1 / 14

(Design Authorship) Fran Baker

How can a Graphic Designer have their own signature ‘style’ if they are essentially solving a brief for a client?. (Design Authorship) Fran Baker. Introduction. Fran Baker – UKCPD NLP Foundation Qualification brochure (2012). Fran Baker – Precipice (2009). The Argument. You CAN

cecily
Download Presentation

(Design Authorship) Fran Baker

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. How can a Graphic Designer have their own signature ‘style’ if they are essentially solving a brief for a client? (Design Authorship) Fran Baker

  2. Introduction Fran Baker – UKCPD NLP Foundation Qualification brochure (2012) Fran Baker – Precipice (2009)

  3. The Argument • You CAN • Creative’s simply CAN’T HELP but bring their own style into all aspects of work they do. • You CAN’T • Designers MUST follow client briefs otherwise they won’t get paid!

  4. Reader / Author Relationship “The birth of the reader must come at the cost of the death of the author” [Barthes, (1977, p.148)]

  5. “The birth of the reader must come at the cost of the death of the author” Loud Graphix Exhibition, Berlin (2007)

  6. Case Studies: • Tomato • No distinction between their client work and their personal work. DUNHILL (2010) IN THE BELLY OF ST. PAUL (2003) ALBERTO ASPESI (1998)

  7. Case Studies: • Fuel • Insistent on having an obvious distinction between personal and client work. MACMILLAN
BOOK DESIGN
(2010) THE UNLOVED POSTER
FILM 4
(2009) BOOK MAN
(2005) BRITISH RED CROSS AID RELIEF – POSTER (2011)

  8. Postmodernism “Postmodernism is an attitude of mind that allows for different […] values and meanings to be “encoded” into a single work of art” [Britton & Barker, (2003, p.44)]

  9. If the work that’s created is open to interpretation, does it mean that authorship should be of no concern to the designers? Peter Saville- Suede ‘Coming Up’(1996)

  10. Case Studies: • Postmodernism (Left) Émigré Magazine 17, Edward Fella -WiseGuys(1991) (Right) Neville Brody- Fuse (Magazine Cover) (1994)

  11. Political Agenda’s “The power of designers is that we can design things to have different consequences” [Winhall, J. (2012). Is Design Political? [article]. Retrieved from http://www.core77.com/reactor/03.06_winhall.asp]

  12. The only way Graphic Designers can have a ‘voice’ within their work… (Above) Adbusters – Absolut on Ice (2011) (Top Right) Adbusters - Tommy Hilfinger: Follow the Herd (2011) (Right) Banksy- Global Warming (2009)

  13. Case Studies: • First Things First Manifesto • Adbusters (Above) First things first manifesto (1964) (Right) Adbusters - Everything Is Fine, Keep Shopping (2011)

  14. Conclusion Does it really matter? YES /NO

More Related