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“Willing Suspension of Disbelief” + Imagination and Fancy

“Willing Suspension of Disbelief” + Imagination and Fancy. Concepts originated by Samuel Coleridge.

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“Willing Suspension of Disbelief” + Imagination and Fancy

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  1. “Willing Suspension of Disbelief”+Imagination and Fancy Concepts originated by Samuel Coleridge

  2. A “willing suspension of disbelief” can be achieved if a writer infuses a "human interest and a semblance of truth" into a fantastic tale so well that the reader suspends judgment concerning the implausibility of the narrative. Wikipedia

  3. It was agreed, that my endeavours [sic] should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.

  4. Mr. Wordsworth on the other hand was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us Coleridge, BiographiaLiteraria, 1817, Chapter XIV

  5. Imagination (primary and secondary) and Fancy • The IMAGINATION then, I consider either as primary, or secondary. • The primary imagination I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.

  6. The secondary Imagination I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of operation. • It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it struggles to idealise and unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.

  7. Fancy • FANCY, on the contrary, has no other counters to play with, but fixities and definites. • The Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.

  8. Sited Cited • Shahidm Sana “Coleridge ‘imagination and Fancy’ The Literate Network Forums. http://www.online-literature.com/forums/showthread.php?16344-Coleridge-quot-imagination-and-Fancy-quot • “Suspension of disbelief” Wikipeidahttp://en.wikipedia.org/wiki/Suspension_of_disbelief#cite_note-3

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