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ART STYLE & MOVEMENT TERMS. REALISM. The realistic & natural representation of people, places, and/or things in a work of art. Usually involved social, political or moral message, in the depiction of ugly or commonplace subjects (dirty cities, people relaxing, etc). REALISM. REALISM.
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REALISM • The realistic & natural representation of people, places, and/or things in a work of art. • Usually involved social, political or moral message, in the depiction of ugly or commonplace subjects (dirty cities, people relaxing, etc).
KITSCH Art characterized by overly sentimental, often pretentious, poor taste or poor quality; typically overly decorated, repetitive, cheesy, and commercial.
KITSCH Art characterized by lifelessly sentimental, often pretentious, poor taste or poor quality. It is typically overly decorated, repetitive, cheesy, and commercial.
KITSCH Art characterized by lifelessly sentimental, often pretentious, poor taste or poor quality. It is typically overly decorated, repetitive, cheesy, and commercial.
MIXED MEDIA technique involving the use of two or more artistic media, such as ink and pastel or painting and collage, that are combined in a single composition.
MIXED MEDIA A technique involving the use of two or more artistic media, such as ink and pastel or painting and collage, that are combined in a single composition.
MIXED MEDIA A technique involving the use of two or more artistic media, such as ink and pastel or painting and collage, that are combined in a single composition.
REVIEW • What do you call something that is overly decorated and in bad taste? • What does the magic wand tool do? • What type of aperture (iris) is an f-stop of 2? • What does increasing the shutter speed do? • How do you undo something in Photoshop? • How do you change the size or rotation of a layer in Photoshop?
MODERNISM • Late 19th, early 20th centuries. • Rejection of tradition & idea of realism • Uses innovative forms of expression. • Expresses feelings, ideas, fantasies, abstractions and dreams instead of the visual world. • Rejection of naturalistic color • Requires audience to be more active in interpreting
MODERNISM • An art movement characterized by the deliberate departure from tradition and the use of innovative forms of expression; rejects the notion of realism • Late 19th, early 20th centuries. • Expressing feelings, ideas, fantasies, and dreams instead of the visual world we otherwise see, creating abstractions, rather than representing what is real, a rejection of naturalistic color, a requirement that the audience take a more active role as interpreter
MODERNISM • An art movement characterized by the deliberate departure from tradition and the use of innovative forms of expression; rejects the notion of realism • Late 19th, early 20th centuries. • Expressing feelings, ideas, fantasies, and dreams instead of the visual world we otherwise see, creating abstractions, rather than representing what is real, a rejection of naturalistic color, a requirement that the audience take a more active role as interpreter
MODERNISM • An art movement characterized by the deliberate departure from tradition and the use of innovative forms of expression; rejects the notion of realism • Late 19th, early 20th centuries. • Expressing feelings, ideas, fantasies, and dreams instead of the visual world we otherwise see, creating abstractions, rather than representing what is real, a rejection of naturalistic color, a requirement that the audience take a more active role as interpreter
MINIMALISM A 20th century art movement and style stressing the idea of reducing a work of art to the minimum number of colors, values, shapes, lines and textures.
MINIMALISM A 20th century art movement and style stressing the idea of reducing a work of art to the minimum number of colors, values, shapes, lines and textures.
MINIMALISM A 20th century art movement and style stressing the idea of reducing a work of art to the minimum number of colors, values, shapes, lines and textures.
MINIMALISM A 20th century art movement and style stressing the idea of reducing a work of art to the minimum number of colors, values, shapes, lines and textures.
POP ART • Subjects included familiar images of popular culture such as billboards, comic strips, magazine advertisements, and products. • Saturated colors • Commentary on consumer culture & unoriginality.
POP ART focused attention upon familiar images of the popular culture such as billboards, comic strips, magazine advertisements, and supermarket products.
POP ART focused attention upon familiar images of the popular culture such as billboards, comic strips, magazine advertisements, and supermarket products.
POP ART focused attention upon familiar images of the popular culture such as billboards, comic strips, magazine advertisements, and supermarket products.
ART DECO An art movement involving a mix of moderndecorative artstyles, largely of the 1920s and 1930s. Using abstraction, distortion, and simplification, particularly geometricshapesandhighly intensecolors — celebrating the rise of commerce, technology, and speed.
ART DECO An art movement involving a mix of moderndecorative artstyles, largely of the 1920s and 1930s. Using abstraction, distortion, and simplification, particularly geometricshapesandhighly intensecolors — celebrating the rise of commerce, technology, and speed.
ART DECO An art movement involving a mix of moderndecorative artstyles, largely of the 1920s and 1930s. Using abstraction, distortion, and simplification, particularly geometricshapesandhighly intensecolors — celebrating the rise of commerce, technology, and speed.
SURREALISM Can be as confusing and startling as those of dreams. Surrealist works can have a realistic, though irrational style, precisely describing dreamlike fantasies.
SURREALISM Surrealist works can be as confusing and startling as those of dreams. Surrealist works can have a realistic, though irrational style, precisely describing dreamlike fantasies.
SURREALISM Surrealist works can be as confusing and startling as those of dreams. Surrealist works can have a realistic, though irrational style, precisely describing dreamlike fantasies.
SURREALISM Surrealist works can be as confusing and startling as those of dreams. Surrealist works can have a realistic, though irrational style, precisely describing dreamlike fantasies.
Everything is a Remix WHAT IS CREATIVITY? • Write continuously for a minute. Don’t stop. • How has this video challenged your definition of creativity? • How do you make something uniquely your own?
CREATIVITY? Collection Combination Transformation “Creation requires influence. Everything we make is a remix of existing creation, our lives and the lives of others.”
CREATIVITY? COPY TRANSFORM COMBINE
SAUL BASS • 1921—1996 • Known for design of movie title sequences, film posters, & corporate logos
SAUL BASS MOVIE POSTERS / TITLE SEQUENCES • Broke tradition of just using pictures of lead actors to lure audiences • Used jagged objects, broken type, bold lines, simple / single objects to set the tone for a movie • Worked with Hitchcock, Kubrick, Scorsese
SAUL BASS MOVIE POSTERS / TITLE SEQUENCES • “Try to reach for a simple, visual phrase that tells you what the picture is all about and evokes the essence of the story”. • Get audience to see familiar parts of their world in an unfamiliar way. • North by Northwest • http://www.youtube.com/watch?v=xBxjwurp_04 • Vertigo • http://www.youtube.com/watch?v=4CZfSc6nJ8U • Casino • http://www.youtube.com/watch?v=3ai7KpLQ570
SAUL BASS MOVIE POSTERS / TITLE SEQUENCES
SAUL BASS MOVIE POSTERS / TITLE SEQUENCES
SAUL BASS MOVIE POSTERS / TITLE SEQUENCES
SAUL BASS CORPORATE LOGOS • Designed iconic corporate logos: Bell Telephone in 1969, AT&T's globe logo in 1983, Continental Airlines' 1968 jet stream logo, United Airlines' 1974 tulip logo
PHOTOSHOP STUFF TODAY • Lasso tool(s) • Text tool(s) • Crop tool • Making new layers • Eyedropper • Paint bucket / gradient tool • Making adjustment layers
OLLY MOSS • Born 1987 • English artist, graphic designer, illustrator • Best known for reimagining movie posters, often with simple, symbolic designs.
Josef Müller-Brockman • Swiss graphic designer, 1914—1996 • Recognized for his simple designs and his clean use of typography, shapes and colors, inspiring many designers in 21st century. • Widely used sans serif fonts • Designs were minimal, relied upon alignment, repetition & grid system • Used minimal colors along with black &white