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ENGL 6750/7750 Film Studies
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  1. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond A is for . . . .

  2. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond African American Cinema

  3. Robert Altman (1925-2006) • M*A*S*H • Brewster McCloud • McCabe and Mrs. Miller • Nashville • Three Women • The Player American

  4. Lindsay Anderson (1923-1994) • This Sporting Life • If • O Lucky Man! British

  5. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Animation

  6. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  7. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Art Cinema

  8. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond The Avant-Garde

  9. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Bis for . . . .

  10. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  11. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  12. Ingmar Bergman (1918-2007) • The Seventh Seal • Wild Strawberries • Persona • Through a Glass Darkly • Fanny and Alexander Swedish

  13. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  14. The Blacklist

  15. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  16. Robert Bresson (1901-1999) • Diary of a Country Priest • Trial of Joan of Arc French

  17. Luis Bunuel (1900-1983) • Un Chien Andalou • Discreet Charm of the Bourgeoise • Viridiana • The Exterminating Angel • Belle je jour • That Obscure Object of Desire Spanish

  18. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Cis for . . . .

  19. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  20. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Jane Campion (1954- ) Sweetie The Piano Portrait of a Lady In the Cut

  21. Frank Capra (American, 1899-1970)

  22. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  23. John Cassavetes (1929- ) • Faces • Husbands • A Woman Under the Influence • Gloria American

  24. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Censorship

  25. Charlie Chaplin (1889-1977)

  26. Easy Street (Charlie Chaplin, 1917)

  27. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  28. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  29. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Cinema of Attractions

  30. Jean Cocteau (France, 1889-1963) “Poetry is indispensable. I wish I knew what for.” Beauty and the Beast Orphee The Blood of the Poet

  31. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Columbia Pictures

  32. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Counter-Cinema

  33. Michael Curtiz (1888-1962) • Casablanca • Mildred Pierce Hungarian-American

  34. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Dis for . . . .

  35. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Documentary

  36. Kino-Eye Man with a Movie Camera (Dizga Vertov, 1929) (Vertov, 1896-1954) “Life caught unaware”

  37. Cinéma Vérité • AKA Direct Cinema • Documentary filmmaking style that began in the 1950s/early 1960s Technologically inspired—by the advent of lightweight portable cameras and sync-sound equipment to capture events as they happen on location, without a script • Inspirations: Lumiere Brothers, Vertov, Neo-Realism, Free Cinema • Key Americans: D.A. Pennebaker, Albert and David Maysles, and Richard Leacock

  38. Cinéma Vérité • Direct vs. Vérité: “According to Erik Barnouw (Documentary): • direct cinema: “hopes to find a crisis while shooting”; cinéma vérité: “wishes to precipitate one” • Direct cinema: “an invisible observer” (Leacock’s "the fly on the wall"); cinéma vérité:“an unabashed participant” • For both: filming events as they transpire leads to what Rouch has called a "privileged moment," in which a truth about the subject of the film is revealed. To what extent the presence of the camera affects the real-life situation, and thus compromises this truth, has been a hotly debated issue. • --Thanks to Baseline Encyclopedia ofFilm

  39. Free Cinema • Documentary film movement originating in England, 1956-1959 • Spawned by the journal Sequence. • Founders: Lindsay Anderson, Karel Reisz, Tony Richardson, Anderson’s motto: "No Film Can Be Too Personal.” • Governing principles: • Freedom of propaganda • Obliviousness to box office appeal. • Embrace of the filmmaker’s freedom • Ordinary people and everydayness—the primary focus • “The image speaks. Sound amplifies and comments.” • “Size is irrelevant.” • “Perfection is not an aim.” • “An attitude means a style. A style means an attitude.”

  40. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond • Carl Dreyer (1888-1968) • Vampyre • The Passion of Joan of Arc • Day of Wrath

  41. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Eis for . . . .

  42. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond

  43. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Event Cinema

  44. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Exhibition and Reception

  45. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Fis for . . . .

  46. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Female Authorship

  47. ENGL 6750/7750 Film Studies Hollywood Cinema and Beyond Feminist Counter-Cinema

  48. Robert Flaherty (1884-1951)

  49. John Ford (1895-1973) • My Darling Clementine • Fort Apache • She Wore a Yellow Ribbon • The Man Who Shot Liberty Valance • The Searchers American