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The Styles of the Enlightenment 1750 – 1820 Rococo Bourgeois Neo-Classical Marie-Elisabeth-Louise Vig ée-Lebrun Self-Portrait with Daughter c. 1798 Aristocratic patrons Neo-Greek Neo-Renaissance Sentimental KEY IMAGE p. 302 Neo-Classicism Those Greek ideas again

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the styles of the enlightenment
The Styles of the Enlightenment

1750 – 1820

Rococo

Bourgeois

Neo-Classical

marie elisabeth louise vig e lebrun self portrait with daughter c 1798
Marie-Elisabeth-LouiseVigée-LebrunSelf-Portrait with Daughterc. 1798

Aristocratic patrons

Neo-Greek

Neo-Renaissance

Sentimental

KEY IMAGE p. 302

neo classicism
Neo-Classicism

Those Greek ideas again

(doesn’t that make this neo-neo-neo-Classicism?)

ART FOR ARISTOCRATS OR REVOLUTIONARIES?

monticello 1770 84
Monticello 1770-84

THOMAS JEFFERSON

Revolutionary & Neo-Classical architect

Key image p. 313

self portrait
Self-portrait

Neo-Classical Style in painting

Jacques-Louis David

david oath of the horatii 1784
David, Oath of the Horatii, 1784

NEO-CLASSICAL

Key image p. 315

slide12
NOT

HEART vs. HEAD

EMOTION vs. INTELLECT

IT’S ALL EMOTIONS – IT IS A QUESTION OF WHAT KINDS OF EMOTIONS

summary 18 th century
SUMMARY – 18TH CENTURY
  • Age of Enlightenment but not all are enlightened . . .
  • ART & IDEAS - 3 different styles (Rococo, genre, Neo-Classical) reflect overlapping and conflicting values of different social classes
  • MUSIC – Genres such as the SYMPHONY and the STRING QUARTET emerge, all emphasizing CLARITY of musical ideas and the organization of CONTRAST, as exemplified by SONATA FORM
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