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Ray Charles and Soul Music. The term “ rhythm & blues ” disappeared from pop music vocabulary during the early 1960s and was replaced by the term “ soul. ” Soul music became the symbol of the black community ’ s effort to achieve cultural definition during the 1960s.

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Ray Charles and Soul Music


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    1. Ray Charles and Soul Music • The term “rhythm & blues” disappeared from pop music vocabulary during the early 1960s and was replaced by the term “soul.” • Soul music became the symbol of the black community’s effort to achieve cultural definition during the 1960s. • Stylistically, soul music combined • gospel singing, • rock ’n’ roll, and • rhythm & blues.

    2. Ray Charles (born Ray Charles Robinson, 1930–2004) • Born in Albany, Georgia • Blind from age six • He originally got into music in Seattle during the 1940s, leading a jazz trio in the clubs on Jackson Street. • The sound of his trio was based on the sound of the Nat King Cole trio. • He signed with Atlantic Records and scored several R&B hits in 1954.

    3. Ray Charles • Charles’s recordings stood out from other R&B hits • Played the piano with unmatched brilliance • Used the best available studio musicians to accompany him • Demanded the best out of everyone involved in his recordings; the consummate professional, a perfectionist

    4. Ray Charles • A constant presence on the R&B charts during the 1950s, but major crossover success eluded him until 1959 • “What’d I Say” (Number Six pop, Number One R&B, 1959) • “Georgia on My Mind” • His first Number One pop hit • A version of an old Tin Pan Alley standard • Number Three on the R&B charts • Charles recorded an album of soul interpretations of country songs in 1962, Modern Sounds in Country and Western Music.

    5. The “Genius of Soul” • Charles was a fine songwriter, having written R&B classics like “I’ve Got a Woman” and “Hallelujah I Love Her So.” • Highly skilled arranger • Exceptionally fine keyboard player, fluent in jazz as well as mainstream pop • Outstanding vocalist; had a distinctive timbre • He is now widely acknowledged as the first important soul artist. • His work had an incalculable influence on James Brown, Aretha Franklin, Curtis Mayfield, Otis Redding, Sly Stone, and innumerable others.

    6. James Brown (b. 1933) • The “Godfather of Soul” and “Soul Brother Number One” • No other single musician influenced the sound and style of black music like James Brown. • Rough, unrestrained vocals; relentless rhythms; active, open textures

    7. James Brown (b. 1933) • His first record, “Please, Please, Please” (Number Five R&B, 1956), which Brown wrote himself, is indicative of his style: • Although the song is in the form of a strophic 1950s R&B ballad, Brown’s vocals cling obsessively to repetitions of individual words (e.g., “please,” or even a simple “I”). • Sometimes, the activity of an entire strophe centers on the syncopated, violently accented reiterations of a single syllable.

    8. “Say It Loud—I’m Black and I’m Proud” • Reached Number One on the R&B charts and Number Ten on the pop charts in 1968 • For all intents and purposes, a rap number—a striking anticipation of important black music to come • Brown’s records are sampled by hip-hop artists more than those of any other musician. • Brown exults and excels in live performance. • His acrobatic physicality and remarkable charisma add great excitement to his vocal improvisations.

    9. Listening: “Papa’s Got a Brand New Bag” • Brown’s most successful pop record—Number Nine on the pop charts • Established the mature “James Brown sound” • Riffs in brass • Syncopation • Percussive style of playing guitar, bass, and brass • Call and response • Twelve-bar blues form broken up with an eight-bar bridge • Complex interlocking polyrhythms

    10. Aretha Franklin (b. 1942) • The “Queen of Soul” • Daughter of 1950s evangelist and singer Reverend C. L. Franklin • Sang in her father’s gospel church choir • Discovered by John Hammond • Signed a record contract with Columbia in 1960 • Columbia (against Hammond’s wishes) had her record jazzy, popular Tin Pan Alley songs. • She was let go by Columbia in 1966 after failing to draw much interest.

    11. Atlantic Records • Signed by Atlantic Records • Atlantic producers Ahmet Ertegun and Jerry Wexler encouraged her to record strong material well suited to her particular voice. • Ertegun and Wexler teamed her with the Stax/Volt production team and musicians to record gospel-laced soul music.

    12. Aretha Franklin (b. 1942) • Beginning in 1967, Franklin produced an extraordinary and virtually uninterrupted stream of hit records over five years. • Included thirteen million-sellers and thirteen Top 10 pop hits • Overwhelming power and intensity of vocal delivery • Wrote or co-wrote a significant portion of her repertoire • Powerful keyboard player • Franklin not only symbolized female empowerment in the sound of her records but also actualized empowerment in the process of making them.

    13. Listening: “Respect” • Composed by Otis Redding • Cover of a 1965 hit by Otis Redding • Number One pop and Number One R&B in 1967 • Each strophe builds effectively to the crucial word “respect,” at which point the backing group joins in call and response with Franklin.