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SIMS 213: User Interface Design & Development

SIMS 213: User Interface Design & Development. Marti Hearst Tues, Jan 30, 2001. Cognitive Considerations. From Don Norman’s book, The Psychology (Design) of Everyday Things Affordances, Constraints, and Mappings Mental Models Action Cycle and Gulf of Execution.

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SIMS 213: User Interface Design & Development

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  1. SIMS 213: User Interface Design & Development Marti Hearst Tues, Jan 30, 2001

  2. Cognitive Considerations • From Don Norman’s book, The Psychology (Design) of Everyday Things • Affordances, Constraints, and Mappings • Mental Models • Action Cycle and Gulf of Execution

  3. Getting serious about design • World War II • invention of machines (airplanes, submarines...) that taxed people’s sensorimotor abilities to control them • even after high degree of training, frequent errors (often fatal) occurred • Example airplane errors: • if booster pump fails, turn on fuel valve within 3 seconds • test shows it took at least five seconds to actually do it! • Altimeter gauges difficult to read • caused crashes when pilots believe they are at a certain altitude • Result • human factors became critically important Slide adapted from Saul Greenberg

  4. Other computer psychopathologies • from InfoWorld, Dec ’86 • “London—An inexperienced computer operator pressed the wrong key on a terminal in early December, causing chaos at the London Stock Exchange. The error at [the stockbrokers office] led to systems staff working through the night in an attempt to cure the problem” Slide adapted from Saul Greenberg

  5. Other computer psychopathologies • from Science magazine • In 1988, the Soviet Union’s Phobos 1 satellite was lost on its way to Mars, when it went into a tumble from which it never recovered.“not long after the launch, a ground controller omitted a single letter in a series of digital commands sent to the spacecraft. And by malignant bad luck, that omission caused the code to be mistranslated in such a way as to trigger the [ROM] test sequence [that was intended to be used only during checkout of the spacecraft on the ground]” Slide adapted from Saul Greenberg

  6. Affordances • Affordance: The perceived and actual properties of an object that determine how it could possibly be used. • Knobs are for turning • Buttons are for pushing • Some affordances are obvious, some learned • Glass can be seen through • Glass breaks easily • Sometimes visual plus physical feedback • Floppy disk example • Rectangular – can’t insert sideways • Tabs on the disk prevent the drive from letting it be fully inserted backwards

  7. Affordances • Perceived can differ from real affordance • Chair: real affordance • Affords sitting • Affords standing for changing a lightbulb • Affords jamming a door open • Chair: false affordance • Can be moved, but not if bolted down • Remember the Strauss Mouse video Based on slide by Saul Greenberg

  8. Affordances in Computer Screen-Based Interfaces • Designer only has control over perceived affordances • Display screen, pointing device, selection buttons, keyboard • These afford touching, pointing, looking, clicking on every pixel of the display. Based on slide by Saul Greenberg

  9. Affordances in Computer Screen-Based Interfaces • Most of this affordance is of no value • Example: if the display is not touch-sensitive, even though the screen affords touching, touching has no effect. • Example: • does a graphical object on the screen afford clicking? • yes, but the real question is does the user perceive this affordance; does the user recognize that clicking on the icon is a meaningful, useful action? Based on slide by Saul Greenberg

  10. Visual affordances of a scrollbar

  11. Mappings • Mapping: • Relationships between two things • Between controls and their results • Related to metaphor discussion • Related to affordances

  12. Mappings • For devices, appliances • Natural mappings use constraints and correspondences in the physical world • Controls on a stove • Controls on a car • Radio volume • Knob goes left to right to control volume • Should also go in and out for front to rear speakers • For computer UI design • Mapping between controls and their actions on the computer • Controls on a digital watch • Controls on a word processor program

  13. Slide adapted from Saul Greenberg

  14. full mapping paired arbitrary front back front back backright frontleft backleft frontright 2 possibilities per side =4 total possibilities 24 possibilities, requires: -visible labels -memory Mapping controls to physical outcomes

  15. Transfer Effects • People transfer their expectations from familiar objects to similar new ones • positive transfer: previous experience applies to new situation • negative transfer: previous experience conflicts with new situation Based on slide by Saul Greenberg

  16. Cultural Associations • Groups of people learn idioms • red = danger, green = go • But these differ in different places • Light switches • America: down is off • Britain: down is on • Faucets • America: counter-clockwise is on • Britain: counter-clockwise is off Based on slide by Saul Greenberg

  17. Mental Models • People have mental models of how things work: • how does your car start? • how does an ATM machine work? • how does your computer boot? • Allows people to make predictions about how things will work Based on slide by Saul Greenberg

  18. Mental Models • Mental models built from • affordances • constraints • mappings • positive transfer • cultural associations/standards • instructions • interactions • Mental models are often wrong! Based on slide by Saul Greenberg

  19. Our mental models of how bicycles work can “simulate” this to know it won’t work Slide adapted from Saul Greenberg

  20. Slide adapted from Saul Greenberg

  21. People are always trying to explain things • Mental models often extracted from fragmentary evidence • People find ways to explain things • Computer terminal breaks when accessing the library catalog • Sure your driving on the correct road

  22. Norman’s Action Cycle • Human action has two aspects • execution and evaluation • Execution: doing something • Evaluation: comparison of what happened to what was desired

  23. Action Cycle start here Goals Execution Evaluation The World

  24. Action Cycle start here Goals Evaluation Evaluation of interpretations Interpreting the perception Perceiving the state of the world Execution Intention to act Sequence of actions Execution of seq uence of actions The World

  25. Norman’s Action Cycle • Execution has three stages: • Start with a goal • Translate into an intention • Translate into a sequence of actions • Now execute the actions • Evaluation has three stages: • Perceive world • Interpret what was perceived • Compare with respect to original intentions

  26. Gulf of Evaluation • The amount of effort a person must exert to interpret • the physical state of the system • how well the expectations and intentions have been met • We want a small gulf!

  27. Good Example • Scissors • affordances: • holes for insertion of fingers • blades for cutting • constraints • big hole for several fingers, small hole for thumb • mapping • between holes and fingers suggested and constrained by appearance • positive transfer • learnt when young • conceptual model • implications clear of how the operating parts work Based on slide by Saul Greenberg

  28. Bad Example • Digital Watch • affordances • four push buttons, not clear what they do • contraints and mapping unknown • no visible relation between buttons and the end-result of their actions • negative transfer • little association with analog watches • cultural standards • somewhat standardized functionality, but highly variable • conceptual model • must be taught; not obvious Based on slide by Saul Greenberg

  29. Digital Watch Redesigned for Affordances (Rachna Dhamija)

  30. Digital Watch Redesigned for Affordances (Ping Yee)

  31. Interface Metaphors Revisited • Definition of Metaphor • application of name or descriptive term to an object to which it is not literally applicable • Purpose • function as natural models • leverages our knowledge of familiar, concrete objects/experiences to understand abstract computer and task concepts • Problem • metaphor may portray inaccurate or naive conceptual model of the system A presentation tool is like a slide projector Slide adapted from Saul Greenberg

  32. Interface Metaphors • Use metaphors that matches user's conceptual task • desktop metaphor for office workers • paintbrush metaphor for artists... • Given a choice, choose the metaphor close to the way the system works • Ensure emotional tone is appropriate to users E.g., file deletion metaphors • trashcan • black hole • paper shredder • pit bull terrier • nuclear disposal unit... Slide adapted from Saul Greenberg

  33. Metaphors continued • Caveat • metaphors can be overdone! • Common pitfalls • overly literal • unnecessary fidelity • excessive interactions • overly cute • novelty quickly wears off • overly restrictive • cannot move beyond • mismatched • does not match user’s task and/or thinking Slide adapted from Saul Greenberg

  34. The Metaphor of Direct Manipulation • Direct Engagement • the feeling of working directly on the task • Direct Manipulation • An interface that behaves as though the interaction was with a real-world object rather than with an abstract system • Central ideas • visibility of the objects of interest • rapid, reversible, incremental actions • manipulation by pointing and moving • immediate and continuous display of results • Almost always based on a metaphor • mapped onto some facet of the real world task semantics) Slide adapted from Saul Greenberg

  35. move my.doc Object-Action vs Action-Object • Select object, then do action • interface emphasizes 'nouns' (visible objects) rather than 'verbs' (actions) • Advantages • closer to real world • modeless interaction • actions always within context of object • inappropriate ones can be hidden • generic commands • the same type of action can be performed on the object • eg drag ‘n drop: Slide adapted from Saul Greenberg

  36. Direct manipulation • Representation directly determines what can manipulated Slide adapted from Saul Greenberg

  37. Phone list List metaphor Rolodex metaphor Slide adapted from Saul Greenberg

  38. Games Slide adapted from Saul Greenberg

  39. Direct Manipulation • Xerox Star: pioneered in early '80s, copied by almost everyone • simulates desktop with icons • in and out baskets • file folders and documents • calculators • printers • blank forms for letters and memos • small number of generic actions applicable system wide • move, copy, delete, show properties, again, undo, help • eg same way to move text, documents, etc • property sheets • pop-up form, alterable by user • What you see is what you get (WYSIWYG) Slide adapted from Saul Greenberg

  40. Xerox Star continued • Star's observers: • objects understood in terms of their visual characteristics • affordances, constraints • actions understood in terms of their effects on the screen • causality • intuitively reasonable actions can be performed at any time • conceptual model • A subtle thing happens when everything is visible: the display becomes reality Slide adapted from Saul Greenberg

  41. Is direct manipulation the way to go? • Some Disadvantages • Ill-suited for abstract operations • spell-checker? • Tedium • manually search large database vs query • Task domain may not have adequate physical/visual metaphor • Metaphor may be overly-restrictive • Solution: Most systems combine direct manipulation and abstractions • word processor: • WYSIWYG document (direct manipulation) • buttons, menus, dialog boxes (abstractions, but direct manipulation “in the small”) Slide adapted from Saul Greenberg

  42. Conventional Applications: A Mix Slide adapted from Saul Greenberg

  43. Guidelines for Design • Provide a good conceptual model • allows users to predict consequences of actions • communicated thorugh the image of the system • Make things visible • relations between user’s intentions, required actions, and results should be • sensible • consistent • meaningful (non-arbitrary) • make use of visible affordances, mappings, and constraints • remind person of what can be done and how to do it Based on slide by Saul Greenberg

  44. Summary • Good Representations • captures essential elements of the event / world • deliberately leaves out / mutes the irrelevant • appropriate for the person, their task, and their interpretation • Metaphors • uses our knowledge of the familiar and concrete to represent abstract concepts • need not be literal • has limitations that must be understood • Direct manipulation • visibility of the objects of interest • rapid, reversible, incremental actions • manipulation by pointing and moving • immediate and continuous display of results Slide adapted from Saul Greenberg

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