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Version WS 2007-8. Speech Science IX. How is articulation organized?. Articulatory states vs. articulatory gestures . Speech sound description is based on the positions or states of the articulators not on their movements

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speech science ix

Version WS 2007-8

Speech Science IX

How is articulation organized?

articulatory states vs articulatory gestures
Articulatory states vs. articulatory gestures
  • Speech sound description is based on the positions or states of the articulators not on their movements
  • The movements from one position to another are not part of the definition of the sound structure of a language.
  • The symbolic representation (phonetic transcription) of an utterance also suggests that the position or state of the articulators (the configuration) is the most important aspect of the sound structure.
  • A film of speech being articulated shows that some part of the articulatory system is almost always in motion.
  • To explain how speech works, we need a model of how the movements are controlled, a model of gesture organization.
topics
Topics
  • Sound categories and articulatory variability.
  • How do we control our articulation?
  • At what level do we control our articulation?- individual muscles? - gestures for individual sounds?- sequences of gestures for syllables?- …. for words?
  • Reading: BHR, Chap. 5, pp. 134-173 ff. (Variation, Feedback, Prod.-Models)

P.-M. 1.4,8. pp. 64-78 (Steuerung)

sound variants
Sound Variants
  • A problem with definition by articulatory state is the potential “many-to-one” relationship between speech events and their causes.

a) One acoustic event (speech sound) can result from different articulatory configurations

(= “articulatory compensation”)

b) One articulatory configuration can result from different patterns of muscular activity

(= “neuromuscular compensation”)

sound variants example

articulatorycompensation

“Standard” vs. Saarland < ich >

Sound Variants (example)
sound variants other examples
Sound Variants (other examples)

• Another well-known example of articulatory compensation is the „American /r/“ ([])

The tongue may be a) turned back (retroflex) b) bunched

• Lip-rounded vowels (like [y]) can be produced with strongly rounded, protruded lips, or with retracted tongue and neutral (or even spread) lips (with or without a lowered larynx).

free variation vs conditioned variants
Free variation vs conditioned variants

• Articulatory differences (requiring different commands to muscles) are not only the result of having acquired a particular variant.

• Sounds occur in context, and the gestures are differentwith every different preceding sound!

• This makes the relationship between one speech sound (in linguistic terms “a phoneme”)and the commands to produce it complicated.

different movements in context

a

t

e

t

e

i

jaw-movementc

jaw-movementc

tongue tip

tongue tip

Different movements in context

Contextual differences in gestures affect every part of the articulatory patterns. Here, chin and tongue-tip interaction.

context variation coarticulation

Lip-rounding

Tonguetip

[ t u t  ] y

Context variation: Coarticulation

Example: Tüte (or tooter)

When a property of one sound affects the way in which a neighbouring sound is produced, we call the effect“coarticulation”. Here lip-rounding in the initial /t/ of „Tooter“.

what does this say about speech production
What does this say about speech production?

• The motor activity involved in producing speech sounds is much more complex than the (relatively simple) phonetic- phonological categorisation of speech sounds

• We have to decide whether there is (or can be) any link between linguistic description and production models

…. It would be unfortunate if we had to say that the two had nothing to do with each other!

but the observations also tell us
But the observations also tell us ….

• The acoustic ( perceptual) identity of sounds seems more important than the motor equivalence

• When we learn to articulate, we match our own production to what we hear.

The acoustic patterns from other speakers are our only models …

…… nobody shows us how to move our lips, tongue, velum or larynx …….

although
… although …

• There seems to be an innate ability to imitate peoples‘ facial expressions (attributed to so-called “mirror neurons”)

This has been systematically observed in very young babies, who mimic their mother‘s expressions.

• So there may be some visual input as well as the predominant acoustic input to the speech learning process.

But only a small fraction of the articulatory activity is visible/observable.

slide13
Must our normal production processes be related to processes used in learning (i.e., perceptually based)?

• Theories of speech production do not always model articulation from a perceptual standpoint.

• Linguistic (phonological) models of sound systems are concerned with the patterns of sound produced, not with the processes that are required to produce them (BHR p. 152 f.)

The IPA system is articulatorily orientated.Distinctive Feature theory (more abstract) can be articulatory or acoustic.

• Continuation of the discussion in Script X.

background article
Background Article

• James Perkell (2000): A Theory of speech motor control and supporting data from speakers with normal hearing and with profound hearing loss.Journal of Phonetics 28, 233-272

Article for copying in room 4.11 (Phonetics Secretary‘s Office)