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Unit 2 Literary Focus Essays

Unit 2 Literary Focus Essays. Collection 4: American Romanticism Collection 5: Gothic Fiction. Collection 4: American Romanticism. Characteristics of American Romanticism. Affirmation of feeling and intuition over reason

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Unit 2 Literary Focus Essays

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  1. Unit 2Literary Focus Essays Collection 4: American Romanticism Collection 5: Gothic Fiction

  2. Collection 4: American Romanticism Characteristics of American Romanticism • Affirmation of feeling and intuition over reason • Faith in imagination, inner experience, and youthful innocence, rather than educated sophistication • Belief in the unspoiled natural world, as opposed to the artificiality of civilization • Regard for individual freedom and the worth of the individual

  3. The Granger Collection, New York American RomanticismA Reaction Against Rationalism • After winning independence from the British, Americans began to form their own cultural identity. • Writers called Romantics helped build this identity. • The works of the Romantic writers still influence the way Americans view themselves, their society, and the natural world.

  4. American RomanticismA Reaction Against Rationalism • Romanticism is a school of thought that values feeling and intuition over reason. • The Romantic movement began in Germany in the second half of the eighteenth century. • Romanticism strongly influenced literature, music, and painting in Europe and Britain. • Romanticism developed in part as a reaction against rationalism, after the Industrial Revolution, with its squalid cities, led people to see the limits of reason.

  5. American RomanticismA Reaction Against Rationalism To the Romantics, • the imagination could discover truths that the rational mind could not reach. • such truths were accompanied by powerful emotions and were associated with natural beauty. • individual feelings and wild nature were more important than reason, logic, and sophistication.

  6. American RomanticismRomantic Escapism To rise above what Edgar Allan Poe called “dull realities” and find a realm of higher truth, the Romantics used two principal approaches: They chose settings and situations that did not come from the real, modern world. 1 They tried to reflect on the natural world until dull reality fell away to reveal beauty and truth. 2

  7. American RomanticismRomantic Escapism Romantics chose settings and situations that did not come from the real, modern world. 1 • Situations are from the more “natural” past. • Settings show worlds that are very unlike the grimy and noisy industrial age. • Tales include those of the supernatural. • Stories sometimes draw from old legends and folklore.

  8. American RomanticismRomantic Escapism Romantics tried to reflect on the natural world until dull reality fell away to reveal beauty and truth. 2 • In lyric poems, natural scenes help speakers understand and express profound emotion. • The Romantic approach is similar to the Puritans’ efforts to draw moral lessons from nature; however, Romantic reflections lead to a more generalized emotional and intellectual awakening.

  9. American RomanticismThe American Novel and the Wilderness Experience The American Romantic novelists used distinctly American subject matter to distinguish themselves from European writers. • Americans had a sense of limitless frontiers that Europeans did not possess. • Westward expansion, the growth of a nationalist spirit, and the idealization of frontier life all influenced the American novel.

  10. American RomanticismThe American Novel and the Wilderness Experience The novels of James Fenimore Cooper explored uniquely American settings and characters. • His works featured backwoodsmen, American Indians, frontier communities, and the wilderness. • Cooper’s Natty Bumppo—one of the first American Romantic heroes—is a virtuous, skilled frontiersman with a simple morality, a love of nature, and a distrust of town life.

  11. American RomanticismAmerican Romantic Poetry: Read at Every Fireside • Romantic poetry also had some American settings and subject matter. • However, the Romantic poets worked within European literary traditions. • Seeking to show that Americans were a sophisticated people, they used typically English themes, meter, and imagery.

  12. American RomanticismAmerican Romantic Poetry: Read at Every Fireside • The Fireside Poets were a group of very popular Romantic poets. • Their poems were meant to be read aloud at the fireside—as family entertainment. Oliver Wendell Holmes John Greenleaf Whittier Henry Wadsworth Longfellow James Russell Lowell

  13. American Romanticism Ask Yourself 1. How does Romanticism differ from rationalism? 2. In what two principal ways did Romantics try to rise above “dull realities”? 3. How were the goals of the American Romantic novelists different from the goals of the Fireside Poets? [End of Section]

  14. Collection 5: Gothic Fiction Characteristics of Gothic Fiction • Use of haunting, eerie settings and strange, chilling events • Romantic interest in intuition, imagination, and hidden truths • Reaction against the optimism of the Transcendentalists • Exploration of evil and the irrational depths of the human mind

  15. Gothic FictionThe Dark Side of Romanticism The Dark Romantics shared some of the ideas of the Transcendentalists: • They took an interest in the spiritual world. • They valued intuition and imagination over rationalism. • They wanted to explore the mysteries of human existence.

  16. Gothic FictionThe Dark Side of Romanticism However, the Dark Romantics disagreed with the Transcendentalist notions that the divine is implicit in nature and that people are essentially good. They felt that literature should take into account • the darker side of human nature • the presence of suffering in the world • the ongoing conflict between good and evil

  17. Gothic FictionThe Dark Side of Romanticism European Beginnings • The Gothic novel, a form of Dark Romanticism, emerged in England in the late eighteenth century. • These tales of terror often used the setting of the medieval gothic castle to evoke fear. • Two classic examples are Horace Walpole’s Castle of Otranto and Mary Shelley’s Frankenstein.

  18. Gothic FictionThe Dark Side of Romanticism European Beginnings The term Gothic was later used to describe any fiction that • created a haunting atmosphere • included strange and chilling events

  19. Gothic FictionThe Dark Side of Romanticism American Developments The emerging trend in American fiction was the short story. • Short stories were meant to be read in one sitting. • The cast of characters was small, and the plot was generally uncomplicated. • This structure allowed a writer to focus on the internal workings of the main character’s mind.

  20. Gothic FictionThe Dark Side of Romanticism American Developments The Gothic short story was born when the form of the short story met the content of the Gothic novel. • Dark Romantic writers such as Edgar Allan Poe and Washington Irving incorporated Gothic elements into the developing short story genre. • Gothic short stories often show the madness and violence under the seemingly tranquil surface of civilization.

  21. Collection 5: Gothic Fiction Ask Yourself 1. What did the Dark Romantics have in common with the other Romantics, particularly the Transcendentalists? 2. What two trends in literature came together to form the Gothic short story? Explain. [End of Section]

  22. The End

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