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This lecture explores the phenomenon of light entering a prism and being split into colors, illustrated by the evolution of color theory from Newton's Color Circle to the modern Color Wheel. It connects various artistic works spanning centuries, including Joan Miró's "Foundation Tapestry," Masaccio's "Tribute Money," and Claude Monet's "Rouen Cathedral," showcasing how artists have engaged with color. Additionally, it examines contemporary interpretations of color in design and art, such as Sophie Calle's Chromatic Diet and Ettore Sottsass's Carlton Room Divider, reflecting the relationship between color theory and artistic expression.
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The “Color Wheel” (as developed from Newton’s “Color Circle”)
Joan Miro, “Foundation Tapestry,” 1979
Bhandutta, “Rasamanjari Book,” 1615-20
Claude Monet, “Rouen Cathedral: The Portal (in Sun),” 1894
Henri Matisse “Madame Matisse (The Green Line),” 1905
Pablo Picasso, “Self Portrait,” 1901 Pablo Picasso, “Old Guitarist,” 1904
Pablo Picasso, “La Toilette,” 1906 Pablo Picasso, “Girl with a Goat,” 1905
Sophie Calle, Chromatic diet, 1992
Robert Ryman, Twin, 1964 Ceal Floyer, Monochrome till receipt (white), 1999
James Stirling, “Neue Staatsgalerie,” Stuttgart, GERMANY, 1984
Philip Johnson, “Estate Gatehouse/Visitor Center,” Connecticut, USA, 1995
Ettore Sottsass, “Carlton Room Divider,” 1981
Beşiktaş, Fenerbahçe, and Galatasaray Football Uniforms, 2007