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She’s Not There

She’s Not There. A LIFE IN TWO GENDERS Jennifer Finney Boylan. Viewing She’s Not There F rom the Perspective of an English Major. Formalist: Language, scene, sensory, musing, plot, character, setting, point of view, tone, etc. Readers Response:

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She’s Not There

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  1. She’s Not There A LIFE IN TWO GENDERS Jennifer Finney Boylan

  2. Viewing She’s Not There From the Perspective of an English Major • Formalist: Language, scene, sensory, musing, plot, character, setting, point of view, tone, etc. • Readers Response: Creates personal meaning, involve yourself during interpretation, make personal connection. • Historical: Historical approach to literature, real people, places &times, background information. • Feminist: Concerned with gender role, women status, double standards relating to gender, stereotypes. • Ethnicity: Assumptions about language, customs, history, race, heritage, nationality, and religion origin.

  3. Type of Book Note From the Editor Dear Reader, Have you ever walked into a cocktail party and felt you had no one to talk to? That your clothes were all wrong, our gestures uncomfortable? That you needed to be witty and charming so no one would notice how out of place you were? For Jim Boylan, life was a perennially awkward cocktail part. Funny and smart, he was often the life of the party, but in his heart he knew that his true self and his external persona were at odds. This is a book for anyone who has felt uncomfortable, out of sorts with the world, misunderstood by peers. As Boylan says, ‘While the dilemmas of transgendered people are arcane to most people, it’s my hope that this book will connect anyone who has ever wanted to do something they feared was impossible, to anyone who has ever been guided along a difficult path by the people that they love.’ She’s Not There is startling for the universality of Boylan’s human emotions-and the exuberance and ease which they presented. Best, Deb Futter • Memoir • Autobiography • Fiction • Non-fiction • Romance • Horror • Historical • Mystery • Science Fiction • Tragedy • Comedy • Sequel • Violence

  4. Literary Elements • Language • Tone • Style • Sensory • Voice • Musing • Descriptions • Fluency • Comprehension • Dialog

  5. Reading Elements

  6. Things to Consider • Targeted Audience Stated in back of book • Morals and Beliefs of Author Each reader could interpret this differently • Topics and Themes  Gender, Sexuality, Love, Life, Finding One’s Place in Society, Adversity… • Time Era and Location  1974-2002 • Societies Views on Topic How we as readers view this topic and how characters presented in the book view this topic

  7. Erica’s Approach to Reading • Formalist Framework • Perplex characters  Jim/Jennifer, Grace, Russo, Luke, Patrick • Style of writing within the book • The way the reader is guided through the book Book broken up into pieces, flashbacks from past to future, Title of sections… • Reader’s Response Perspective • Personal thoughts on gender role • Personal thoughts on life and love • Feminist Framework • Looking at a women’s life from a mans perspective • Stereotypes presented within the book

  8. Alyson’s Approach to Reading • Framework • Perplex characters • Style of writing within the book • The way the reader is guided through the book • Perspective • Personal thoughts on gender role • Personal thoughts on life and love • Framework • Looking at a women’s life from a mans perspective • Stereotypes presented within the book

  9. Helping You to Understand She’s Not There from an English Major Perspective • Page 155- “I recognized the insanity of this kind of talk, recognized it from the lives of the women I knew, and as I moved into this territory I realized, not for the first time, that all of the cruel expectations that society puts on women- and that so many women put upon themselves- were now falling on my shoulders.” • Feminist Framework/Reader Response • Internal reflection on women’s struggles in society • Idea that society puts these expectations on women but also that women put these expectations on themselves • Goes on to further discuss the idea of weight and looks • Personal reaction to this • How did you feel when reading this?

  10. Helping You to Understand She’s Not There from an English Major Perspective • Page 117- “On this occasion I decided to leave the confines of my hotel room, and so it was that in June of 1999, for the first time since my Baltimore days, I went out in the world wearing a skirt. I spent about two hours getting ready, making sure I’d covered every nuance, shaving my arms, my legs, my face. I made sure my makeup was perfect…” • Formalistic Framework • Character feels comfortable in dressing as a women and going out in public, major rise in plot of story • Character’s self-reflection on self, sense of confidence • Out of usual setting and in Amsterdam • First time public sees Jim as Jennifer

  11. Helping You to Understand She’s Not There from an English Major Perspective

  12. Helping You to Understand She’s Not There from an English Major Perspective

  13. Questions to Consider • How does the relationship between Grace and Jim change once Jim decides to fully become Jennifer? Do you see a gradual change? How would you feel if you were Grace? Would you handle the gender transformation in a similar manner, or differently? Explain. • What symbolic elements do you notice being used through out the book? Why do you think Boylan decided to use such images in her writing? What do these images represent?

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