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Early Modern Art

Early Modern Art. Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY Edited by Lynn Ellis. Themes in Early Modern Art. Uncertainty/insecurity. Disillusionment. The subconscious. Overt sexuality. Violence & savagery. Expressioism. A tendency to distort reality for an emotional effect

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Early Modern Art

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  1. Early Modern Art Ms. Susan M. PojerHorace Greeley HS Chappaqua, NY Edited by Lynn Ellis

  2. Themes in Early Modern Art • Uncertainty/insecurity. • Disillusionment. • The subconscious. • Overt sexuality. • Violence & savagery.

  3. Expressioism • A tendency to distort reality for an emotional effect • Use bright colors to express emotion

  4. Edvard Munch: The Scream (1893) Expressionism • Using bright colors to express a particular emotion.

  5. Franz Marc: Animal Destinies (1913)

  6. Gustav Klimt: Judith I (1901) Secessionists • Disrupt the conservative values of Viennese society. • Obsessed with the self. • Man is a sexual being, leaning toward despair.

  7. Gustav Klimt: The Kiss (1907-8)

  8. Gustav Klimt: Danae (1907-8)

  9. Henri Matisse: Woman with Hat (1905) FAUVE • The use of intense colors in a violent, and uncontrolled way. • “Wild Beast.”

  10. Henri Matisse: Open Window(1905)

  11. Andre Derain: Black Friars Bridge, 1906

  12. Picasso, Les Demoiselles de Avignon, 1907 CUBISM • The subject matter is broken down, analyzed, and reassembled in abstract form. • Cezanne  The artist should treat nature in terms of the cylinder, the sphere, and the cone.

  13. Georges Braque: Violin & Candlestick (1910)

  14. Georges Braque: Woman with a Guitar(1913)

  15. Georges Braque: Still Life: LeJeur (1929)

  16. Picasso: Studio with Plaster Head (1925)

  17. Pablo Picasso: Woman with aFlower(1932)

  18. Pablo Picasso: Guernica, 1937

  19. Vassily Kandinsky: Father of the Abstract Composition VII, 1913

  20. Wassily Kandinsky: On White II (1923)

  21. Kandinsky: Composition X, 1937

  22. Piet Mondrian, Composition with Yellow, Blue and Red, 1921

  23. Mondrian, Composition II with Red, Blue and Yellow 1930

  24. George Grosz Grey Day(1921) DaDa • Ridiculed contemporary culture & traditional art forms. • The collapse during WW I of social and moral values. • Nihilistic.

  25. George Grosz: Daum Marries Her Pedantic AutomatonGeorge in May, 1920, John Heartfield is Very Glad of II(1919-1920)

  26. George Grosz The Pillarsof Society(1926)

  27. Marcel Duchamp: Fountain (1917)

  28. Marcel Duchamp: Nude Descending a Staircase(1912)

  29. Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War), 1936 Surrealism • Late 1920s-1940s. • Came from the nihilistic genre of DaDa. • Influenced by Freud’s theories on psychoanalysis and the subconscious. • Confusing & startling images like those in dreams.

  30. Salvador Dali: The Persistence of Memory (1931)

  31. Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach (1938)

  32. Rene Magritte, The Human Condition, 1935

  33. Rene Magritte: Golconde, 1953

  34. Walter Gropius: Bauhaus Building (1928) Bauhaus • A utopian quality. • Based on the idealsof simplified formsand unadornedfunctionalism. • The belief that the machine economy could deliver elegantly designed items for the masses. • Used techniques & materials employed especially in industrial fabrication & manufacture  steel, concrete, chrome, glass.

  35. Walter Gropius: Lincoln, MA house (1938)

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