Colour Theories & Some Applications. “The purest and most thoughtful minds are those which love color the most.” — John Ruskin. Scientific & Philosophical Interests & Origins of Modern Colour Theory. Isaac Newton Opticks 1704 (old spelling of Optics)
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“The purest and most thoughtful minds are those which love color the most.”
— John Ruskin
Goethe’s Colour Wheel
optical effects of adjacent tonal valuesor colourslink to stroboscopic effects (complementary colors seen as grey)http://www.michaelbach.de/ot/mot_strob/index.html
Part of Pantone color swatch set with samples of color trends for designers (fall 2008)
If the ends of the spectrum are bent around a colour wheel is formed:
(As suggested by Henry Albert Munsell in A Colour Notation, 1905)
"the quality by which we distinguish a light colour from a dark one."
A Colour Notation 1905
Value represents the luminescent contrast value between black and white
Three parameters to describe a colour: Hue Chroma Value
MANY more scientific models based on different colour theory: (Example: Colour Tree by American artist Henry Albert Munsell fromA Colour Notation, 1905.)
One Hue many values of Tint and Shade
Artist: Marc Chagall
Title: Les Amants Sur Le Toit
Artist: Paul Cezanne
Title: La Montage Saint Victoire
Artist: Vincent van Gogh
Title: The Iris
Warm: First half of the wheel give warmer colours. The colours of fire.
Artist: Jan Vermeer
Title: Girl Asleep at a Table
Cool: Second half of the wheel gives cooler colours
Artist: Pablo Picasso
Title: Femme Allongée Lisant
Achromatic: Black and white with all the grays in-between.
Chromatic Grays: Also called neutral relief. Dull colours, low contrast.
Munsell’s notation wheel
Ware, p. 84
Hue boundary identified
Form variations do NOT
interfere with hue
Form boundary NOT
Hue variations interfere
with form boundary