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Miles Davis-All Blues

Miles Davis ‘All Blues’. Miles Davis-All Blues. Miles Davis. Born in 1926, Illinois, America. Died 1991 Trumpet player, band leader & composer. Miles Davis changed jazz. He created m odal jazz (jazz based on musical modes instead of chord progressions).

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Miles Davis-All Blues

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  1. Miles Davis ‘All Blues’ Miles Davis-All Blues

  2. Miles Davis • Born in 1926, Illinois, America. • Died 1991 • Trumpet player, band leader & composer.

  3. Miles Davis changed jazz • He created modal jazz (jazz based on musical modes instead of chord progressions). • His music would be improvised using a tuneful melody rather than lots of crazy runs. • He played lyrically as though singing. • His improvisations would be based on scales and an overall key signature. • He would make the trumpet sound natural & pure (not forced & high pitched). • Miles often stayed in the lower register of the trumpet.

  4. ‘All Blues’ Instrumentation • Trumpet Miles Davis • Alto sax Julian Adderley • Tenor sax John Coltrane • Piano Bill Evans • Bass Paul Chambers • Drum kit Jimmy Cobb

  5. ‘All Blues’ Structure • 12-bar blues chord pattern used. • Chords are played underneath all the solos & main melody (or head). • The chords are a bit more complex than the traditional 12-bar blues chords • There is a 4-bar link between each section.

  6. ‘All Blues’ Intro • Bass plays a riff which it then repeats throughout the whole piece • Piano trills help create an interesting texture • Saxophones play a second riff (mainly in 3rds) • Bars 5-8 of the intro are later used as a link between each section.

  7. ‘All Blues’ 12-Bar Chords All blues uses a more complex progression than a traditional 12-bar blues. Bars 9 and 10 make use of altered/extended chords which give a very ‘jazzy’ feel to the harmony.

  8. All Blues • Pitch (instruments stick to middle/lower range) • Duration (11 & a half minutes long) • Dynamics (mostly mf with a few louder trumpet bits) • Tempo (moderate pace) • Time signature (6/4) • Melody (tunes are often modal) • Timbre (very mellow, trumpet sometimes uses a mute, ghost notes & rests) • Texture (simple, saxes play in 3rds & 4ths, piano & double bass play a simple riff & chords, drum keeps a steady beat). • Piano ‘comping’ during the instrumental solos • Structure (12 bar blues chord pattern in G which gets repeated throughout the piece. Pattern played underneath solos & main melody. Chords are a bit fancier than traditional 12 bar blues).

  9. Listen to the following piece of jazz. Try to answer the questions in front of you.

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