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P ostmodernis m: theoretical background

P ostmodernis m: theoretical background. Part 1. Next week…. Part 2. Modernism and postmodernism in literature and the other arts. S YNOPSIS. (Mis)conceptions of postmodernism Truth in postmodernism Influential theories in/of postmodernism (deconstruction, hyperreality, grand narratives)

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P ostmodernis m: theoretical background

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  1. Postmodernism: theoretical background Part 1

  2. Next week… Part 2 Modernism and postmodernism in literature and the other arts

  3. SYNOPSIS • (Mis)conceptions of postmodernism • Truth in postmodernism • Influential theories in/of postmodernism (deconstruction, hyperreality, grand narratives) • Chaos or complexity? (entropy as a metaphor, Joseph Heller, Thomas Pynchon)

  4. MOST COMMON MISCONCEPTIONS ABOUT POSTMODERNISM Denial of the existence of ANY truth Radical skepticism about ABSOLUTE TRUTH Representation of the CHAOTIC nature of the contemporary world Representation of the COMPLEXITY of the world Postmodernist thought aims at a PLAYFUL restructuring of our ordinary ways of perceiving and representing the world Postmodernism is about DESPAIR and the MEANINGLESSNESS of life

  5. Postmodernism in the broadest sense is a conscious problematization of what is “true” and “real”/an inquiry into how “truth” and “reality” are made rather than found. Questioning the Platonist/metaphysical foundations of Western philosophy

  6. METAPHYSICS Socrates  Plato  Aristotle WORLD Appearance Replica (copy) Contingent Perishable Physical Material Reality Ideal form Essential Eternal Mental Non-Material VS.

  7. TRUTH IN POSTMODERNISM

  8. Friedrich Nietzsche “Against that positivism which stops before phenomena, saying ‘there are only facts,’ I should say: no, it is precisely facts that do not exist, only interpretations…” PERSPECTIVISM There can be several co-existing conceptual schemes within which “truths”/“facts” can be established.

  9. Walter Truett Anderson: “Four Different Ways to Be Absolutely Right” Four worldviews: (a) the neo-romantic (b) the social-traditional (c) the scientific-rational (d) the postmodern-ironist Truth is… (a) found through harmony with nature/exploration of inner self (b) in the historical heritage of (Western) civilization (c) discovered through science/scientific methods (d) a social construction

  10. THEORIES OF POSTMODERNISM

  11. DECONSTRUCTION (Post-structuralism) Jacques Derrida (1930-2004) “Structure Sign and Play in the Discourse of the Human Sciences” (1966)

  12. STRUCTURALISM Fredinand de Saussure (1857-1913) LangueParole (Language as a system) (Actual utterances) Sign Signifier Signified Referent Language is a system of differences

  13. STRUCTURALISM

  14. POST-STRUCTURALISM (Deconstruction)

  15. The “deconstruction” of structures • We like to see the world organized into structures • Structures are always built around a center • All centers are arbitrarily chosen, giving us the semblance of a structure

  16. STRUCTURALISM Sign Signifier Signified Referent

  17. SIGNIFIER

  18. Signified Signified Signified SIGNIFIER Signified Signified Signified Signified Signified Signified Signified

  19. SIMULACRUM AND HYPERREALITY Jean Baudrillard Simulacra and Simulation (1981)

  20. “It’s a new reality show about a producer trying to make a reality show about a family obsessed with reality shows.”

  21. Simulacrum: a copy or replica of something Baudrillard: simulacrum is not just a copy of an “original,” but a representation which becomes a “truth” in its own right Hyperreality: the representation is experienced as more real than the

  22. An illustration of the logic of the simulacrum: Disneyland

  23. DISTRUST OF GRAND NARRATIVES Jean-Francois Lyotard: The Postmodern Condition: A Report on Knowledge (1979)

  24. “Simplifying to the extreme, I define postmodern as incredulity toward metanarratives. […] To the obsolescence of the metanarrative apparatus of legitimation corresponds, most notably, to the crisis of metaphysical philosophy and of the university institution which in the past relied on it. The narrative function is losing its functors, its great hero, its great dangers, its great voyages, its great goal. It is being dispersed in clouds of narrative language elements—narrative [...]. Where, after the metanarratives, can legitimacy reside?”

  25. CHAOS OR COMPLEXITY?

  26. Entropy (transfer content)  Energy (work content) The term was coined by Rudolf Clausius in 1865

  27. Definitions of entropy The 2nd law of thermodynamics: The amount of energy in a thermodynamic system (e.g. a heat engine) that is not available for doing work (i.e. the amount of energy that gets lost).

  28. Science (physics): The final stage reached in the degradation of matter and energy in a closed system. (All closed systems, including the universe will run down and end in heat death)

  29. Statistical mechanics: The condition of a mechanical system. (The more run-down the given machinery, the higher its entropy is.)

  30. Communication/ Information theory: The effectiveness of a certain system of signs (such as language) in transmitting new information. (The more new information a statement carries, the higher its entropy is).

  31. Thomas Pynchon (b. 1937) “Entropy” (1960)

  32. Callisto’s apartment Callisto is dictating his memoirs to his lover, Aubade, and is brooding overentropy and apocalypse. Washington D.C. February 1957 Temperature: 37 F (cca. 2-3 ºC) Meatball’s apartment Meatball is throwing a raucous party, where a host of diverse guests are arriving . Saul’s apartment Saul has just had an argument with his wife over communication theory.

  33. (1961)

  34. (1963)

  35. (1966)

  36. (1973)

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