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Explore the intertwined histories of artificial life and civil rights through iconic works such as Frankenstein, I, Robot, and more. Reflect on the implications of techno-human interactions and the importance of respecting all forms of life. Join us in this insightful workshop on July 20, 2011, led by Martine Rothblatt. Delve into the ethical considerations of nanotechnology and the lessons from past struggles for equality. Discover the complex relationships between humans, robots, and digital beings. Equip yourself with the knowledge to navigate the evolving landscape of rights and responsibilities in the realm of artificial intelligence. Learn how tolerance, respect, and empathy are key in shaping a harmonious future for all creations. Engage in meaningful discussions and expand your understanding of the evolving nature of humanity in the digital age.
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Terasem’s 7th Annual Workshop on Geoethical Nanotechnology The Intertwined Histories of Artificial Life and Civil Rights Martine Rothblatt 20 July 2011
Mary Shelley’s 1817 masterpiece Frankenstein: The Modern Prometheus Credits: http://www.mightyape.co.nz
Rossum’s Universal Robots Imitations Credits: http://en.wikipedia.org I, Robot Credits: http://www.ibeatyou.com Credits: http://canadianchristianity.com Credits: http://www.technologyblogged.com
SecondClass Citizenry Cylons Credits: http://www.stormgrounds.com/wallpaper/Entertainment/Cylon Credits: http://www.stonebridge.com
Imitations do not always go berserk SPIELBERG’S AI Credits: http://www.filmcritic.com/features/2001/07 Bicentennial Man Credits: http://outsidernarratives.blogspot.com
“We hold these truths to be self-evident, that all men are created equal.” ~ Declaration of Independence July 4, 1776 ~ Slaves, women and other oppressed people occupied the role of being an imitation of a human. In the latter 1700s slavery was a part of life… In the latter 1700s women had no rights… Credits: http://ebookstore.sony.com Credits: http://remnanttrust.ipfw.edu
the long march of civil rights 1860 Abraham Lincoln Frederick Douglass to Credits: http://www.archives.gov Credits: http://www.vanderbilt.edu 1960 Lyndon B. Johnson Martin Luther King, Jr. Credits: http://www.websters-online-dictionary.org Credits: http://www.drmartinlutherking.net
In the past two centuries… Credits: Illustration by Harry Brockway from Mary Shelley's Frankenstein. http://foliosociety.org.uk Credits: http://canadianchristianity.com Robot / Slave Monsters / Things Illustration by Harry Brockway from Mary Shelley's Frankenstein.
1950s Artificial Intelligence 1968s Stanley Kubrick’s HAL in 2001: A Space Odyssey Hello Dave Credits: http://spacecollective.org Credits: http://www.moviewallpapers.net Artificial Intelligence made Frankenstein-like stories plausible The creation of a credible, digital person
Rossum’s Universal Robots (1922) Credits: http://en.wikipedia.org Enhancing Humans Credits: http://movingfilms.wordpress.com
Star Trek: Measure of a Man (1989) Civil Rights of Digital People Commander Data Credits:http://en.wikipedia.org
Robot Human Slave Woman Automaton
Young Frankenstein Civil Rights March Credits: http://www.blingcheese.com Credits: http://www.ccrh.org Rosie the Riveter Immigration Credits: http://www.immigrationdnatesting.us/ Credits: http://www.pophistorydig.com
The lesson of intertwined cultural histories of techno-human imitations and civil rights is clear: • That which values life, regardless of its form, heritage or • substrate, will demand to be respected in its value of life; • Tolerate substrate diversity easily in its beginnings, or • tolerate it hard in the end; • If something thinks like a human, it will want to be loved, • it will resent being abandoned and it will channel its anger • in strange and unpredictable ways; and • Better for all that we love, nurture and respect that which • we create in our likeness.
Thank you. Martine4@gmail.com 20 July 2011