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Alfred Hitchcock – Auteur Filmmaker

Alfred Hitchcock – Auteur Filmmaker. 1899 - 1980. British film maker – considered pioneer of suspense and psychological thriller genres . ­Born London, England- son of a green grocer. ­Lonely and sheltered as a child. Had few friends due to his obesity.

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Alfred Hitchcock – Auteur Filmmaker

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  1. Alfred Hitchcock – Auteur Filmmaker 1899 - 1980

  2. British film maker – considered pioneer of suspense and psychological thriller genres. ­Born London, England- son of a green grocer. ­Lonely and sheltered as a child. Had few friends due to his obesity. ­Father would send him to the local police station for 10 minutes lock-up for bad behavior. ­Harsh punishment or being wrongly accused is a common theme in Hitchcock's films. - At 14, father dies. ­Started out in engineering which led him to photography and ultimately to film.

  3. EARLY CAREER – 1920s 1920s­Hitchcock's first job - title designer for silent films. 1924­ Begins collaborating with German filmmaker Graham Cutts. -Works in art direction and set design. 1926­ Returns to London, marries Alma Reville, who becomes closest collaborator and confident. 1929­ Makes first sound picture, one of the first in the United Kingdom.

  4. Auteurism ­Huge success after British releases such as The Lady Vanishes (1938) and Jamaica Inn (1939) also make him famous in the USA. ­David O. Selznick, an American producer, convinces him to move to the USA to direct an adaptation of du Maurier's Rebecca (1940). ­After the release of Saboteur (1942), his films are named after him, too, and referred to as Alfred Hitchcock's Vertigo, Alfred Hitchcock's Rear Window, etc.

  5. SIGNATURE STYLE • Hitchcock put cameos in every film he made. - Used "wrong man" or "mistaken identity" motif, often. • Wore a formal suit while working. Suspense – used cross-cutting frequently to extend and suspend time. • Driving sequence shots cut between the driver’s point of view and close-ups of the passengers, from the opposite direction. This technique kept the viewer 'inside' the car and intensified danger. • Used dark humour and dry wit, especially regarding murder. Preferred studio shooting, not location shooting, in order to have full control of lighting, etc. • In many films he created shadows on the walls to enhance suspense and tension

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