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TYPES OF MYSTERY

TYPES OF MYSTERY. CAPER Humorous narration Scrambling action Bumbling but lovable characters Protagonists or plots need not be super-realistic Comedy is the primary goal. Authors: Works: Nancy Atherton Aunt Dimity and the Duke Elmore Leonard Get Shorty. CLASSIC WHODUNIT

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TYPES OF MYSTERY

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  1. TYPES OF MYSTERY • CAPER • Humorous narration • Scrambling action • Bumbling but lovable characters • Protagonists or plots need not be super-realistic • Comedy is the primary goal. • Authors:Works: • Nancy Atherton Aunt Dimity and the Duke • Elmore Leonard Get Shorty

  2. CLASSIC WHODUNIT • Defined by their plots • Protagonist is usually brainy • Eccentric • Antisocial • Quirky areas of knowledge • Focus on using the brain/intuition. • Authors:Works: • Agatha Christie Murder on the Orient Express • Ellery Queen QBI: Queen’s Bureau of Investigation • Robert Langdon The DaVinci Code • Stieg Larson The Girl with the Dragon Tattoo

  3. COZY • Almost entirely a female subgenre • Amateur detective • Cats • Knitting or quilting, cooking, pots of tea, family, friends, and community • Ordinary, suburban or small town women of a certain age • Somewhat comedic – tone is light, fun, easy reading • Authors:Works: • Nancy Atherton Aunt Dimity’s Death (1992) • Aunt Dimity Digs In (1998) • Agatha Christie Partners in Crime (1929) • Karen MacInerney Murder on the Rocks

  4. ESPIONAGE • About spies and spying • British version is usually realistic, has little sex or violence • American version is also know as a “Thriller” and is more action-packed • Authors:Works: • Tom Clancy The Hunt for Red October • Without Remorse • Nelson DeMille The General’s Daughter • Ian Fleming Casino Royale (James Bond) • Robert Ludlum The Bourne Identity

  5. FORENSIC • Crime-solving aspects of pathology, physiology, anthropology or archeology, psychology, and behavioral analysis • Use trace evidence processing, fingerprinting, DNA, ballistics, document analysis accident reconstruction, bugging, wiretapping, computer technology, etc. • Authors:Works: • Patricia Cornwall Postmortem • Jeffery Deaver The Bone Collector • Thomas Harris The Silence of the Lambs • Jeff Lindsay Dexter in the Dark

  6. HARD-BOILED • Set among criminals rather than crime fighters • Typical storyline concerns revenge, vigilante justice, or the commission (rather than the detection) of a crime • Subject matter may include hellish marriages, sexual abuse, drug/alcohol addiction, prison life, or other similar antisocial experiences • Formerly called “Sleaze” • Authors:Works: • Dashiell Hammett The Continental Op • Lawrence Block The Specialists • James M. Cain The Postman Always Rings Twice • Double Indemnity • Ed McBain Big Bad City

  7. HISTORICAL • Set in a previous era, or deals with events which occurred in a previous historical era • Often feature real persons or events in some form • Authors:Works: • Jack Higgins The Eagle Has Landed • Matthew Pearl The Dante Club

  8. LEGAL • Usually feature a lawyer as the protagonist • Considerable freedom in the field – prosecutors against defense lawyers, American attorneys and British barristers, small-town generalists to Supreme Court justices, legal mysteries versus legal thrillers • PI influence led to levels of social commentary and a wider range of investigative actions • Authors:Works: • Erle Stanley Gardner The Case of the Sulky Girl – Perry Mason • John Grisham The Street Lawyer • The Firm • The Pelican Brief • Scott Turow Presumed Innocent • The Burden of Proof

  9. MILITARY • Armed services of one of the world’s nations – usually a “superpower” • Set in a war or military conflict • This background allows for unique crimes, investigative procedures, legal and political issues, training, weapons, social relationships, causes of death, and plot devices. • Authors:Works: • Tom Clancy The Hunt for Red October • Nelson DeMille The General’s Daughter

  10. POLICE PROCEDURAL • Must be realistic depictions of official investigations • Emphasize teamwork, methodical pavement-pounding, lucky breaks, administrative hassles, and endless paperwork • Lots of profanity, irony, sick humor, and tragedy • Authors:Works: • Micheal Dibdin Vendetta • James Ellroy The Black Dahlia • Ed McBain The Mugger • Joseph Wambaugh Finnegan’s Week

  11. POLITICAL • Have a governmental or public policy setting and focus • They can vary from assassination novels, to Washington insider farces, to attacks for or against an issue such as capital punishment • Authors:Works: • Richard Condon The Manchurian Candidate (1959) • Frederick Forsyth The Day of the Jackal (1971) • The Odessa File (1972) • John Grisham The Street Lawyer (1998) • Antonio Mendez Argo

  12. PRIVATE EYE • Defined by a non-police detective, usually a paid professional investigator • Protagonists should represent a balance between empathy versus cynicism, community versus independence • Authors:Works: • Sue Grafton A is for Alibi • C is for Corpse • N is for Noose • Dashiell Hammett The Maltese Falcon • The Thin Man

  13. SERIAL KILLER • Typically have a higher level of random violence, explicit gore, and serious mental illness than any other • Crimes are committed by a psychopathic stranger or a sociopathic acquaintance • Serial killer stories can be cross listed in any subgenre except Cozy • Authors:Works: • Patricia Cornwall Postmortem • Thomas Harris Silence of the Lambs • Jeff Lindsay Darkly Dreaming Dexter

  14. THRILLER • Among the most loosely used terms in the genre, being applied to any book with even a little action or adventure • Usually built around a plot device such as a chase, a showdown, a rescue, an act of vigilante justice, or a race against time to prevent a crime from occurring • Almost all thriller protagonists are male • Authors:Works: • Robert CraisTaken • James Patterson Kiss the Girls

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