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Untitled (living rooms), 1977

Untitled (living rooms), 1977. Untitled (four single men), 1977. Untitled (four women looking in the same direction), 1977. Cindy Sherman, Untitled Film Still # 7 , 1977. Sherrie Levine, After Walker Evans, 1979. David Levinthal, from the Hitler Moves East series, 1975.

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Untitled (living rooms), 1977

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  1. Untitled (living rooms), 1977

  2. Untitled (four single men), 1977

  3. Untitled (four women looking in the same direction), 1977

  4. Cindy Sherman, Untitled Film Still # 7, 1977

  5. Sherrie Levine, After Walker Evans, 1979

  6. David Levinthal, from the Hitler Moves East series, 1975

  7. Alfred Steiglitz, Spiritual America, 1923

  8. Criminals and Celebrities, 1989

  9. Bikinis, Boats and Trucks, 1986

  10. Girlfriend, #9, 1992

  11. Tell Me Everything, 1987

  12. Point Courage, 1989

  13. Untitled, Upstate, 1995-99

  14. White de Kooning #1, 2007

  15. Willem DeKooning, Woman III, 1953

  16. Britney Spears, 2000

  17. Bibliography • Mia Fineman, “The Pleasure Principle: Richard Prince’s Post-Pulp Art Takes a New Step,” in Slate, 10/3/03. • Andy Grundberg, “Richard Prince, Rephotographer” in The Crisis of the Real. (New York: Aperture, 1999). • Daryl Lang, “Prince Print Sets Auction Record for Photography,”Photo District News, November 9, 2005. • Randy Kennedy, “The Duchamp of the Muscle Car, The New York Times, September 23, 2007. • Randy Kennedy, “If a Copy Is an Artwork, Then What Is the Original?”The New York Times, December 6, 2007. • Mary Warner Marien, Photography: A Cultural History, (New York: Prentice Hall/Abrams, 2002). • Peter Schjeldahl, “The Joker,” in The New Yorker, 12/28/07. • Roberta Smith, “Pilfering a Culture Out of Joint” in The New York Times, 9/28/07. • Carol Squiers and Brian Wallis, “Is Richard Prince a Feminist?” in Art in America, 11/1/93. • Spiritual America website, Guggenheim Museum of Art, New York, 2007.

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