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Dive into the intricate dynamics between artists and viewers in the digital age. This study investigates how technology reshapes our understanding of connection, distance, time, and reality in the realm of art. The interactive exhibit at the San Francisco Museum of Modern Art showcases the evolution of participatory art since 1950, highlighting the fusion of creativity and viewer interaction. From the groundbreaking 'Hole-in-Space' by Kit Galloway and Sherrie Rabinowitz to contemporary developments by Olafur Eliasson, the exhibition prompts contemplation on the intersection of art, technology, and human engagement. Explore the boundaries of physical and virtual experiences, delving into the blurred lines of perception and immersion. Gain fresh insights into the evolving landscape of artistic expression and societal integration in this thought-provoking showcase.
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EDIT/AMEND A study into the complexity of relation between the artist and the viewer 2013 Bethany Middleton
THE MOBIUS STRIP > EXPERIENCING EACH OTHERS LIVES WITHOUT THE PHYSICAL PRESENCE OF ONE ANOTHER > TWO ENDS BECOMING ONE. TWO LIVES BECOMING ONE.
HOW DOES TECHNOLOGY ALTER OUR PERCEPTIONS OF DISTANCE, TIME, AND REALITY?
‘ART OF PARTICIPATION’ SAN FRANCISCO — The new S.F. Museum of Modern Art exhibit The Art of Participation: 1950 to Now turns the typically quiet gallery walk into a hands-on interactive experience. The pieces in the retrospective exhibit show how artists have dabbled in two-way communication with viewers over the past 60 years. The refreshingly self-reflexive exhibition draws on a rich history and examines the relationships among museums, artists and the public.
Kit Galloway, Sherrie Rabinowitz's ‘Hole-in-Space’ (Video Projection) 1980
DEVELOPMENT • SOCIAL MEDIA • ‘HATE’&‘ART’