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How does M.R. James create a sense of menace in “A Warning to the Curious”?

How does M.R. James create a sense of menace in “A Warning to the Curious”?. NARRATOR. How much does the narrator understand about his situation? The narrator describes his feelings precisely; what effect does this have on the reader?. NARRATOR.

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How does M.R. James create a sense of menace in “A Warning to the Curious”?

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  1. How does M.R. James create a sense of menace in “A Warning to the Curious”?

  2. NARRATOR • How much does the narrator understand about his situation? • The narrator describes his feelings precisely; what effect does this have on the reader?

  3. NARRATOR “As we neared it, Henry Long felt, and I felt too, that there were what I can only call dim presences waiting for us, as well as a far more actual one attending us.” “Yet, in all this quiet, an acute, an acrid consciousness of a restrained hostility very near us, like a dog on a leash that might be let go at any moment.”

  4. NARRATOR • Point: What is the technique and how is it being used? • Evidence: Find the shortest quotation that demonstrates this point. • Effect: What is the precise effect on the reader (as a human being, or as a reader of this text)?

  5. Implied horror • Why doesn’t the writer explain what is waiting for Paxton more clearly? • How is the confusion over the coat described in order to create a sense of fear in the reader?

  6. Implied Horror “We were a couple of hundred yards from the hill when Long suddenly said to him: 'I say you've left your coat there. That won't do See?' And I certainly did see it -- the long dark overcoat lying where the tunnel had been. Paxton had not stopped, however: he only shook his head, and held up the coat on his arm. And when we joined him, he said, without any excitement, but as if nothing mattered any more: 'That wasn't my coat.' And, indeed, when we looked back again, that dark thing was not to be seen.”

  7. Implied Horror • Point: What is the technique and how is it being used? • Evidence: Find the shortest quotation that demonstrates this point. • Effect: What is the precise effect on the reader (as a human being, or as a reader of this text)?

  8. Character – Paxton’s Terror Dehumanised means you’ve lost the things that make you human • In what ways has Paxton’s fear dehumanised him?

  9. Character – Paxton’s Terror “Paxton's agitation all this time I can give you no adequate picture: he breathed like a hunted beast, and we could not either of us look at his face. How he would manage when we got to the very place we had not troubled to think: he had seemed so sure that that would not be difficult. Nor was it. I never saw anything like the dash with which he flung himself at a particular spot in the side of the mound, and tore at it…”

  10. Character – Paxton’s Terror • Point: What is the technique and how is it being used? • Evidence: Find the shortest quotation that demonstrates this point. • Effect: What is the precise effect on the reader (as a human being, or as a reader of this text)?

  11. Character – Paxton’s Submission Paxton seems to lose his fear; he seems resigned to his fate by the end of the excerpt. What is the effect of Paxton’s submission on the reader?

  12. Character – Paxton’s Submission “Paxton had not stopped, however: he only shook his head, and held up the coat on his arm. And when we joined him, he said, without any excitement, but as if nothing mattered any more: 'That wasn't my coat.' And, indeed, when we looked back again, that dark thing was not to be seen. “

  13. Character – Paxton’s Submission • Point: What is the technique and how is it being used? • Evidence: Find the shortest quotation that demonstrates this point. • Effect: What is the precise effect on the reader (as a human being, or as a reader of this text)?

  14. Setting – Isolated/Trapped A paradox is a situation where two things seem to contradict each other but are both true. What is the paradox in the way the setting is described by M. R. James?

  15. Setting – Isolated/Trapped “There was nothing to be seen: a line of dark firs behind us made one skyline, more trees and the church tower half a mile off on the right, cottages and a windmill on the horizon on the left, calm sea dead in front, faint barking of a dog at a cottage on a gleaming dyke between us and it: full moon making that path we know across the sea: the eternal whisper of the Scotch firs just above us, and of the sea in front.”

  16. Setting – Isolated/Trapped • Point: What is the technique and how is it being used? • Evidence: Find the shortest quotation that demonstrates this point. • Effect: What is the precise effect on the reader (as a human being, or as a reader of this text)?

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