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Shaped by Fire: Photographers’ stories of access to steel mills and other industrial sites By Howard Bossen Eric Freedman Julie Mianecki School of Journalism, Michigan State University, East Lansing MI 48824 USA.
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Shaped by Fire: Photographers’ stories of access to steel mills and other industrial sitesBy Howard BossenEric FreedmanJulie MianeckiSchool of Journalism, Michigan State University, East Lansing MI 48824 USA
Conference on Media Culture: Art. Communication, Technologies VytautasMagnus UniversityKaunas, LithuaniaApril 12, 2012
Figure 1, Hugo van Werden, German 8-panel panorama of the KruppscheGußstahlfabrik(Krupp Steel Works), 1864 Albumen prints, HistorischeArchiv Krupp, Essen, Germany
Figure 2, Margaret Bourke-White, American, c. 1928, Self-portrait, Otis Steel Mill, Cleveland, Ohio, Sepia-toned gelatin silver print Margaret Bourke-White Archive Syracuse University Library
Figure 3, Margaret Bourke-White, American,1930, Bourke-White with Russian assistants, assistant on left holds her view camera while the one on the right holds her film camera. Margaret Bourke-White Archive, Syracuse University Library
Figure 4, Margaret Bourke-White, American, 1930, Iron Puddler, Red October Rolling Mill, Stalingrad, USSR, Gelatin Silver print Margaret Bourke-White Archive Syracuse University Library
Figure 5, Peter Nyblom, Swedish, 19?? Untitled portrait from Fagersta, Sweden steel plant Gelatin silver print Courtesy of the photographer
Figure 6, Philipp Rittermann, Peruvian-born American,1985, Interior of the Exxon Valdez Archival pigment print on Baryta paper Courtesy of the photographer
Figure 7, Jamey Stillings, American, April 28, 2009, Arizona Arch Segment from The Bridge at Hoover Dam, Digital print Courtesy of the photographer Evening view of the Arizona arch segment from the dam. Transmission towers between the dam and bridge support power lines coming from the powerhouse out of the canyon.
Figure 8, Stéphane Couturier, French, 2000, Seoul Yoido Dong #1, C-print Musée de la Photographie Charleroi, Belgium
Figure 9, Edward Burtynsky, Canadian, 2005, Bao Steel #2, Shanghai, China Broad Art Museum at Michigan State University
Figure 10, Catherine Yass, British, 1996, Steel: Hot Strip Mill Ilfachrome transparency light box
Figure 11, Michael Schultz, American,2007, Cutter, AmeriCast Technologies, Amite Foundry & Machine Digital print, Courtesy of the photographer
Figure 12, UweNiggemeier, German, 2007, Latrobe Specialty Steel, Latrobe, Pennsylvania, Changing the AOD-vessel Analog film, digital ink jet print Broad Art Museum at Michigan State University
Figure 13, Mark Perrott, American, 1981, Eliza, Fallen Furnace Selenium-toned gelatin silver print Carnegie Museum of Art, Pittsburgh, Pennsylvania
Figure 14, Bernard Bay, Belgium, 1983, [Worker in Hat and Goggles] Gelatin silver print Musée de la Photographie Charleroi, Belgium
Figure 15, Theo Anderson, American,2005, Number 2 Machine Shop, from the series Where’s Joe?, The Ghost of Bethlehem Steel Pigment print, Broad Art Museum at Michigan State University
Contact:Howard Bossen, bossen@msu.eduEric Freedman, freedma5@msu.eduMichigan State UniversityEast Lansing, Michigan, USA
