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Evolution of Women in Cinema: Arzner vs. Guy Blaché

This study compares the portrayal of the New Woman by directors Arzner and Guy Blaché, reflecting her economic independence, legal rights, and self-fulfillment, challenging traditional gender norms.

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Evolution of Women in Cinema: Arzner vs. Guy Blaché

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  1. Cinema and The New Woman Comparing Arzner and Guy Blaché

  2. Defining the New Woman Image source: The National Women’s History Museum Economic independence, joining workforce Self-fulfillment, challenging Victorian gender norms Legal and social equality Education Political voice Sexual independence Dress freedom

  3. The New Woman in Guy Blaché Screen shot from Matrimony’s Speed Limit (1913) Screen shot from A House Divided (1913)

  4. Cynthia as Fulfillment and Containment Still from Christopher Strong (1933). Image source: One Life: Kate

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