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Bey Belych meaning: "Beat Whites" White is right: political color

Klinom krasnim meaning: "With Red Wedge" Red is left: political color and position of communists. White was a standard color of anti-revolutionary forces Circle was s supremtists symbol for unchangeable. Red was a standard symbol of revolution Edge was asupremtist symbol of something new.

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Bey Belych meaning: "Beat Whites" White is right: political color

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  1. Klinom krasnim meaning: "With Red Wedge"Red is left: political color and position of communists White was a standard color of anti-revolutionary forcesCircle was s supremtists symbol for unchangeable Red was a standard symbol of revolutionEdge was asupremtist symbol of something new Bey Belych meaning: "Beat Whites"White is right: political color and position of anti-revolutionaries Painted during the Civil War in Russia (1917-1921) between Reds and Whites

  2. Kandinsky, 1920’3 & 30’s

  3. Wassily Kandinsky Several Circles (Einige Kreise),1926. Oil on canvas, 55” x 55”. Geometric purity v. textured background Molecular world and solar systems

  4. Piet Mondrian Kazimir Malevich Suprematist Painting: Eight Red Rectangles o/c, 1915,22 x 19” Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921, o/c, 23 x 19”

  5. Mondrian, Red Tree, 1908

  6. Mondrian, Grey Tree, 1911

  7. Mondrian, Apple Tree, 1912

  8. Mondrian, Composition II, 1913

  9. Mondrian, Composition V (The Sea), 1915

  10. Mondrian, Composition 10

  11. Piet Mondrian Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921, o/c, 23 x 19” Line and color “the struggle toward unity of cosmic dualities and the religious symmetry undergirding the material universe” Theosophist Composition with Red, Yellow and Blue1921, o/c, 15 x 13”

  12. Piet Mondrian Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921, o/c, 23 x 19” Composition with Red, Yellow and Blue1921, o/c, 15 x 13”

  13. Mondrian, Composition With Blue, Black, Yellow and Grey, 1920 Composition With Red, Blue, Black, Yellow and Grey, 1921 

  14. Architecture The International Style

  15. The International Style DE STIJL Gerrit Rietveld dematerialization Shroeder House, Utrecht, Holland, 1923 UNESCO list of World Heritage Sites

  16. Gerrit Rietveld, Schroder House, Utrecht, Holand, 1923 Mondrian chair (Blue and Red chair)

  17. Mies van der Rohe “less is more” German Pavillion, Barcelona (1929) Lake Shore Drive Apartment Houses, Chicago, 1950-52 functionalism Barcelona Chair, 1927

  18. Le Corbusier Villa Savoye, France, 1929-30

  19. Constantin Brancusi The Newborn, 1915, marble, 8 1/2 x 6 inches Bird in Space, 1923, marble, (with base) 56 3/4 x 6 1/2 inches

  20. Bird in space polished brass, 1932-40, 60” Torso of A Young Man 1917-1924Polished bronze on stone and wood bases18 1/8 x 11 1/2 x 9 1/8 in.

  21. Constantin Brancusi

  22. Dada (1914-20’S) (absorbed by Surrealism in the mid-20s) irrationality, anarchy, cynicism and the rejection of laws of beauty and social organization anti-art that would destroy culture and therefore war Hugo Ball reciting sound poems in the Cabaret Voltaire, 1916

  23. Tristan Tzara

  24. (The signatories of thismanifesto live in France,America, Spain, Germany,Italy, Switzerland,Belgium, etc. but haveno nationality.)          DADA     EXCITES     EVERYTHING DADA knows everything. DADA spits everything out. BUT . . . . . . . . . HAS DADA EVER SPOKEN TO YOU: about Italyabout accordionsabout women's pantsabout the fatherlandabout sardinesabout Fiumeabout Art (you exaggerate my friend)about gentlenessabout D'Annunziowhat a horrorabout heroismabout mustachesabout lewdnessabout sleeping with Verlaineabout the ideal (it's nice)about Massachusettsabout the pastabout odorsabout saladsabout genius, about genius, about geniusabout the eight-hour dayabout the Parma violets NEVER        NEVER       NEVER DADA doesn't speak. DADA has no fixed idea. DADA doesn't catch flies. THE MINISTRY IS OVERTURNED.   BY WHOM? BY DADA Paris January 12, 1921 E. Varèse, Tr. Tzara, Ph. Soupault,Soubeyran, J. Rigaut, G. Ribe-mont-Dessaignes, M. Ray, F. Pi-cabia, B. Péret, C. PausaersR.Hülsenbeeks, J. Evola, M. Ernst,P. Eluard, Suz. Duchamp, M. Du-champ, Crotti, G. Cantarelli, Marg.Buffet, Gab. Buffet, a. BretonBaargeld, Arp., W. C. Arensberg, L. Aragon For all informationwrite "AU SANS PAREIL"37, Avenue Kléber.Tel. PASSY 25-22 --- From Approximate Man and Other Writings,Translated and Edited by Mary Ann Caws(Wayne State University Press)Reprinted in"Teachers & Writers Collaborative"5 Union Square W.New York City 10003 Send us e-mail Subscribe Go Home Go to the most recent RALPH

  25. The Futurist is dead. Of What? Of DADA A Young girl commits suicide. Because of What? DADAThe spirits are telephoned. Who invented it? DADASomeone walks on your feet. It's DADAIf you have serious ideas about life,If you make artistic discoveriesand if all of a sudden your head begins to crackle with laughter,If you find all your ideas useless and ridiculous, know that IT IS DADA BEGINNING TO SPEAK TO YOU cubism constructs a cathedral of artistic liver paste WHAT DOES DADA DO? expressionism poisons artistic sardines WHAT DOES DADA DO? simultaneism is still at its first artistic communion WHAT DOES DADA DO? futurism wants to mount in an artistic lyricism-elevator WHAT DOES DADA DO? unanism embraces allism and fishes with an artistic line WHAT DOES DADA DO? neo-classicism discovers the good deeds of artistic art WHAT DOES DADA DO? paroxysm makes a trust of all artistic cheeses WHAT DOES DADA DO? ultraism recommends the mixture of these seven artistic things WHAT DOES DADA DO? creationism vorticism imagism also propose some artistic recipes WHAT DOES DADA DO? WHAT DOES DADA DO? 50 francs reward to the person who finds the bestway to explain DADA to us Dada passes everything through a new net.Dada is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our language in our brain in our habits.It says to you: There is Humanity and the lovely idiocies which have made it happy to this advanced age DADA HAS ALWAYS EXISTEDTHE HOLY VIRGIN WAS ALREADY A DADAIST DADA IS NEVER RIGHT Citizens, comrades, ladies, gentlemen                         Beware of forgeries! Imitators of DADA want to present DADA in an artistic form which it has never had CITIZENS, You are presented today in a pornographic form, a vulgar and baroque spirit which is not the PURE IDIOCY claimed by DADA BUT DOGMATISM AND PRETENTIOUS IMBECILITY

  26. Dada (1914-20’S)and Surrealism Andre Breton, 1924 “Surrealism … (is) pure psychic automatism …. Thought in the absence of all control exerted by reason, and outside all aesthetic or moral preoccupations … based on the belief in the superior reality of certain forms of associations heretofore neglected, in the omnipotence of the dream and the disinterested play of thought.” “Surreality (is) the reconciliation of the reality of dreams with the reality of everyday life into a higher Synthesis.” Expressions of the Unconscious: Chance Play Automatisms (Freud, Jokes and their Relation to the Unconscious, 1911)

  27. Hans (Jean) Arp Zurich Dada Automatic Drawing 1917-18 Ink and pencil on paper, 16 3/4 x 21 1/4" Collage arranged according to the laws of chance 1916-1917, torn and pasted paper, 19 x 13”

  28. Marcel Duchamp Nude Descending a Staircase 1912 o/c

  29. Marcel Duchamp The Fountain 1917 “ready-made” porcelain plumbing fixture and enamel paint, 24” h.

  30. Marcel Duchamp L.H.O.O.Q. Original Version: 1919, Parisreproduction of Leonardo da Vinci's Mona Lisawith added mustache, goatee, and title

  31. Duchamp, Large Glass, 1915 - 23

  32. Marcel Duchamp The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) Oil paint, varnish, lead foil, lead wire, and dust on two glass plates (cracked), each mounted between two glass panels in a steel and wood frame 1915-23 , 272.5 x 175.8 cm

  33. MD Large Glass diagram

  34. Salvador Dali Critical Paranoia The Persistence of Memory 1931 oil on canvas, 9 x 13”

  35. Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938

  36. Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938

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