440 likes | 467 Views
Delve into the intricate world of linguistic phonetics and intonation patterns across diverse languages. Learn about phonation types and prosodic hierarchy affecting speech realization, with insights on coarticulation and production planning.
E N D
Linguistic Phonetics in the UCLA Phonetics Lab Pat Keating Sound to Sense / June 11, 2004
I. Language description Archives of recordings Korean Intonation Phonation
Intonation • ToBI: Tones and Break Indices • Intonation in 14 languages: Prosodic Typology: The Phonology of Intonation and Phrasing (Sun-Ah Jun, ed.) • Phonology and phonetics of intonation/ ToBI models of Korean (Seoul, Chonnam, Kyungsang), French, Greek, Argentinian Spanish, Farsi
Phonation Contrastive phonation types (voice qualities) in languages: Modal, breathy, creaky e.g. Zapotec languages of Oaxaca, Mexico
a Zapotec language(San Lucas Quiavini) modal ‘gets bitter’ ‘rdaa’ breathy ‘gets ripe’ ‘rah’ creaky ‘lets go of’ ‘rdààà’ (M. Epstein)
Esposito (2003): Santa Ana del Valle Zapotec H1-F3 Modal: ‘can’ lat Breathy: ‘place’ la̤t Creaky: ‘field’ la̰ts
Effect of f0 on phonation: Contrast is minimal with high f0 (C. Esposito)
II. Prosody (Intonation description) Prosody and voice quality Phrasing and articulation
Prosody • the organization of speech into a hierarchy of units or domains = grouping function • some units are more prominent than others = prominence-marking function
Prosody and voice quality Epstein (2002, 2003): Voice quality variation in English as a function of position and accent 2 kinds of voice quality variation: • Modal vs. non-modal (breathy, creaky) • Variation within modal (laxer, tenser)
English phrase-final non-modal phonation Low boundary tones (but not low f0 in general) have more non-modal phonation (M. Epstein)
English prominence and non-modal phonation Unaccented words have more non-modal phonation (M. Epstein)
Phrasing and articulation • Prosody (grouping, prominence) affects segmental articulatory properties • How each segment’s phonological properties are realized phonetically depends in part on the segment’s position in prosodic structure
Prosodic strengthening • Some prosodic positions are stronger than others, and segments there are stronger • Articulatory strengthening: more extreme articulations • Stronger positions: derived from a prosodic hierarchy • Domain initial is a strong position
Electropalatography studies • Compare peak linguopalatal contact of segments across prosodic positions, e.g. different initial positions • Several languages • English(Fougeron & Keating 1997) • Korean(Cho & Keating 2001; Kim 2001) • French(Fougeron 1998, 2001) • Taiwanese(Keating, Cho, Fougeron, Hsu 2003)
front Pseudo-palate for EPG(Kay Elemetrics)
Sample frame showing contact: Korean word-initial /n/ front 42% contacted Circles are electrodes; filled ones are contacted
Sample contacts: French /n/ …Tata / Nadia… …Tata Nadia… (C. Fougeron)
/t*/ /th/ /t/ /n/ 4 Korean consonantsin 4 initial positions
mid region contact channel region contact Korean fricatives in 3 positions (Kim 2001,2003) IPi APi Wi IPi APi Wi
Bigger picture:Prosody and production planning • Each phonetic segment - with its features - is a terminal node in a prosodic tree • So each segment has a position in the tree relative to the domains and prominences • Pronunciation of each feature depends in part on this prosodic position
accent stress Features in a prosodic tree IP wp ip ip egi Wd Wd Wd thatnew ei σσ σσ ð pro pa gan da… [+continuant] p p [-continuant] [-voice]
III. Coarticulation Initial strengthening Lexicon
Coarticulation and initial strengthening Cho (2002, 2004): • Coarticulation: interaction effects between neighboring segments, generally due to articulatory overlap • How does prosodic strengthening affect overlap and thus coarticulation? Does a “strong” segment “resist” coarticulation?
V1 V2 [a] [a] b [i] [i] IP ip Wd Vowel-to-vowel coarticulationacross different boundaries # And each vowel pitch-accented or not (T. Cho)
X-axis Y-axis EMA: Carstens Articulograph Receivers on articulators L1 T2 T1 T3 L2 Jaw (T. Cho)
50 Wd [i#a] ip 40 IP 30 Y (%) Tongue Height 20 [a#a] 10 70 80 40 50 60 X (%) Tongue Backness Less effect of V1 /i/ on V2 /a/ across a larger boundary /a/ pulled towards /i/ (T. Cho)
Coarticulation and the lexicon Brown [Scarborough] (2001, 2004): Are words from dense lexical neighborhoods, with many lexical competitors, produced with more or less coarticulation than other words?
easy to access • hard to access Lexical competitors Low Relative Frequency Low-R High Relative Frequency High-R (R. Scarborough)
Production of nasal coarticulation • Compared “hard” and “easy” CVN and NVC words on nasal coarticulation during the vowel • using the Chen (1996) measure A1-P0 Sample CVN words
CVN result less nasal more nasal “hard” words “easy” words Answer: more coarticulation for “hard” words (R. Scarborough)
IV. Production and Perception Optical prosody Heritage language ability
Optical prosody:phrasal stress-accent • Extents, durations, and velocities of movements of lips, chin, head, and eyebrows are all potentially visible to perceivers • Production-perception comparison: Which of the optical correlates of stress account for visual intelligibility?
Production of phrasal stress “So TOMMY gave Timmy a song from Debby.” “So Tommy gave TIMMY a song from Debby.” “So Tommy gave Timmy a song from DEBBY.” “So Tommy gave Timmy a song from Debby.”
Facepoint markers locations and 11 measurements • Left eyebrow displacement • Head displacement • Interlip maximum distance • Interlipopening displacement • Interlip closing displacement • Lower lip opening peak velocity • Lower lip closing peak velocity • Chin opening displacement • Chin opening peak velocity • Chin closing displacement • Chin closing peak velocity eyebrow marker head marker lip markers chin marker
Correlates of phrasal stress • from all 11 measures, e.g. • Chin and eyebrow measures are most consistent across speakers Chin Closing Peak Velocity accented unaccented
Perception of phrasal stress • 72 sentences from this corpus, video presentation (no sound) • 16 hearing perceivers (not screened for lipreading ability) • Task: See written sentence, click on the name perceived as stressed, or on “NoStress”
Visual perception above chance By perceiver By talker Line shows significantly above chance performance
Production-perception comparison:Correlational analysis • Chin opening measures (opening displacement, peak opening velocity) account for most variance in perception • Not chin closing, lips, or head or eyebrow movements, even though these cues are available
Heritage Language ability Jun & Au with students, e.g. Oh et al. (2003) compared 4 groups of adults: • Lifelong native Korean speakers • Childhood-only speakers (stopped by 7) • Childhood-and-later overhearers • Control group (novices)
Adult productionof Korean VOT • Childhood-only speakers as good as native speakers • Childhood hearers show no advantage (nor on overall accent rating, not shown) (Oh et al.)
Adult perceptionof Korean VOT • Childhood-only speakers as good as native speakers • Childhood hearers also as good as native speakers (Oh et al.)
Conclusion:UCLA Phonetics Lab Language description Prosody Coarticulation Production and perception And much more!