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Beau Travail: Sound and Cinema

Beau Travail: Sound and Cinema. Noise, Music, and Galoup.

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Beau Travail: Sound and Cinema

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  1. Beau Travail: Sound and Cinema

  2. Noise, Music, and Galoup • Sound and image are used to show Galoup’s inability to cope with his expulsion from the French Foreign Legion; his loss of identity leading to his suicide, or apparent suicide. Through voice-over, rhythm (sound-image coordination), and ambiguous diegetic sound, this inner turmoil is made clear.

  3. Clip • Main clip (4:42)

  4. “synchronization of senses” • Noise- bed making, birds chirping • Music- “rhythm of the night” • Rhythm- coordination of sound with image • Voice over- “Serve the Good Cause and Die”

  5. Looking closer • Segment 1 – voiceover/fade in of music: • Galoup’s final voice-over is represented on his chest (tattoo) • Possible significance of coordinating the fade-in of the music with his visible pulse: emphasizes internal/personal aspect of the music, especially if we assume he kills himself.

  6. Functions of noise • For this clip, “noise” precipitates music and dance, adding emphasis and replacing a gunshot with music • Sounds of bed-making, birds chirping, like the ocean and desert noise used in other scenes, preclude particular music, or significant sound (the split-second helicopter explosion for example). For this scene, our expectations of “gun” and fatalistic voice-over are upset by music and the dancing that follows.

  7. Connections to rest of film Discipline and rhythm- Galoup’s dance Expectation and possible disunity- “death” represented by ecstatic expressive dance(closely choreographed to follow the music, but in such a way to absolutely contrast the discipline of the various training/exercise scenes throughout the film) Beau Travail, roughly translated, is “good/nice work” (roughly). For Galoup, death is the fulfillment of his devotion to the Legion. “The perfect legionnaire”

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