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Principles of Composition

Principles of Composition. Variety. Henri Matisse, Memory of Oceania , 1953 Gouache on paper, cut and pasted, and charcoal on white paper, Museum of Modern Art, NY. Unity. Jackson Pollock, Shimmering Substances (Sounds in the Grass Series), Oil on Canvas, 1946 Museum of Modern Art, NY.

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Principles of Composition

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  1. Principles of Composition

  2. Variety Henri Matisse, Memory of Oceania, 1953 Gouache on paper, cut and pasted, and charcoal on white paper, Museum of Modern Art, NY Unity Jackson Pollock, Shimmering Substances (Sounds in the Grass Series), Oil on Canvas, 1946 Museum of Modern Art, NY

  3. VARIETY Joseph Cornell, The Hotel Eden, 1945, Assemblage with music box, National Gallery Of Canada, Ottawa

  4. RADIAL BALANCE Henri Matisse, The Joy of Life, 1909-10, Oil on Canvas, Hermitage Museum, St. Petersburg, Russia

  5. A B S A Y L M A M N E C T E R I C A L Gustav Klimt, Death and Life, Before 1911, finished 1915, Oil on Canvas, Museum Leopold, Vienna, Austria

  6. Asymmetrical Balance Thomas Gainsborough, Mr. and Mrs. Andrew, 1748-1749, Oil on Canvas, National Gallery, London

  7. S Y M M E T R I C A L B A L A N C E Frida Kahlo, The Two Fridas, 1939, Oil on Canvas, Museo Nacionale de Arte Moderno, Instituto Nacional de Bellas Artes, Mexico City

  8. Scale & Proportion Scale: the size of something In relation to what we Assume to be normal Jean-Honore Fragonard, The Pursuit, from The Progress of Love, 1771-73, 1790-91, Oil on Canvas, Frick Collection, New York

  9. Claes Oldenburg, Stake Hitch, 1984, Stake: Aluminum, steel, resin painted with polyurethane enamel, Rope: polyurethanfoam, plastic materials, painted with latex Dallas Museum of art

  10. Great Buddha of Kamakura, Kotoku-in, Kamakura, Japan, 1252, Bronze, 43’

  11. Scale & Proportion-size of one part in relation to another within an artwork or size of one part in relation to the whole P R O P O R T I O N Rene Magritte, Delusions of Grandeur II, 1948, Oil on Canvas, Hirshorn Museum, Smithsonian Institution, Washington, DC

  12. EMPHASIS! Jasper Johns, Target with Four Faces, 1955, Encaustic and Collage on canvas With plaster casts, MOMA, NY

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