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Explore the significance of standardisation in ICT technology transfer and commercialisation, emphasizing collaboration between research, industry, and policy makers. Learn about processes, stakeholders, and examples in multimedia standardisation. Delve into the timeline and strategies involved.
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FITT (Fostering Interregional Exchange in ICT Technology Transfer)
Standardisation is a strategic process in the technological evolution and commercialisation of ICT software and hardware. Therefore it is important that there is in a very early stage of the technology a close collaboration between the research community, the industry and policy makers to converge this process within the standardisation bodies. Nature of reusability: Standardisation in Multimedia is exemplary for this process in other domains Case is mostly generic Quality/Nature of stakeholders: Research institutes, industry, policy, Standardisation bodies Processes related to case: IP management, standardisation Standardisation in multimedia
Standardisation Processes in Multimedia Peter Schelkens Interdisciplinary Institute for Broadband Technology & Vrije Universiteit Brussel Department of Electronics and Informatics (ETRO)
Today’s Focus • Standardisation organisations, processes and structure • Some illustrations • IPR issues • Conclusions
Today’s Focus • Standardisation organisations, processes and structure • Some illustrations • IPR Issues • Conclusions
Strategy • Strategy = f(technology, international standardisation body, European standardisation body, national standardisation body, application domain, IPR status, budget, regulatory aspects, etc.)
International Standardisation • International Organisation for Standardisation (ISO) • http://www.iso.org/ • International Electrotechnical Commission (IEC) • http://www.iec.ch/ • International Telecommunication Union (ITU) • http://www.itu.int/ • Europe • CEN – CENELEC – ETSI
National Organisation (Belgium) Source: Marc Cumps – Agioria http://www.ictstandards.be/
Normalisation Timeline • Phases of the standardisation process: • New Project (NP) • Can start with Technical Report (TR) • Working Draft (WD) • Committee Draft (CD) • Final Committee Draft (FCD) • (Final) Draft International Standard ((F)DIS) • International Standard (IS) • Process: • NB balloting for every step • Consensus-based • Duration • 2.5-3 years • But: fast track schemes are possible
Research Timeline vs. Normalisation Timeline vs. Commercialisation Timeline • Succesful participation = multi-lateral strategy ............. Y-6 Y-5 Y-4 Y-3 Y-2 Y-1 Y0 Fundamental Research Industrial R&D Strategic Research Product Lobbying,Call for Evidence, Technical Reports Norm Maintenance Standardisation Process IS Spin-offIP Licensing IP Protection Incubation
Today’s Focus • Standardisation organisations, processes and structure • Some illustrations • IPR Issues • Conclusions
ISO/IEC & ITU-T Standards ITU-T ISO/IEC JPEG MPEG-1 H.261 CD-ROM ISDN Videoconferencing H.262 MPEG-2 DVD, Digital TV, HDTV Desktop/mobile video telephony MPEG-4 H.263(+) Multimedia: Baseline,AVC, SVC, AFX JPEG2000 H.264 MPEG-4AVC MPEG-7 Metadata MPEG-21 DRM, DIA, … ?
JPEG • Standardised in 1994 (Start activities in 1986) • Massive market adoption started in the late 90’s. (Source Wikipedia dd. 2008)
MP3/AAC • MP3 = MPEG-1 Audio Layer 3 (1992) • Advanced Audio Coding (AAC) = MPEG-2 Part 7 Audio (1997) + updated in MPEG-4 Part 3 (1999, 2001)
MPEG-2 • Standardised in 1994 • Succesfully deployed in DVD and Digital Television markets
JPEG 2000 • Standardised in 2000 • Illustration of an ecosystem standard • Succesful in niche markets
MPEG-4 AVC or H.264 • MPEG-4 Part 10 • Standardised in 2008
Evolution in video coding H.264 / MPEG-4 AVC
Extension of AVC/H.264Scalable Video Coding (SVC) spatial resolution 4CIF CIF bit-rates low QCIF temporal resolution high 60 30 15 7.5
What will be on the menu in the future? • Generic or focused? • What are the technologies around? • Intellectual property rights: a concern?
Quiche or Niche? • Saturation effect is observable with respect to incremental improvements new technology is able to bring to current multimedia standards • Generic technologies tend to negate properties and requirements of niche markets • Embedding niche market requirements intrinsically overload standards with wide coverage
What if we stay generic? So what can our chef do? • Halve the cake but keep the quality • Keep the cake but double the quality • Keep the quality and boost the fool tolerance of the cooking process • Improve the presentation ofthe dish
This is the recepie for ITU-T’s H.265 (1/2) • Focus on “Less is more”
This is the recepie for ITU-T’s H.265 (2/2) • Focus on “High Quality” Source wikipedia : http://en.wikipedia.org/wiki/Image:UHDV.svg
MPEG-4 Multiview Video Coding (MVC) • Standard supporting stereo and multiview coding • Based on H.264
JPEG-XR • Proposed by Microsoft as successor of JPEG • Focused on digital photography market • Supports High Dynamic Range (HDR) photography
Advanced Image Coding (AIC) • Focus on perceptual quality and new image coding technologies • Call for Proposals has been launched • Similar quality related activities in ITU-T • Video Quality Experts Group (VQEG) • Video Coding Experts Group (VCEG)
Today’s Focus • Standardisation organisations, processes and structure • Some illustrations • IPR Issues • Conclusions
Intellectual Property and Standards: a Tough Nut to Crack • Two streams • Royalty fee free standards • JPEG, JPEG 2000 ... • Licensing fee based standards • H.264, ...
Today’s Focus • Standardisation organisations, processes and structure • Some illustrations • IPR Issues • Conclusions
Conclusions • Strategy = f(technology, international standardisation body, European standardisation body, national standardisation body, application domain, IPR status, budget, regulatory aspects, etc.) • Be involved! • You have impact • Standardisation bodies are an invaluable source of information • But, you have to compose the menu