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Strategic Insights from Cirque du Soleil: Creating Blue Oceans

Cirque du Soleil, founded in 1984, revolutionized the entertainment industry by creating uncontested market space, appealing to a new customer base, and making competition irrelevant through value innovation. By breaking away from traditional aspects of circuses and theaters, they developed a unique form of live entertainment, achieving high profits and growth. The concept of blue oceans versus red oceans, value innovation, and strategic moves are explored, highlighting the importance of understanding industry evolution for sustainable success.

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Strategic Insights from Cirque du Soleil: Creating Blue Oceans

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  1. Bunde Walker James Yost Trent Hemann

  2.  Guy Laliberté- CEO  Created in 1984  Canada’s largest cultural export  Achieved a level of revenues that took Ringling Bros. and Barnum and Bailey 100 years to attain- in less than 20 years

  3.  Rapid growth was achieved in a declining industry.  Alternative forms of entertainment ◦ Urban live entertainment (Concerts) ◦ Home entertainment (games/movies) ◦ Sporting events  Created an uncontested new market space ◦ Appealed to new group of customers  Adults and Corporate clients

  4.  As the market space becomes more crowded, opportunity for profits and growth are reduced. ◦ Creates a Red Ocean  Most blue oceans are created within red oceans by expanding existing industry boundaries.  EX: Cirque du Soleil

  5.  Blue oceans are a feature of business life, past and present.  Most of today's industries didn’t exist three decade ago. ◦ 100 yrs ago?  Ex: Automobiles, aviation, music recording… ◦ 30 yrs ago? –  EX: Cell phones, express package delivery, discount retail… ◦ 50 yrs from now…

  6.  Industries continuously evolve and never stand still.  In 1997, the SIC system published by the U.S. Census was replaced by the NAICS. ◦ New system expanded the ten SCI sectors into twenty sectors. ◦ Shows the expansion of new industry territories.

  7.  Study of business launches in 108 companies ◦ 86% Line Extensions  62% of total revenues and only 39% of total profits ◦ 14% aimed at creating blue oceans  38% of total revenues and 61% of total profits ◦ Performance benefits obvious

  8.  Accelerated technological advances  Increasing number of industries  No clear evidence of an increase in worldwide demand  Major product and service categories becoming similar

  9.  Business literature uses the company as basic unit of analysis ◦ In Search of Excellence  Within two years of publication companies began to slip  2/3 of firms had fallen within five years ◦ Built to Last  Looking for successful habits of visionary companies  Much of success a result of industry performance rather than companies

  10.  Strategic move ◦ Set of managerial actions and decisions involved in making a market-creating business offering  The right unit of analysis for explaining the creation of blue oceans ◦ Evident across industries and through time ◦ Did not find excellent company or industry ◦ Consistent and common patterns of strategic moves

  11.  Caught in the red ocean was a result of a conventional approach ◦ Used competition as benchmark  Creators of blue oceans followed value innovation ◦ Make competition irrelevant ◦ Create a leap in value

  12.  Take value from another industries but break away from traditional aspects ◦ For Cirque du Soleil  No animals  Not only “star” performers  Audience don’t view equal to movie stars  Eliminate Multiple show arenas (3 ring)  Angst among spectators  Distractions, and fear of missing something  Cost  Aisle concession stands  Audience did not like high prices

  13. ◦ Tent  Glamorized by cirque  Others started to move away in favor of arenas  Reminiscent of grand circus tents of past ◦ Clowns  No longer slapstick  Enchanting, sophisticated ◦ Classic acrobatic acts  Reduced focus  More legitimate with artistic flair

  14. ◦ Theater aspects  Story lines  Vague  Ties together, harmony  Artistic and Musical  Original score and assorted music  Music and lights become driving force, giving show more sophistication  Dance  Multiple productions  Break away again from circus industry  People want to come back

  15. ◦ New form of live entertainment ◦ Similar to theater and circus, but with more value, almost Two for One for audience ◦ Lower cost without high cost elements of circus, better value ◦ Value Innovation is drawn from utility and price, only achieved when a company’s utility, price and cost are aligned ◦ Whole system approach make a blue ocean strategy sustainable

  16.  Innovations that affect one aspect are different ◦ Could lower cost but not add utility (not blue ocean ◦ Can secure or lift a company’s position in an industry, will not necessarily create a blue ocean  Value Innovation is more than Innovation ◦ Orient whole system to achieve a leap for customers and the company ◦ Innovation will not necessary create value innovation if not treated correctly

  17.  Red Ocean- Industry’s structural conditions are given and firm (structuralist view)  Blue ocean- Market boundaries and Industry structure are not given (reconstructionist view)  By reconstructing create something new, new industry ◦ Cirque a circus or a theater ◦ No agreed on industry name

  18.  How do companies succeed in blue oceans ◦ High risk ◦ How to maximize opportunities ◦ If not understood, odds against you  No riskless strategies ◦ Companies do not act on calls to expand industries because red oceans can take all focus ◦ Not taking “blue ocean call” seriously

  19.  Blue oceans look across conventional boundaries of competition ◦ 6 boundaries of competition  Alternative industries  Strategic groups  Buyer groups  Complimentary products  Functional orientation of industry  Time

  20.  Blue oceans are untapped market space, demand creation, and the opportunity for highly profitable growth.  There is no blue ocean companies, just blue ocean strategies.  Take the classic parts of the industry and use them as a cornerstone to relate back

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