1 / 13

Gender, God, and G l ory

Sarah Perkins Camille Ward. Gender, God, and G l ory. Examining gender portrayals in Beowulf and Judith through a religious lens. Background. Both were included in the same 10 th Century Manuscript Both were by Christian authors Written within same historical and cultural context

peri
Download Presentation

Gender, God, and G l ory

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Sarah Perkins Camille Ward Gender, God, and Glory Examining gender portrayals in Beowulf and Judith through a religious lens

  2. Background • Both were included in the same 10th Century Manuscript • Both were by Christian authors • Written within same historical and cultural context • “Females were to be protected, secured, bartered, and exchanged…Women warriors were titillating phantoms from a reimagined and very distant past.” (Bitel).

  3. Thesis: Although Judith and Grendel’s Mother embody similar masculine qualities, their feminine characterization is nonetheless polarized. This polarization correlates with their relationship to Christianity.

  4. Feminine Qualities of Grendel’s Mother • “looks like a woman”- 1351 • Mother

  5. Feminine Qualities of Judith • “elfin beauty” -14 • “illustrious maiden” -43 • “braided locks”, “adorned with bracelets, decorated with rings”-78, 36 • Always referred to as a woman or maiden • Uses powers of seduction

  6. Masculine Qualities in Grendel’s Mother • Follows Heroic Tradition • Exacts the blood-price • “driven to avenge her kinsman’s death” -1340 • “has taken up the feud” -1333 • Exhibits strength • “she rose quickly and retaliated,/grappled him tightly in her firm embrace.” -1541-42 • Powerful • Solitary ruler of “her court” • Fights with “bare-faced defiance”

  7. Judith’s Masculine Qualities • Killing of Holofernes -98-111 • Physical prowess and unflinching determination • Gory description • Dominant, acting character • Heroic Tradition • “Judith had won illustrious glory/in the battle”-122-123 • Received armor as an award and “more illustrious treasures than any man.” -129 • “daring maiden”-134

  8. Grendel’s Mother’s Connection to Christianity • Associated with the Devil, she is called a “demon” and a “monstrous hell-bride.”-1378,1259. • Subhuman: she “pounced” on her victims. • Descendant of Cain, who chose to serve the Devil over God. • God was not on her side although she was avenging her son. • “Holy God decided the victory.”-1553

  9. Judith’s Connection to Christianity • An Israelite woman with a relationship with God • “holy maiden,” “Lord’s woman.” • Attributes her victory to God • “thanks to the Lord of hosts, who had given her…the reward of victory… because she possessed true faith in the Almighty.”

  10. Conclusion • Grendel’s Mother’s ambiguous gender traits correlate to her connection to fallen religious characters such as Cain. • Judith’s femininity is accentuated by her relationship with God. • Within this manuscript, a female can be a warrior, with masculine qualities, and still have a feminine portrayal only if she exhibits a strong connection to Christianity.

  11. Questions? • How does this reflect on other female characters within this historical era? • Do you see examples of this outside of this era? • Sir Gawain? • Wife of Bath? • Do we see this in modern society?

  12. Bibliography • Bitel, Lisa M. Women in Early Medieval Europe 400-1100. Cambridge: Cambridge, UP. 2002.

More Related