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HUM 150 MART Making Decisions/hum150mart.com

FOR MORE CLASSES VISIT<br>www.hum150mart.com<br>HUM 150 Week 1 DQ 1<br>HUM 150 Week 1 DQ 2<br>HUM 150 Week 1 DQ 3<br>HUM 150 Week 1 DQ 4<br>HUM 150 Week 1 Summary<br>HUM 150 Week 1 Assignment Film Viewer Opinion Paper<br>HUM 150 Week 2 DQ 1<br>HUM 150 Week 2 DQ 2<br>HUM 150 Week 2 DQ 3<br>HUM 150 Week 2 DQ 4<br>HUM 150 Week 2 DQ 5<br>HUM 150 Week 2 Summary<br>

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HUM 150 MART Making Decisions/hum150mart.com

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  1. HUM 150 MART Making Decisions/hum150mart.com Formore course tutorials visit www.hum150mart.com COM 295 STUDY Inspiring Minds/com295study.com For more course tutorials visit www.com295study.com

  2. HUM 150 Entire Course (UOP) FOR MORE CLASSES VISIT www.hum150mart.com HUM 150 Week 1 DQ 1 HUM 150 Week 1 DQ 2 HUM 150 Week 1 DQ 3 HUM 150 Week 1 DQ 4 HUM 150 Week 1 Summary HUM 150 Week 1 Assignment Film Viewer Opinion Paper HUM 150 Week 2 DQ 1 HUM 150 Week 2 DQ 2 HUM 150 Week 2 DQ 3 HUM 150 Week 2 DQ 4

  3. HUM 150 Week 2 DQ 1 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Lighting can be crucial to film – sometimes to such an extent that lighting can help define the particular film genre. Film Noir, for instance, and if you are not familiar with Film Noir, look it into it and you'll see what I'm getting at. So what similarities and differences would you take into consideration when shooting horror, romantic comedy, detective, and musical comedy genres. How would your lighting choices support film storytelling, including setting tone and mood? Provide examples of specific scenes.

  4. HUM 150 Week 1 DQ 1 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Who contributes most to a film’s success? Why? What do you focus on most when watching a film? Why? When deciding to go to a movie, what influences your decision (genre, director, star, and so forth) regarding which movie to choose?

  5. HUM 150 Week 1 DQ 2 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Who contributes most to a film’s success? Why? What do you focus on most when watching a film? Why? When deciding to go to a movie, what influences your decision (genre, director, star, and so forth) regarding which movie to choose?

  6. HUM 150 Week 1 DQ 3 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Identify your favorite movie genre, movie, film actor, film actress, movie soundtrack, TV show on movies, movie website, where you find the movie times and why you like them.

  7. HUM 150 Week 1 DQ 4 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com What impacts your decision of which movie to see – genre, director, star, etc.? Where do you get your information about a movie to make the decision to see it? How and where do you prefer to watch a film?

  8. HUM 150 Week 1 Summary (UOP) FOR MORE CLASSES VISIT www.hum150mart.com HUM 150 Week 1 Summary

  9. HUM 150 Week 2 Assignment Editing, Sound, and Music Worksheet (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Watch the movie you selected in Week One. Complete the University of Phoenix Material: Editing, Sound, and Music Worksheet, based on the film. The word count requirement for each section should read 250 words, not 50 words. Make sure that you list the title of the film, the name of its director and the names of its principal actors at the top of your Worksheet before beginning

  10. HUM 150 Week 2 DQ 1 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Lighting can be crucial to film – sometimes to such an extent that lighting can help define the particular film genre. Film Noir, for instance, and if you are not familiar with Film Noir, look it into it and you'll see what I'm getting at. So what similarities and differences would you take into consideration when shooting horror, romantic comedy, detective, and musical comedy genres. How would your lighting choices support film storytelling, including setting tone and mood? Provide examples of specific scenes.

  11. HUM 150 Week 2 DQ 2 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Lighting can be crucial to film – sometimes to such an extent that lighting can help define the particular film genre. Film Noir, for instance, and if you are not familiar with Film Noir, look it into it and you'll see what I'm getting at. So what similarities and differences would you take into consideration when shooting horror, romantic comedy, detective, and musical comedy genres. How would your lighting choices support film storytelling, including setting tone and mood? Provide examples of specific scenes.

  12. HUM 150 Week 2 DQ 3 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Discuss with examples the fundamental elements of setting (including but not limited to location, time, era, weather, and buildings). Sometimes setting is essential to a story, such as in The Perfect Storm, in which the setting is so integral that it could be considered a character unto itself. Are there other instances when setting is not so essential? What other elements of film might offset the impact of when/if setting becomes secondary? How may changing the setting to a different time and place affect a film?

  13. HUM 150 Week 2 DQ 4 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com List the various types of sounds you hear during a movie. What purpose does each serve? (TIP... the book describes the Types of Sounds) Provide at least 2 or more examples of effective uses from films you remember. From these, discuss how sound manipulates audience reaction.

  14. HUM 150 Week 2 DQ 5 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Imagine your house or apartment is a set for a movie in which you are starring. What would the set tell the audience about you and your life? Why? What elements would be most revealing? How do moviemakers use sets to reveal character information, and create tone and mood for the story? Recall a scene from a film you have seen recently to illustrate your point.

  15. HUM 150 Week 2 Summary (UOP) FOR MORE CLASSES VISIT www.hum150mart.com HUM 150 Week 2 Summary

  16. HUM 150 Week 3 DQ 1 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com How would you film your story into a 20-minute segment your friends would sit through? And keep in mind that in addition to entertainment, most dramas are produced to convey a film-maker's point-of-view or messages/lessons considered important. So first, consider the mechanics. What types of lighting, sound, and other technical techniques convey your drama's theme? What framing and camera angles would you use for each scene? Why? How will they convey emotions? How will they contribute to your drama's success? Similarly, what editing techniques would you use, such as transitions in and between scenes, ways to compress time, means to establish locations, and so forth? Why? And what would you suggest to others about their filming and editing techniques?

  17. HUM 150 Week 3 DQ 2 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Coordinating your responses here with DQ 1, consider the story you wish to tell. Stories require conflict, or at least a lot of tension, in order to generate interest. So, first, what's the conflict in your story and how are you plotting it out? Also, movies, like plays and TV but unlike books, must use what's called the “objective point-of-view” because they cannot show directly what characters are thinking and feeling. They are limited to showing the exterior of characters in ways that reflect what's going on internally. And they do so in compact units called “scenes” made up of action, mannerisms, and dialogue.

  18. HUM 150 Week 3 DQ 3 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com DQ 3 covers settings. DQ 1 covers mechanics and DQ 2 covers characters and plotting. So it's only natural that to tell your story, you need to provide the fundamental elements of setting (including but not limited to location, time, era, weather, and buildings). Sometimes setting is essential to a story, such as in The Perfect Storm, in which the setting is so integral that it could be considered a character unto itself. And there other instances when setting is not so essential. Once you'd determined the influence setting will have on your story and characters, you can turn to figuring where and why you'd place doors, windows, tables, stolen jewels, corpses, and other props. How would you employ the setting, props, etc. to reveal character information, tone, and mood?

  19. HUM 150 Week 3 DQ 4 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Imagine you are a character in a teenage slasher horror movie. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reactions in horror films. Name some other characteristics one finds in all horror movies. How do they contribute to horror?

  20. HUM 150 Week 3 DQ 5 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Imagine you are a character in a comedy. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic films. Name some other characteristics one finds in all comedies. How do they contribute to comedy?

  21. HUM 150 Week 3 Learning Team Assignment Film Matrix Comedy and Horror Presentation (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Resources: University of Phoenix Material: Film Matrix; University of Phoenix Material: Comedy and Horror Films List; Week Three Electronic Reserve Readings; and Microsoft® PowerPoint® Tutorial · Select one comedy and one horror movie from the list to watch as a team. · Watch, as a team, the selected comedy and horror films. · Discuss, as a team, both movies. · Complete two matrixes, as a team, one for the comedy and one for the horror film.

  22. HUM 150 Week 3 Summary (UOP) FOR MORE CLASSES VISIT www.hum150mart.com HUM 150 Week 3 Summary

  23. HUM 150 Week 4 DQ 1 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com Name some characteristics one will find in all documentary films. How do they contribute to the documentary? Can documentaries and their components be measured the same as other film genres, such as Westerns or comedies?

  24. HUM 150 Week 4 DQ 2 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com One way of judging films (as well as literature, poetry, other forms of drama, etc.) is through time – specifically, by responding to the four following questions: 1. When was the particular film created and/or produced? It is of an era, after all, and will reflect the era's social morays, cultural quandaries, economic conditions, and so forth. 2. When does the film take place? Very often serious films reflect their era in a more honest and forthright manner by “disguising” their contemporary issues in prior or future times. It can help make the hard stuff easier to swallow.

  25. HUM 150 Week 4 DQ 3 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com What about the acting in animated or half-animated movies? Would you say that some of these movies are harder for (and on) actors – such as Avatar, in which the actors wore suits with electronic gizmos that recorded their movements for the computers to recreate with the Avatar people?

  26. HUM 150 Week 4 DQ 4 (UOP) FOR MORE CLASSES VISIT www.hum150mart.com If you created a film from the year you were born or a year of your choice, what tools would you use to place it in the proper context? Refer to the Film in Context chart in the text for guidance. Select a movie you are familiar with from the chart and identify the context.

  27. HUM 150 MART Making Decisions/hum150mart.com Formore course tutorials visit www.hum150mart.com COM 295 STUDY Inspiring Minds/com295study.com For more course tutorials visit www.com295study.com

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