1 / 63

POSTWAR SOCIETY AND CULTURE: Change and Adjustment

POSTWAR SOCIETY AND CULTURE: Change and Adjustment. Chapter 25. The American Nation, 12e Mark C. Carnes & John A. Garraty. CLOSING THE GATES TO NEW IMMIGRANTS: National Origins Act. There was a backlog of immigrants due to WWI and ensuing poor conditions in Europe

sherryi
Download Presentation

POSTWAR SOCIETY AND CULTURE: Change and Adjustment

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. POSTWAR SOCIETY AND CULTURE: Change and Adjustment Chapter 25 The American Nation, 12e Mark C. Carnes & John A. Garraty

  2. CLOSING THE GATES TO NEW IMMIGRANTS: National Origins Act • There was a backlog of immigrants due to WWI and ensuing poor conditions in Europe • (Almost 1 million waiting to enter U.S.) • 1921: Congress passed an emergency act established a quota system • Each year 3% of the number of foreign-born residents of the U.S. in 1910 (about 350,000 persons) could enter country • Each country’s quota was based on the number of its nationals in the U.S. in 1910

  3. CLOSING THE GATES TO NEW IMMIGRANTS • 1929: Congress established a system that allowed in only 150,000 immigrants a year • System was complicated and unscientific

  4. CLOSING THE GATES TO NEW IMMIGRANTS • Law reduced actual immigration far below 150,000 • U.S. committed to preserving a homogenous, Anglo-Saxon population • Distaste for eastern Europeans became general anti-Semitism in the 1920s • Jews were subject to increasing discrimination, in part because many were succeeding

  5. NEW URBAN SOCIAL PATTERNS • Census of 1920: for the first time the majority of Americans (54 million out of 106 million) lived in “urban” rather than “rural” places

  6. NEW URBAN SOCIAL PATTERNS • Urban environment transformed family structure, educational opportunities and dozens of other aspects of human existence • Couples married more because of love and physical attraction than social position • People married slightly later in life and had fewer children

  7. NEW URBAN SOCIAL PATTERNS • Differences between middle and working class families persisted • 1920 about a quarter of women who worked were married but less than 10% of all married women were working • Middle class women who worked were either childless or highly paid professionals • Most male skilled workers now earned enough to support a family in modest comfort as long as worked steadily • Unskilled workers still could not and wives had to work, often by taking in laundry or doing piecework

  8. THE YOUNGER GENERATION • Great War had raised and dashed the hopes of the generation born around the turn of the century • Found prudery and stuffy conservatism ludicrous • Demanded right to express themselves • Courtship was transformed • No longer was it a visit in front of parents • Now “dating” involved the man picking up the woman and going off with her without parental supervision

  9. THE YOUNGER GENERATION • Conservatives decried loss of moral standards, fragmentation of family and decline of parental authority • Peer pressure structures the events of college students—fraternity and sorority initiations, “proms,” attendance at football games, styles of dress, college slang

  10. THE “NEW” WOMAN Most gains illusory • Double standard continued • Women received lower wages than men, even for the same work • Employers refused to raise women’s wages • Unions (which usually did not admit women) refused to make it an issue The flapper, a young, dramatic, stylish, and unconventional woman, exemplified the change in women’s behavior.

  11. Flappers The New Woman

  12. POPULAR CULTURE: MOVIES AND RADIO First motion pictures were made around 1900 • Early films were brief, action-packed, and unpretentious and often viewed with contempt by professional actors and educated people • Originally people were fascinated by simple recording of movement but success led to rapid technical and artistic improvements • D.W. Griffith’s 12-reel Birth of a Nation was a technical and artistic breakthrough, though its sentimental portrayal of the Klan offended liberals and blacks

  13. POPULAR CULTURE: MOVIES • Motion pictures came into their own after WWI • By mid-1920s the industry, centered in Hollywood, California • With introduction of sound in 1927 and color a few years later, movies reached technological maturity

  14. CHARLIE CHAPLIN & WALT DISNEY • Charlie Chaplin was the greatest film star of the age • Universally popular and enduring • Animated cartoon was also a significant cinematic achievement • Perfected by Walt Disney in the 1930s • Mickey Mouse, Donald Duck, and other Disney characters soon became immensely popular

  15. POPULAR CULTURE: RADIO • Radio was even more pervasive in its effects than movies were • Wireless transmission of sound developed late 19th century in Europe and U.S. • During WWI radio was put to important military uses and the airwaves were tightly controlled • In 1920 the first commercial station (KDKA in Pittsburgh) began broadcasting

  16. POPULAR CULTURE: RADIO • Beginning with 1924 presidential nominating conventions, all major public events were covered live • Advertisers also began to focus on radio

  17. POPULAR CULTURE: RADIO • Advertising had mixed effects on broadcasting • Sums paid by businesses for airtime made possible elaborate entertainments • 1927: Congress limited the number of stations and parceled out wavelengths to prevent interference • 1934 Federal Communications Commission (FCC) was established

  18. THE GOLDEN AGE OF SPORTS • Sports was extremely popular in postwar area • People had more money to spend and more free time to fill • Radio was bringing suspenseful play-by-play accounts of sports to millions of homes, • First big athlete was Jim Thorpe

  19. THE GOLDEN AGE OF SPORTS • Particularly golden age because collection of superstars • Football—Harold “Red” Grange who averaged over 10 yards a carry during college career • Prize Fighting—Jack Dempsey knocked out succession of fighters only to be defeated in 1927 by “Gentleman Gene” Tunney • Tennis—William “Big Bill” Tilden dominated tennis, winning national singles title every year from 1920 to 1925 along every other tournament he entered

  20. THE GOLDEN AGE OF SPORTS • Golf—dominated by Robert T. “Bobby” Jones who won amateur and open championships of both the United States and Great Britain in 1930 • Women • Helen Wills: tennis—three times United States singles champion and eight time winner of Wimbledon in late 1920s and early 1930s • Gertrude Ederle: swimming—held 18 world records by the time she was 17 and swam the English Channel in 1926

  21. THE GOLDEN AGE OF SPORTS • Biggest star was baseball’s Babe Ruth • Dominated baseball • Changed it from a game ruled by pitchers and low scores to one in which hitting was more admired • Hit 29 homeruns in 1919 and 54 in 1920 • By 1923 pitchers walked him more than half the time he appeared at the plate

  22. URBAN-RURAL CONFLICTS: FUNDAMENTALISM • Fundamentalists insisted that the teaching of evolution be prohibited • 1920s campaigned to ban theory from textbooks and classrooms • By 1929 five southern states had passed laws prohibiting the teaching of evolution • Aided in campaign by William Jennings Bryan • 1925: Tennessee passed a law forbidding teaching Darwinism • ACLU promised to fight law if a teacher would violate it • John T. Scopes did so and was arrested • Nationally known lawyers came forward to defend him, while Bryan worked as prosecutor

  23. URBAN-RURAL CONFLICTS: FUNDAMENTALISM • Clarence Darrow for the defense said civilization was on trial • Trial exposed the stupidity and danger of the fundamentalist position • Scopes found guilty and fined $100. • The judge was defeated when he sought reelection • Bryan died in his sleep a few days after the trial

  24. Clarence Darrow at the Scopes Evolution Trial, 1925 • Why was Scopes arrested? • What was the outcome of the trial? • What did this entire episode represent as America urbanized and modernized during the 1920s?

  25. URBAN RURAL CONFLICTS: PROHIBITION • Rural forces achieved victory with 18th amendment in 1919 (Effective January 1, 1920)—prohibited manufacture, transportation, and sale of alcoholic beverages • Typical progressive reform • WWI aided prohibitionists by increasing need for food • 1917 Lever Act outlawed the use of grain for alcohol • Dislike of foreigners also aided cause • Beer drinking was associated with Germans

  26. URBAN RURAL CONFLICTS: PROHIBITION • Prohibition • Reduced national consumption of alcohol from 2.6 gallons per capita to less than 1 gallon in early 1930s • Arrests for drunkenness fell off sharply • So did deaths from alcoholism • Fewer workers squandered money on drink • But insistence on total prohibition led thousands to violate law, which became impossible to strictly enforce

  27. URBAN RURAL CONFLICTS: PROHIBITION • Smuggling became a major business • Bootlegger became a household word • Private individuals learned how to make “bathtub gin” • Manufacture of wine for religious ceremonies was legal • Saloon was replaced by the speakeasy, supposedly secret bar or club

  28. URBAN RURAL CONFLICTS: PROHIBITION • Did not cause Organized Crime – only helped to spread it • Undermined public morality by encouraging hypocrisy • Almost destroyed Democratic Party as a national organization • Northern immigrant Democrats hated law • Southern Democrats sang its praises

  29. Cities struggle with prohibition and organized crime

  30. Clive Weed, "The National Gesture," 1926 • What does this cartoon suggest was the major problem with enforcing Prohibition? • When and how was Prohibition ultimately ended?

  31. THE KU KLUX KLAN • 1915: new Klan founded by William J. Simmons, a former preacher • A little over a year they enrolled 100,000 recruits • By 1923 claimed total of 5 million

  32. THE KU KLUX KLAN • Wore white robes and hoods • Had mumbo jumbo of titles and dogmas • Burned crosses, organized mass demonstrations to intimidate people they did not like, and put pressure on businessmen to fire black workers from better-paying jobs • Klan had little appeal in Northeast or in metropolitan centers in other parts of the country

  33. THE KU KLUX KLAN • Scapegoats were immigrants, Jews, and especially Catholics • Rationale was an urge to return to an older, supposedly finer America and to stamp out all varieties of nonconformity • Success of Klan led to its undoing • Factionalism sprang up • Rival leaders squabbled over the large sums that had been collected from the membership • Ceased to be dynamic force after 1924

  34. During the 1920s, the Ku Klux Klan reemerged and rapidly grew in popularity among many white Americans. This photograph shows the Klan on parade down Pennsylvania Avenue in Washington, D.C.; the Capitol is in the background. • Why did the Klan reemerge during the 1920s? • What did its reemergence reveal about popular attitudes during the 1920s toward anything perceived as "un-American"? • What other events and/or organizations represented this same trend?

  35. Like a Moth, It Works in the Dark, 1923. Charles Dana Gibson

  36. SACCO AND VANZETTI • April 1920: two men killed a paymaster and a guard during a daylight robbery of a shoe factory • Nicola Sacco and Bartolomeo Vanzetti were charged with the crime • 1921 they were convicted of murder • They were anarchists and Italian immigrants and their trial was a travesty • Case became important as prominent persons around the world protested • Many were disillusioned with American values when they were executed Sacco (left) and Vanzetti (right)

  37. LITERARY TRENDS • Literature of 1920s reflects the disillusionment of the intellectuals • Wasteful horrors of Great War, cruelty of red-baiters and the Klan turned intellectuals into critics of society • Edna St. Vincent Millay, Maxwell Anderson, Upton Sinclair, John Dos Passos, Ezra Pound

  38. LITERARY TRENDS • “lost generation” • Symbol of this spirit was F. Scott Fitzgerald • Failure of best work Great Gatsby (1925) to sell well led Fitzgerald to write potboilers, drink too much, and become a Hollywood script writer

  39. LITERARY TRENDS • Many disillusioned American writers and artists became expatriates in the 1920s • Ernest Hemingway was most talented of group • Books were best sellers and he was a legend in his own time • H.L. Mencken –writer, editor • Sinclair Lewis—most popular novelist of 1920s • 1926: New York advertising man founded Book of the Month Club and by end of decade had 110,000 subscribers • Introduced thousands to new writers, especially women, but generally tended to stick to formulas

  40. Ernest Hemingway was one of many famous authors who contributed to a tremendous outpouring of U.S. literature during the 1920s. Here he is shown on Safari in Africa.

  41. THE “NEW NEGRO” • Postwar reaction brought despair for many blacks • Barbarities of Klan • Middle-class hostility to labor • Conflict caused by increasing presence of southern blacks in northern cities • Tended to concentrate in the same neighborhoods—ghettos

  42. THE “NEW NEGRO” • Blacks were generally badly treated and created new militancy among blacks • 1919: W.E.B. DuBois increased commitment to black nationalism, organizing a series of Pan African Conferences in an effort to create an international black movement (failed) • Marcus Garvey promoted black separatism • Marcus Garvey’s Universal Negro Improvement Association attracted hundreds of thousands of followers with his vision of back to Africa • Built racial pride among masses of poor and unschooled blacks

  43. THE “NEW NEGRO” • 1923: Garvey’s steamship line went bankrupt, and he was convicted of defrauding investors and sent to jail • Still, message helped create the “New Negro”—proud of being black and prepared to resist both mistreatment and white ideas

  44. THE “NEW NEGRO” • Black writers, musicians, and artists found in the ghettos both an audience and the spiritual emancipation that unleashed their capacities • Jazz was the creation of black musicians working in New Orleans before the turn of the century • By 1920s spread throughout country and most of world • White musicians and white audiences took it up • Jazz meant improvisation, which was experienced as liberation • Was music of the 1920s because expressed desire of so many to break with tradition

  45. THE “NEW NEGRO” • Harlem became a cultural center for blacks—Harlem Renaissance • Black newspapers, magazines, libraries, and theater flourished • Generally black writers did not suffer disillusionment of white writers, instead were angry and militant, which is, at some level, hopeful • Sociologists and psychologists were showing causes of black poverty were environmental, not hereditary

  46. The Harlem Renaissance • In New York City’s neighborhood of Harlem, African Americans created literary and artistic work that demonstrated racial pride and a sense of community. This became known as the Harlem Renaissance • Langston Hughes’s poems describe difficult lives of working class African Americans • - many written in jazz, blues tempo

  47. African Americans and the Jazz Age • Jazz becomes popular form of music after WWI out of New Orleans (mixes ragtime and blues) • Louis Armstrong, a trumpeter & singer, among most famous jazz musicians • Jazz crosses boundaries-black and whites both love it • In Harlem’s Cotton Club, famous African American musicians like Duke Ellington got their start Louis Armstrong

  48. Musicians and Writers

  49. Tin Pan Alley • Tin Pan Alley is the nickname given to the collection of New York City-centered music publishers and songwriters in the late 1890s. • Irving Berlin was a Jewish American songwriter • Berlin eventually composed over 3,000 songs, many of which (e.g. "God Bless America", "White Christmas", "Anything You Can Do", "There's No Business Like Show Business")

  50. MAKING OF BLACK HARLEM

More Related