RENAISSANCE POETRY. PASTORAL POETRY CARPE DIEM SONNETS. PASTORAL POETRY. Set in an idealized countryside Inhabited by handsome shepherds and beautiful young women (nymphs) All live in harmony with nature Characters are simple country folk, yet they use sophisticated diction and imagery.
Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.
Contemporary of William Shakespeare
His most famous play: The Tragicall History of Dr. Faustus, which is about a man who makes a deal with the devil.
Our book tells us that Marlowe’s heroes want to be more than mere men, and only death can put an end to their grand ambitions
Marlowe is believed to have died in a bar fight about the amount of a bill (258)PASTORAL POETRY: continued
Come live with me, and be my love,
And we will all the pleasures prove
That valleys, groves, hills, and fields,
Woods, or steepy mountains yields.
And we will sit upon the rocks,
Seeing the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.
And I will make thee beds of roses, Marlowe (pg. 259)
And a thousand fragrant posies,
A cap of flowers, and a kirtle,
Embroidered all with leaves of myrtle.
A gown made of the finest wool
Which from our pretty lambs we pull,
Fair linèd slippers for the cold,
With buckles of the purest gold.
A belt of straw and ivy buds, Marlowe (pg. 259)
With coral clasps and amber studs,
And if these pleasures may thee move,
Come live with me, and be my love.
The shepherd swains shall dance and sing
For thy delight each May morning.
If these delights thy mind may move,
Then live with me, and be my love.
125 / 195-7dc. Tower of London - Brick Tower - and Sir Walter Raleigh.
Sir Walter Raleigh
Adventurer - explorer - parliamentarian - author and poet - Raleigh was the man who according to legend laid his cloak over a puddle so that Queen Elizabeth 1st. would not muddy her feet. He also introduced potatoes and tobacco into Britain from the ‘New World’, now known as North America. So why was Sir Walter Raleigh imprisoned in the Tower of London. And, not just once but on three separate occasions.
First time: Early on in his career Raleigh happened to be the favourite of Queen Elizabeth 1st. That is until in 1592 when she discovered he was secretly married to her maid-of-honour Elizabeth Throckmorton, whereupon she flew into a jealous rage and sent him to the Tower of London. Although he was later released, he was for ever more banished from the Royal Court. As for where he was imprisoned exactly, no-one really knows, although it is thought that the Brick Tower above is a likely candidate….
....Second time Walter Raleigh. : Raleigh, although admired by many, nevertheless, was not without his enemies who in 1603 persuaded James 1st that he was suspected of opposing the King’s succession to the throne. And although not sentenced to death for treason, Raleigh was nevertheless arrested and sent to the Tower of London yet again. On this occasion, however, he was definitely kept here in the Bloody Tower. And an extra floor was added so that his family, who wanted to be with him, could also be accommodated….
On the first floor of the Bloody Tower, seen here, is Raleigh's private chamber in which you can see the writing desk where he wrote the 'History of the World'. Although it appears he did'nt get very far, as he only reached the second Macedonian War in 130 BC....
If all the world and love were young,
And truth in every shepherd’s tongue,
These pretty pleasures might me move
To live with thee and be thy love.
But Time drives flocks from field to fold,
When rivers rage and rocks grow cold,
And Philomel becometh dumb;
The rest complains of cares to come.
The flowers do fade, and wanton fields Raleigh (pg. 261)
To wayward winter reckoning yields;
A honey tongue, a heart of gall
Is fancy’s spring, but sorrow’s fall.
Thy gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies.
Soon break, soon wither, soon forgotten,
In folly ripe, in reason rotten.
Thy belt of straw and ivy buds, Raleigh (pg. 261)
Thy coral clasps and amber studs,
All these in me no means can move
To come to thee an be thy love.
But could youth last and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee and be thy love.
Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today,
Tomorrow will be dying.
The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.
That age is best which is the first, Raleigh (pg. 261)
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time;
And while ye may, go marry:
For having lost but once your prime,
You may forever tarry.
Had we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down, and think which way
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews,
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise Raleigh (pg. 261)
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For. Lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear Raleigh (pg. 261)
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity
And your quaint honor turn to dust,
And into ashes all my lust:
The grave’s a fine and private place
But none, I think, do there embrace.
Now therefore while the youthful hue Raleigh (pg. 261)
Sits on thy like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all Raleigh (pg. 261)
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life;
Thus, though we cannot make our sun
Stand still, yet we will make him run.
1. Spenserian sonnet
2. Petrarchan sonnet
3. Shakespearean sonnet
the octave and the sestet
My love is like to ice, and I to fire;
How comes it then that this her cold so great
Is not dissolved through my so hot desire,
But harder grows the more I her entreat?
Or how comes it that my exceeding heat
Is not delayed by her heart-frozen cold:
But that I burn much more in boiling sweat,
And feel my flames augmented manifold?
What more miraculous thing may be told
That fire which all things melts, should harden ice:
And ice which is congealed with senseless cold,
Should kindle fire by wonderful device.
Such is the pow’r of love in gentle mind,
That it can alter all the course of kind.
the octave and the sestet
abab cdcd efef gg
three quatrainsand one coupletwhich is indented
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling bud of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines time thou growest:
So long as men can breathe, or eyes can see,
So long live this, and this gives life to thee.
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask’d, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go,
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.