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MUL 2010 – Midterm Test #1 Given FRIDAY, 17 Oct 08 Chapters 8-9-10-11-12-13-14 Grades have been received To be posted on “myUCF Grades” Midterm # 2 Will be scheduled for either next Friday (7 Nov 08) or the following Monday (10 Nov 08)

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mul 2010 midterm test 1

MUL 2010 – Midterm Test #1

Given FRIDAY, 17 Oct 08

Chapters 8-9-10-11-12-13-14

Grades have been received

To be posted on “myUCF Grades”

Midterm # 2

  • Will be scheduled for either next Friday (7 Nov 08) or the following Monday (10 Nov 08)
genres in the classic era classifications of pieces
Genres in the Classic Era (classifications of pieces)
  • Symphony (4 mvts) - orchestra
  • Concerto (3 mvts) – orchestra w/ solo
  • String Quartet (4 mvts) – 2 vln, vla, cello
  • Sonata (3 or 4 mvts) – 1-2 instruments
  • Chamber Music – for small ensembles
  • Opera
  • Other?
chamber music
Around 2-10 performers

1 Player per part(no doubling)

NO conductor

Chamber Music

String Quartet2 violins, viola, ‘cello

LG, p. 216, Haydn Quartet

joseph haydn 1732 1809
Joseph Haydn (1732-1809)
  • Son of a wheelwright
  • Educated by church
  • 1st jobs in Vienna
  • Hired as Kappelmeister for Prince Esterházy (1761)
  • 2 trips to London (1791-2, 1794-5)
  • Symphonies & String Quartets, etc.
interior and exterior at esterh za
Interior and Exterior at Esterháza

“Does his majesty wish music today?”

wolfgang amadeus mozart 1756 1791
Wolfgang Amadeus Mozart(1756-1791)
  • Son of Leopold Mozart (famous violinist)
  • Child Prodigy (tours Europe)
  • Joined Salzburg cappella (w/ father)
  • “kicked out on my arse” (1781)
  • Freelance in Vienna
  • Piano Concertos, Chamber Music, Operas, Symphonies, etc. (excelled at everything!)
an old genre revised concerto in classic era
An old Genre revised: CONCERTO(in Classic era)
  • Originated in the Baroque era (see Vivaldi)
  • “Concertare” = “to work together” or “to compete” (solo vs. orchestra)
  • 3 movements- Sonata-Allegro- Slow (Andante, etc.)- Rondo (or maybe Sonata Allegro)
concerto 1 st movement sonata allegro form modified p 220 21
Concerto 1st Movement(Sonata Allegro Form modified, p. 220-21)

EXPOSITION (1 - orchestra)T1 (tonic) – trans – T2 (tonic) – closing

EXPOSITION (2 – solo)T1 (tonic) – trans – T2 (dom.) – closing

DEVELOPMENT (B)

RECAPITULATION (A’)T1 (tonic) – trans – T2 (tonic) – Cadenza - closing

opera in the classical era
Opera in the Classical Era
  • Splits into- Opera buffa = new “comic” (realistic) style- Opera seria = older Baroque style
  • More “fluid” vocal ensembles, mixed w/ arias and recitatives in “scenes”
  • W. A. Mozart (music) & Lorenzo da Ponte (lyricist) - the great team of the 18th century
  • Don Giovanni, K. 527 (1787) – the great opera of the era (or perhaps of all time)
mozart don giovanni k 527 act i complete lgs on p 225 7 227 9
Mozart, Don Giovanni, K. 527(Act I, complete) [LGs on p. 225-7, 227-9]
  • Mozart, Don Giovanni (1) Overture, “Notte e giorno” [action begins 5:55]
  • Mozart, Don Giovanni (2) Sword Fight + “Fuggi crudel” duet
  • Mozart, Don Giovanni (3) “Ah, chi mi dice mai”
  • Mozart, Don Giovanni (4) “Madamina, Il Catalogo e Questo”
  • Mozart, Don Giovanni (5) “Ho Capito” + “La Ci Darem la mano” [3:30]+ “Fuggi Il Traditor”
  • Mozart, Don Giovanni (6) “Non Ti Fidar” + “Don Ottavio Son Morta!”
  • Mozart, Don Giovanni (7) “Or Sai Chi L'onore” + “Dalla Sua Pace”
  • Mozart, Don Giovanni (8) “Finch’han dal vino” + “Batti Batti o Bel Masetto”
  • Mozart, Don Giovanni (9) Act 1 Finale Part 1/2 “Viva La Liberta!”
  • Mozart, Don Giovanni (10) Act 1 Finale Part 2/2 “Tutto Tutto Gia Si Sa”