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"COPY LINK : https://pdf.bookcenterapp.com/slide/1681981947<br> <br>When photographing people, you can have a great composition, perfect light, and the right camera settings, but if your subject doesn’t look right—if the pose is off—the shot will not be a keeper. Posing is truly a crucial skill that photographers need to have in order to create great photographs. If you’re looking to improve your ability to pose your subjects—whether they’re men, women, couples, or groups—best-selling author and photographer Lindsay Adler’s The Photographer’s Guide to Po
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The Photographer's Guide to Posing: Techniques to Flatter Everyone
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The Photographer's Guide to Posing: Techniques to Flatter Everyone DESCRIPTION COPY LINK : https://pdf.bookcenterapp.com/slide/1681981947 When photographing people, you can have a great composition, perfect light, and the right camera settings, but if your subject doesn’tlook right—ifthe pose is off—th shot will not be a keeper. Posing is truly a crucial skill that photographers need to have in order to create great photographs. If you’relooking to improve your ability to pose your subjects—whther they’remen, women, couples, or groups—bet-selling author and photographer Lindsay Adler’sThe Photographer’sGuide to Posing: Techniques to Flatter Everyone is the perfect resource for you.In the first half of The Photographer’sGuide to Posing, Lindsay discusses how the camera sees, and thus how camera angle, lens choice, and perspective all affect the appearance of your subject. Lindsay then covers the five most important things that ruin a pose—suh as placement of the hands, and your subject’sexpression and posture. If you can look out for and avoid these five things, your skills (and your images) will quickly improve. Next, Lindsay dives into “poing essentials,”outlining her approach to start with a “bae pose,”then build on that to create endless posing opportunities. She also discusses posing the face—wih specific sections dedicated to the chin, jaw, eyes, and forehead—aswell as posing hands.In the second half of the book, Lindsay dedicates entire chapters to posing specific subject matter: women, men, couples, curvy women, families and small groups, and large groups. In each chapter, Lindsay addresses that subject matter’sspecific challenges, provides five “goto poses”you can always use, and covers how to train the eye to determine the best pose for your subject(s). In the final chapter of the book, Lindsay brings it all together as she teaches you how to analyze a pose so that you can create endless posing opportunities and continuously improve your work. 
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