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The Post-Impressionists

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The Post-Impressionists. Post-Impressionism is a term coined by the British artist and art critic Roger Fry in 1914, to describe the development of European art since Monet.

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The Post-Impressionists

Post-Impressionism is a term coined by the British artist and art critic Roger Fry in 1914, to describe the development of European art since Monet.

It’s roughly the period between 1886 and 1892 to describe the artistic movements based on or derived from Impressionism. The term is now taken to mean those artists who followed the Impressionists and to some extent rejected their ideas. Generally, they considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint.

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The Post-Impressionists

Henri de Toulouse-LautrecDisabled poster artist known as one of the first Graphic Designers

Paul CezanneLarge block-like brushstrokes; Still lifes, Landscapes

Vincent Van GoghDistrurbed painter of loose brushstrokes and bright, vivid colors

George SeuratFounder of Pointillism; Sunday Afternoon on the Island of La Grande Jatte

Paul GauguinRejected Urban Life and choose secondary-colored island women

Auguste RodinBronze sculptor; Very loose and not detailed

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The Post-Impressionists

Henri de Toulouse-Lautrec

Henri de Toulouse-Lautrec

” At the Moulin Rouge”

Art Institute of Chicago. 1895

French artist Henri de Toulouse-Lautrec (1864-1901) was interested in capturing the sensibility of modern life and deeply admired Degas. Because of this interest and admiration, his work intersects with that of the Impressionists. However, his work has an added satirical edge to it and often borders on caricature.

Toulouse-Latutrec’s art was, to a degree, the expression of his life. Self-exiled by his odd stature and crippled legs from the high society his ancient aristocratic name entitled him to enter, he became denizen of the night world of Paris, consorting with a tawdry population of entertainers, prostitutes, and other social outcasts.

He reveled in the energy of cheap music halls, cafes, and bordellos. In “At the Moulin Rouge’, the influences of Degas, of the Japanese print, and of photography can be seen in the oblique and asymmetrical composition, the spatial diagonals, and the strong line patterns with added dissonant colors.

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The Post-Impressionists

Henri de Toulouse-Lautrec

La Goulue, 1891.

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The Post-Impressionists

Henri de Toulouse-Lautrec

Ambassadeurs: Aristide Bruant1892.

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Henri de Toulouse-Lautrec

La Toilette1896.

Oil on Cardboard.

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Paul Cezanne

Portrait of the Artist’s Father1865-66.

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Paul Cezanne

Self-Portrait with Palette1885-87.

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Van Gogh

Sunflowers, 1888.

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Van Gogh

The Night Cafe, 1888.

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Vincent’s paintings had a scientific reality to them. His paintings often depict the world as it is comprised of moving molecules and atoms. He often painted the energy that we don’t actually see in the real world.

This painting was inspired by the Japanese printmaker Hokusai’s image of “The Great Wave”.

Van Gogh, The Starry Night, 1889.

Hokusai, The Great Wave, c1828.

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Vincent Van Gogh

Self-Portrait with Felt Hat,

1887-88.

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Van Gogh

Portrait of Dr. Gachet,

1888.