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This exploration delves into the rich history and artistry of cinema, tracing its origins from early 1895 films in France and Russia to the innovations of directors like Akira Kurosawa. Discover the multifaceted roles in filmmaking—from directors who control the vision and finances to the various talents needed for acting, costume design, and editing. Featuring insights on notable film festivals such as Venice, Berlin, and Cannes, this narrative highlights the essential elements that distinguish good cinema and theatrical experiences. Experience the journey of film as an art of storytelling and expression.
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France 1895
Russia 1896 A. Khanzhonkov A. Rou R. Bykov
Who… ? • has general control of the money for film • is the boss and tell everybody what to do • looks through the camera, and operates the equipment • pretends to be another person and acts in the film • can make a new face for an actor • prepares costumes: dresses, suits for film • operates microphones and gets angry with people who make noise • writes scripts for films • does all the dangerous things on the screen instead of actor • chooses the best bits of the shooting film, cuts film…
1975 Acira Curosava
Intervational Film Festivals. Venice Berlin Cannes
The cinema consists of the screen and set of armchairs with which it is necessary to fill. The best actors, of course, at Disney. It simply erases the bad actor. The film is life from which have deduced boredom stains. The film should begin with earthquake, and then pressure should accrue. Alfred JosephHitchcock