnerable in marriage. Zeng’s quiet and melodic figures, draped in delicate paper gowns, represent the fragility of this once impenetrable bond and reflect the often melancholic and insecure state he sees in the new generation of Chinese women. Holding hands
Paper Bride, Red Grass Sea, 2006 Sold: GBP 146,500
Red Paper Bride, oil on canvas, 130 x 150 cm
Paper Bride Series Horizon 92x75cm
Paper Bride Series The Distant Home 152x76cm
Zeng pays particular attention to his characters’ eyes and hands, as he maintains it is with these parts of the exterior body that a human being’s soul can vividly and truly be reflected. He currently teaches painting in the Fine Arts Department at Hunan University of Arts and Sciences. His work has been extensively exhibited and can be seen at the Beijing Yan-Huant Museum, the Hunan Museum (Changsha) and the Guangdong Art Museum.
Red Paper Bride, 2005 Paper bride, 2005 Sold: HKD 3,847,500 (419,000euro)
Red paper bride The setting sun, 2012
Red paper bride 2006 130.5 x 150 cm
Red paper bride At the river side, 2014
Caribbean sea Helen, 2011
Bride in red paper Lake, 2005
Red paper bride series City at night, 2010 90 × 150 cm
Quintessentially the Paper Bride is homage to classicism, and the bride is symbolic for fragility, he gives them immortality and transcends culture
Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu https://www.slideshare.net/michaelasanda https://ma-planete.com/michaelasanda .2018 Sound: Peter Kater & Nawang Khechog - The Dance Of Innocents 1998