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RADIOGRAPHIC FILM PROCESSING DARKROOM

RADIOGRAPHIC FILM PROCESSING DARKROOM. THE PROCESSING AREA. PROCESSING AREA VIEWING SECTION. VIEWING AREA. PROCESSING AREA. VIEWING SECTION VIEWBOX ILLUMINATION INTENSITY-500-1000 FOOT CANDLES. PHOTOMETER IS USED TO MEASURE VIEWBOX ILLUMINATION INTENSITY. VIEWING STATION.

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RADIOGRAPHIC FILM PROCESSING DARKROOM

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  1. RADIOGRAPHIC FILM PROCESSINGDARKROOM

  2. THE PROCESSING AREA • PROCESSING AREA • VIEWING SECTION

  3. VIEWING AREA PROCESSING AREA

  4. VIEWING SECTION VIEWBOX ILLUMINATION INTENSITY-500-1000 FOOT CANDLES

  5. PHOTOMETER IS USED TO MEASURE VIEWBOX ILLUMINATION INTENSITY

  6. VIEWING STATION

  7. VIEWING AREA HOT LIGHT

  8. MOST OF MODERN MEDICAL IMAGING DEPARTMENTS USE AUTOMATIC PROCESSORS—MOST OF THOSE ARE DAYLIGHT PROCESSORS

  9. AUTOMATIC DAYLIGHT PROCESSORS

  10. AUTOMATIC DARKROOM PROCESSORS

  11. AUTOMATIC DARKROOM PROCESSORS

  12. MANUAL PROCESSING

  13. DARKROOM

  14. BASIC COMPONENTS OF DARKROOM STORAGE SHELVES WORKBENCH

  15. BASIC COMPONENTS:PROCESSORDeveloperwaterfixer drayerManual

  16. BASIC COMPONENTS:CHEMISTRY MIXING TANKS

  17. BASIC COMPONENTS:FILM DUPLICATOR

  18. DUPLICATING FILM EXPOSED TO ULTRAVIOLET RADIATION

  19. BASIC COMPONENTS:FILM FLASHER

  20. BASIC COMPONENTS:SILVER RECOVERY SYSTEM

  21. BASIC COMPONENTSFILM BIN

  22. FILM BIN AUDIO ALARM

  23. FILM BIN ANATOMY CONTAINS INDIVIDUAL SLOTS THAT HOLD FILMS OF DIFFERENT SIZES

  24. TYPICAL DARKROOM FILM BIN OTHER FILMS 8 x 10 10 x 12 11 x 14 14 x 17 FRONT

  25. 14 X17 11 x 14 10 x 12 8 x 10 7 x 17 6 x 12 14 x 36 35 x 43 28 x 35 25 x 30 20 x 25 18 x 43 15 x 30 35 x 91 RADIOGRAPHIC FILM SIZES

  26. DARKROOM LIGHT • WHITE LIGHTS • SAFELIGHTS

  27. WHITE LIGHT IS USED FOR: EQUIPMENT REPAIR AND DARKROOM CLEANING

  28. SAFELIGHTS USED DURING FILM PROCESSING

  29. SAFELIGHT BULBSINCANDESCENT RECESSED WITHIN METALLIC LIGHT FIXTURE • RED FILTER-- KODAK GBX-2 OR GS-1 • AMBER FILTER --WRATTEN 6B

  30. SAFELIGHTS • RED—GREEN LIGHT SENSITIVE FILM ORTHOCHROMATIC • AMBER –BLUE LIGHT SENSITIVE FILM • TOTAL DARKNESS FOR PANCHROMATIC FILM

  31. AT LEAST 3 FEET FROM THE FILM TRAY 7.5 W FILM TRAY

  32. AT LEAST 4 FEET FROM THE FILM TRAY 15 W FILM TRAY

  33. LATENSIFICATION INCCREASED SENSITIVITY TO SAFELIGHT ILLUMINATION AFTER FILM WAS EXPOSED

  34. DARKROOM DESIGN

  35. LEAD SHIELDING IF ADJACENT TO X-RAY ROOM • 1/16 INCH OF LEAD IN THE WALLS ALL THE WAY TO THE CEILING.

  36. IF ADJACENT TO X-RAY ROOMS • PASS-BOXES NEEDED TO PASS FILMS DIRECTLY FROM THE X-RAY ROOM TO DARKROOM

  37. VENTILATION • SYSTEM MUST BE LIGHTPROOF AND ABLE TO FILTER OUT DUST

  38. HUMIDITY • 40-60% • > 60%--FILM FOG • <40% STATIC ARTIFACTS

  39. SIZE • BIG ENOUGH!!!?

  40. COLOR • WALLS AND CEILING CAN BE PAINTED IN ANY COLOR

  41. TEMPERATURE • 50-70 º F FOR FILM STORAGE– TO SLOW DOWN THE AGING PROCESS OF THE FILM

  42. WOULD YOU STORE IT LIKE THIS???

  43. STORE YOUR FILMS STANDING ON THE EDGE TO AVOID PRESSURE MARKS. USE FILM STORAGE CARTS OR SHELVES

  44. DARKROOM ENTRANCE: REVOLVING DOOR

  45. DARKROOM ENTRANCE:SINGLE DOOR

  46. DARKROOM ENTRANCE:DOUBLE DOOR

  47. DARKROOM ENTRANCE:MAZE

  48. COLOR OF THE MAZE DARK-- NOT OT REFLECT WHIT LIGHT INTO THE DARKROOM

  49. WHITE LIGHT LEAKS SAFELIGHT FOG DARKROOM TESTING

  50. SAFELIGHT TEST

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