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Critical Approaches to Literature

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  1. Critical Approaches to Literature Literary Theory

  2. Unit Focus Questions How do we study literature? How do viewpoint and bias affect our perception of reality?

  3. Critical Approaches to the Study of Literature Critical Approaches are different perspectives we consider when looking at a piece of literature. They seek to give us answers to these questions, in addition to aiding us in interpreting literature. 1. What do we read? 2. Why do we read? 3. How do we read?

  4. Critical Approaches to Consider • Reader-Response Criticism • Formalist Criticism • Psychological/Psychoanalytic Criticism • Sociological Criticism A. Feminist/Gender Criticism B. Marxist Criticism • Biographical Criticism • New Historicist Criticism

  5. Questions to Ponder for Each Theory/Approach • What are the benefits of each form of criticism? • What are potential problems with each form? • Is there a “right” or a “wrong” form? • Can the mode of criticism alter the entire meaning of a text?

  6. 1. The Reader-Response Approach Reader-Response Criticism asserts that a great deal of meaning in a text lies with how the reader responds to it. • Focuses on the act of reading and how it affects our perception of meaning in a text (how we feel at the beginning vs. the end) • Deals more with the process of creating meaning and experiencing a text as we read. A text is an experience, not an object. • The text is a living thing that lives in the reader’s imagination. READER + READING SITUATION + TEXT = MEANING

  7. 1. The Reader-Response Approach 2 Important Ideas in Reader-Response • An individual reader’s interpretation usually changes over time. • Readers from different generations and different time periods interpret texts differently. Ultimately… How do YOU feel about what you have read? What do YOU think it means?

  8. 2. The Formalist Approach/New Criticism Formalist Criticism emphasizes the form of a literary work to determine its meaning, focusing on literary elements and how they work to create meaning. • Examines a text as independent from its time period, social setting, and author’s background. A text is an independent entity. • Focuses on close readings of texts and analysis of the effects of literary elements and techniques on the text.

  9. 2. The Formalist Approach/New Criticism Two Major Principles of Formalism • A literary text exists independent of any particular reader and, in a sense, has a fixed meaning. • The greatest literary texts are “timeless” and “universal.”

  10. 3. The Psychological/ Psychoanalytic Approach Psychological Criticism views a text as a revelation of its author’s mind and personality. It is based on the work of Sigmund Freud. • Also focuses on the hidden motivations of literary characters • Looks at literary characters as a reflection of the writer

  11. 4. The Sociological Approach Sociological criticism argues that social contexts (the social environment) must be considered when analyzing a text. • Focuses on the values of a society and how those views are reflected in a text • Emphasizes the economic, political, and cultural issues within literary texts • Core Belief: Literature is a reflection of its society.

  12. 4A. The Marxist Approach Marxist Criticism emphasizes economic and social conditions. It is based on the political theory of Karl Marx and Friedrich Engels. • Concerned with understanding the role of power, politics, and money in literary texts

  13. 4A. The Marxist Approach Marxist Criticism examines literature to see how it reflects • The way in which dominant groups (typically, the majority) exploit the subordinate groups (typically, the minority) • The way in which people become alienated from one another through power, money, and politics

  14. 4B. The Feminist Approach Feminist Criticism is concerned with the role, position, and influence of women in a literary text. • Asserts that most “literature” throughout time has been written by men, for men. • Examines the way that the female consciousness is depicted by both male and female writers.

  15. 4B. The Feminist Approach 4 Basic Principles of Feminist Criticism • Western civilization is patriarchal. • The concepts of gender are mainly cultural ideas created by patriarchal societies. • Patriarchal ideals pervade “literature.” • Most “literature” through time has been gender-biased.

  16. 5. The Biographical Approach Biographical Criticism argues that we must take an author’s life and background into account when we study a text.

  17. 5. The Biographical Approach Three Benefits: • Facts about an author’s experience can help a reader decide how to interpret a text. • A reader can better appreciate a text by knowing a writer’s struggles or difficulties in creating that text. • A reader can understand a writer’s preoccupation by studying the way they apply and modify their own life experiences in their works.

  18. 6. The New Historicist Approach New Historicist Criticism argues that every literary work is a product of its time and its world.

  19. 6. The New Historicist Approach New Historicism: • Provides background information necessary to understand how literary texts were perceived in their time. • Shows how literary texts reflect ideas and attitudes of the time in which they were written. • New historicist critics often compare the language in contemporary documents and literary texts to reveal cultural assumptions and values in the text.

  20. Moral / Philosophical Approach: • asserts that the larger purpose of literature is to teach morality and to probe philosophical issues • authors intend to instruct the audience in some way

  21. Moral / Philosophical Approach: Advantages: • useful for works which do present an obvious moral philosophy • useful when considering the themes of works • does not view literature merely as "art" isolated from all moral implications • recognizes that literature can affect readers and that the message of a work is important.

  22. Moral / Philosophical Approach: Disadvantages: • such an approach can be too "judgmental"  • Some believe literature should be judged primarily (if not solely) on its artistic merits, not its moral or philosophical content.

  23. Application • What are some moral or philosophical elements we might examine in a discussion of our current novel?

  24. Archetypal Approach • assumes that there is a collection of symbols, images, characters, and motifs (i.e. archetypes) that evokes basically the same response in all people • identifies these patterns and discusses how they function in the works • asserts that these archetypes are the source of much of literature's power.

  25. Archetypal Approach • based on the theories of psychologist Carl Jung • he states that mankind possesses a "collective unconscious" that contains these archetypes and that is common to all of humanity

  26. Some Archetypes • archetypal women - the Good Wife/Mother, the Terrible Mother, the Virgin (often a Damsel in Distress), and the Fallen Woman. • water - creation, birth-death-resurrection, purification, redemption, fertility, growth • garden - paradise (Eden), innocence, fertility • desert - spiritual emptiness, death, hopelessness • red - blood, sacrifice, passion, disorder • green - growth, fertility • black - chaos, death, evil • serpent - evil, sensuality, mystery, wisdom, destruction • seven - perfection • hero archetype -  The hero is involved in a quest (in which he overcomes obstacles). He experiences initiation (involving a separation, transformation, and return), and finally he serves as a scapegoat, that is, he dies to atone.

  27. REMEMBER… • We will never look at a text STRICTLY from one standpoint or another, ignoring all other views. That is antithetical to what we are trying to do. • We should always keep our focus on the text and use these critical approaches to clarify our understanding of a text and develop an interpretation of it.