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All statues and paintings were smashed and torn . . . And thus were destroyed not only statues and paintings, but the books and commentaries and handbooks and rules on which men relied for their training in this great and excellent and gentle art
吀栀攀 䌀栀爀椀猀琀椀愀渀 稀攀愀氀 愀渀搀 愀爀琀ഀ吀栀攀 甀最氀礀 䜀爀攀攀欀 匀琀礀氀攀 愀渀搀 䜀椀漀琀琀漀ഀ䠀攀 猀甀挀挀攀攀搀攀搀 椀渀 戀愀渀椀猀栀椀渀最 挀漀洀瀀氀攀琀攀氀礀 琀栀愀琀 ഀ吀栀攀 䌀栀爀椀猀琀椀愀渀 稀攀愀氀 愀渀搀 愀爀琀ഀ吀栀攀 甀最氀礀 䜀爀攀攀欀 匀琀礀氀攀 愀渀搀 䜀椀漀琀琀漀ഀ䠀攀 猀甀挀挀攀攀搀攀搀 椀渀 戀愀渀椀猀栀椀渀最 挀漀洀瀀氀攀琀攀氀礀 琀栀愀琀 ഀ 甀最氀礀 䜀爀攀攀欀 猀琀礀氀攀Ⰰ 愀渀搀 爀攀瘀椀瘀攀搀 琀栀攀 洀漀搀攀爀渀 愀渀搀 攀砀挀攀氀氀攀渀琀 ഀ 愀爀琀 漀昀 瀀愀椀渀琀椀渀最㬀 愀渀搀 栀攀 椀渀琀爀漀搀甀挀攀搀 琀栀攀 氀椀昀攀ⴀ氀椀欀攀 瀀漀爀琀爀愀礀愀氀 ഀ 漀昀 氀椀瘀椀渀最 瀀攀爀猀漀渀猀Ⰰ 眀栀椀挀栀 昀漀爀 洀愀渀礀 栀甀渀搀爀攀搀猀 漀昀 礀攀愀爀猀 栀愀搀 ഀ 戀攀攀渀 漀甀琀 漀昀 昀愀猀栀椀漀渀⸀ ഀ 䜀椀漀爀最椀漀 嘀愀猀愀爀椀 ⠀嘀椀琀愀 搀椀 䜀椀漀琀琀漀⤀ഀഀ 䄀渀搀 椀渀 䄀爀挀栀椀琀攀挀琀甀爀攀 ⠀䜀漀琀栀椀挀⤀ഀ ᰠ挀甀爀猀攀 漀昀 戀甀椀氀搀椀渀最 ⸀ ⸀ ⸀ 圀栀椀挀栀 栀愀猀 瀀漀氀氀甀琀攀搀 琀栀攀 眀漀爀氀搀 ⸀ ⸀ ⸀ 䄀渀搀 洀愀礀 䜀漀搀 ഀ 瀀爀攀猀攀爀瘀攀 愀氀氀 氀愀渀搀猀 昀爀漀洀 琀栀攀 椀渀琀爀甀猀椀漀渀 漀昀 猀甀挀栀 琀栀漀甀最栀琀猀 愀渀搀 猀甀挀栀 猀琀礀氀攀 ഀ 漀昀 挀爀愀昀琀猀洀愀渀猀栀椀瀀 ⸀ ⸀ ⸀⠀ 吀栀攀 挀爀攀搀椀琀 昀漀爀 琀栀椀猀 戀攀氀漀渀最猀 琀漀 䘀椀氀椀瀀瀀漀 ഀ 䈀爀甀渀攀氀氀攀猀挀栀椀⤀ ⸀ ⸀ ⸀ 圀栀漀 ⸀ ⸀ ⸀ 眀愀猀 最椀瘀攀渀 琀漀 甀猀 戀礀 栀攀愀瘀攀渀 琀栀愀琀 栀攀 洀椀最栀琀 ഀ 攀渀搀漀眀 䄀爀挀栀椀琀攀挀琀甀爀攀 眀椀琀栀 昀漀爀洀 ⸀ ⸀ ⸀眀栀椀挀栀 栀愀猀 氀愀挀欀攀搀 昀漀爀 栀甀渀搀爀攀搀 漀昀 ഀ 礀攀愀爀猀 瀀愀猀琀⸀ഀ 䜀椀漀爀最椀漀 嘀愀猀愀爀椀 ⠀嘀椀琀愀 搀椀 䈀爀甀渀攀氀氀攀猀挀栀椀⤀
“glorious minds that sprang from the soil of Tuscany . . .
(turn to the ancient ruins of Rome and start)
distinguishing very clearly the good from the bad and
forsaking the old styles, they began once more to imitate,
to the limit of their energies and abilities, the styles
affected by the ancients . . .” Giorgio Vasari
Belief that the ancients had exercised a direct
influence on the rebirth of Art and Literature
was general (a direct consequence of numerous
a) passionate moral appeals (God, devil etc.).
b) no interpretation, no sense of human “individuality”
But since it is my purpose to write what may be useful to those who need it, I have thought it more fitting to concern myself with the effective reality of things than with speculation. For many have imagined republics (Plato) and principates which have never been seen or known to exist in reality.
Machiavelli Il principe